戦国の関は一つの産業であった。春日神社を氏神と仰ぐ鍛冶たちが、中部日本の軍勢を武装させた。孫六兼元の三本杉と之定の最上作は、量産の町に第一級の技が息づいていたことの証である。
Summary This blade is attributed to Ujisada (氏貞). Ujisada is also known as Izumo no Kami Ujisada (出雲守氏貞). He was active during the late Muromachi period (1570-1593: Genki-Tensho era). According to available records, Ujisada received an honorable official title of Izumo no Kami after the fifth year of the Tensho era (1577) from the imperial court for his excellent craftsmanship. He originally signed Kanesada (兼貞) as his maker’s name and changed it to Ujisada. He was a student of the first-gen Ujifusa and an older brother of Wakasano Kami Ujifusa, who served Oda Nobunaga, one of the most famous Samurai in Japanese history. Ujisada initially forged swords in Mino province (today’s Gifu prefecture) but moved to Owari province (尾張: today’s Aichi prefecture) later in his life. His younger brother, Wakasano no Kami Ujifusa, also moved to Owari province (尾張) from Mino. Anecdote about Ujisada There is an interesting anecdote about Ujisada related to Toyotomi Hideyoshi, one of the three unifiers of Japan during the Sengoku period. When Hideyoshi wasn’t promoted to the high position yet, Kobayashi, one of his peers in the army, owned a great sword signed by Ujisada. Hideyoshi got very fond of the sword and asked Kobayashi if he could buy the sword. However, Kobayashi wouldn’t let it go. After Hideyoshi climbed the social ladder and became the head of 11 provinces, he asked Kobayashi again. He even offered a whole Ise province ( it was called Ise Koku (Country) back then) in exchange for the sword. But, Kobayashi declined Hideyoshi’s offer. This story became famous, and Ujisada became known as Ikkoku Ujisada. Ikkoku means a whole country (province in the old definition). This anecdote indicates that one sword made by Ujisada is worth more than one entire province. Mino Province The MINO swordsmiths style, also known as MINO-DEN, basically has the TOGARI(Pointed shapes protruding from the Hamon )in a classic straight line and random temper line with some white Utsuri. MINO-DEN had its origin from YAMATO-DEN in the late KAMAKURA period(1280-1330). It flourished in the MUROMACHI period(1333-1573) and continued until the EDO period(was1603-1868). Due to the high demand for weapons, MINO-DEN exceedingly prospered during Sengoku Jidai(Warring State period). And the location of Mino province beat others. Akechi Mitsuhide controlled Mino province, Nobunaga Oda ruled Owari province, and Tokugawa Ieyasu was the lord of Suruga (Neighboring areas). There was high demand from those powerful feudal lords and their retainers. Furthermore, many wars occurred between the Kanto region and the Kyoto area. Many feudal lords demanded swords forged in the Mino province. Mino is located in the middle, making feudal lords feel convenient to order swords from MINO-DEN. The blades forged in MINO provinces also had the reputation of their practical design and sharpness. Tachi Koshirae This blade is stored in Tachi(太刀) Koshirae. Tachi was mainly used by an armored Samurai with one hand on horseback from the Heian period (794-1185 A.D.) until the early Muromachi period. TACHI was suspended loosely on the left waist with its edge facing the ground so that you could draw it faster to cut down soldiers on the ground. Because of its gorgeous looking, having a Tachi-style sword mounting became a social status among Samurai. *Please keep in mind that there are some visible Kizu on this blade. If you like to see more detailed images, please feel free to contact us. We will be happy to take additional photos and videos. Fuchi-Kashira The Kabutogane (冑金/兜金) is a metal fitting that is attached to the end of a handle. And a Sarute/Sarude (猿手) is attached to this Kabutogane. The user of a sword passed the Udenukio (腕貫緒, a cord wrapped around the wrist to prevent a sword from falling out of the hand, mainly used when riding a horse) through this ring. In addition, the Fuchi Kanamono (縁金物) is also a metal fitting attached to the handle, but on the opposite side of Kabutogane. Other metal fittings of this Koshirae have the same design such as Kuchi Kanamono (口金物, a metal fitting that is attached to the tip of the scabbard close to Tsuba), Seme Kanamono (責金物, a ring-shaped metal fitting placed in the middle of the scabbard to prevent the sheath from cracking), Ashi Kanamono (足金物, metal fittings attached to the positions where Sageo cord is wrapped), and Ishiduki Kanamono (石突金物, a metal fitting that is attached to the end of the scabbard). These metal parts are made of silvery metal, and chrysanthemum patterns are designed in the same style. Tsuka and Menuki A family crest is designed on this Menuki. Golden paint is applied to each Menuki, and its bright color remains in good condition. We believe it is the Takeda Bishi (武田菱) pattern, which is the family crest of the Takeda (武田) clan. Branch families of the Takeda family used the Hishi (菱) pattern for their family crests; however, they had considered the head of the Takeda family. So, they changed the Hishi pattern. This Sankai Bishi pattern might have been one of these examples. We are unsure whether one of the former owners of this sword was related to the Takeda family. Please note that it is just a possibility. Tsuba and Habaki This Tsuba has a simplified Tachi Goshirae Tsuba (太刀拵鐔) style. The difference between Tachi Tsuba (太刀鐔) and Katana Tsuba (刀鐔) is that the top and bottom positions of the Nakago hole (茎櫃, center hole) are reversed. The Tsuba of this Koshirae has Aoi (葵) Tsuba shape. If you focus on four corners, you will find a heart mark-shaped hole is engraved on each edge. It is called the Inome (猪の目) pattern. The Inome pattern has been used since ancient times. As its name implies, the boar’s eyes are the origin of this pattern. Some people believed the Inome design would work as an amulet to protect them from evil spirits or fire. Also, it is said it would bring good luck. About the design, this Tsuba is decorated with chrysanthemums, the same as the Fuchi Kashira we mentioned earlier. A long time ago, chrysanthemums were used as a medicine for obtaining a long life in the continent, and it was brought to Japan with this thought in the Nara period (648-781). The chrysanthemum symbolizes autumn, and people have greatly appreciated it since ancient times. This flower has been likened to the sun as its petals form radially. That is why chrysanthemum designs are treated as the symbol of perpetual youth and longevity or good health. Authentication Paper They authenticated the blade on June 7th in the 45th year of Showa (1970). They appraised it as a Tokubetsu Kiho Touken, an old form of the certificate. The purchaser will receive the original certificate as well.

























販売店の記載のまま
美濃伝 · 美濃 · 1558-1592頃
藤代 中上作 · 刀剣大鑑 上位31%
現在4点販売中
氏貞は室町時代末期の関の刀工で、初代若狭守氏房の子で、二代若狭守氏房の弟と伝えられる。出雲守、左近少将、権少将を受領し銘に冠する。常の作風は、小板目に柾ごころの肌合が交じった鍛えを呈し、浅く大きくのたれた焼刃に箱がかった刃を交えるなど、末関中特に氏房系の特色をよく示したものが多い。
作風は、板目肌立ちごころに僅かに流れ肌交じり、板目に流れ柾交じり、あるいは小板目に流れて柾ごころの肌が交じるなど、鍛えに変化が見られる。刃文は浅く大きくのたれ、箱がかった刃や互の目、尖り刃などを交え、焼深く匂口締まるものや、のたれを主調に互の目、小互の目を交え、小足入り、砂流しかかり、匂深く小沸つき、匂口冴えるものなどがある。複式風の互の目・互の目丁子・尖り刃など交じり、足入り、処々葉を交え、匂口締まりごころとなり、匂勝ちとなる作もある。帽子は乱れ込み、先を焼詰め、あるいは小丸、掃きかけるなどが見られる。姿は、鎬造、庵棟、あるいは三つ棟で、身幅広く、先反りややつき、中鋒延びごころとなるものが多い。
氏貞の作は、地刃共に出来が良く、その出来栄えから「一国」の号があったとも伝えられる。重要刀剣の指定を受けている作は、末美濃物中で優れたものと評価され、年紀のあるものも貴重である。氏房系の特色をよく示し、地刃の出来が優れている点が評価されている。
氏貞の位置づけを、日本刀全体および伝法・時代・時期ごとに示します。各区分(随一・屈指・有数・著名)は、NBTHK および文化庁による指定に加え、三作や名物帳などの歴史的栄誉を加味したものです。
各項目を選ぶと評価方法が表示されます。
在銘年紀作が示す、確実に活動していた年代
美濃伝 · 尾張
現在16点販売中
氏房は尾張国に興った一門で、その作は桃山末から江戸初期、いわゆる新古境いの時代に位置づけられる。説示は若狭守氏房・飛騨守氏房を本流の手本として繰り返し挙げ、これに連なる工として、若狭守氏房の次男と伝える越後守氏恒、初代氏房の子と伝える出雲守氏貞らを記す。氏恒は河村平十郎、初銘を氏重とし、元和六年に越後守を受領、明暦二年に尾州名古屋にて歿したと美濃刀大鑑が伝える。氏貞は出雲守を受領し、左近少将あるいは権少将と銘した。一門は美濃を根として尾張に移り、徳川・尾張の地で代々その作風を継いだ。 作風は美濃伝を基調とする。鍛えは板目がつみ、杢や流れ肌を交え、地沸が微塵に厚くつき、地景が細かに入る。刃文は直ぐの焼出しごころを見せたうえ、下半は浅いのたれを基調に小互の目を連れて交え、上半は小のたれに大互の目や尖りごころの互の目を交える。のたれが角がかり、小足・葉が入り、沸がつき、処々荒めの沸を交えてむらづき、金筋・砂流しがかかり、随処に飛焼・棟焼を交えて匂口が幾分沈みごころとなる。帽子は焼深く、三品風に先が尖り、あるいは一枚風となって長く焼き下げ、掃きかける。短刀には平造に草の倶利迦羅や護摩箸に蓮台の彫物を加えるものがあり、師伝をよく踏襲する。大きくのたれた刃に大乱れを焼き、飛焼を交えて皆焼風となる一類もある。見分けは、のたれの角がかりと沸のむらづき、匂口の沈みごころ、そして三品風に先の尖る帽子に求められる。 伝来し指定された作には、越後守氏恒の幅広・大鋒で重ね厚く長寸の豪壮な刀、左近権少将氏貞の天正五年紀を切る彫物入りの短刀、氏貞の皆焼風を示す刀などがある。鑑定の要点は、若狭守及び飛騨守氏房の作柄を髣髴とさせる地刃の総体にあり、肉置き豊かな体配と大模様の刃文が相俟って迫力ある一作風を成す。寡作の工にあっても抜群の出来を示し、長大な姿にして破綻のないところに、この一門の力量がうかがわれる。 詳しく見る →
室町時代の美濃
戦国の関は一つの産業であった。春日神社を氏神と仰ぐ鍛冶たちが、中部日本の軍勢を武装させた。孫六兼元の三本杉と之定の最上作は、量産の町に第一級の技が息づいていたことの証である。
本作はNBTHKの旧鑑定書(貴重・特別貴重)を有しますが、これらは現在発行されておらず、現在の日刀保ではほとんど認められていません。極めを確認するには、公的な鑑定機関(NBTHK・NTHKなど)に再提出し、現行の鑑定を受けることもご検討ください。
Returns/exchanges limited to defects caused by shipping (except willful misconduct or gross negligence by the company); customers must contact within 72 hours of receiving the product.