説明

時代 : 室町中期 国 : 相模国 証書 : 財団法人日本美術刀剣保存協会 特別保存刀剣 鑑定書及び特別保存刀装 鑑定書 「日本刀随感」所載 外装 : 拵付白鞘入 刃長 : 2尺1寸3分半 反り : 7分8厘 目釘穴 : 1個 Period : Mid.Muromachi Country : Sagami Paper : NBTHK Tokubetsu Hozon Token Paper and Tokubetsu Hozon Toso Paper Recorded in Nihonto Zuikan Fittings : Koshirae+Shirasaya Length : 64.7cm(25.5inches) Curve : 2.3cm Hole : 1 廣次は相模国の刀工で、南北朝時代から室町時代にかけて数代いたとされていますが、現存する作品は室町中期のものが多いようです。相州伝は技術的に一番困難な鍛刀方法と言われており、急熱急令から生まれる皆焼・棟焼の刃文は華やかさもさることなが、強靭さも加味されたもので、この製法は全国に広がりを見せていったようです。 本作は鎬造、庵棟、元先の幅差つき、先反り高く、時代は永正(1504~1520)頃かと思われます。地鉄は小板目詰み、地景交じり、刃文は所謂皆焼刃で、下半は高低のある尖りごころの互の目、丁子を焼き、中程から上半のかけて焼きの変化細かになり、沸勝ちの尖り互の目、丁子を主体とした皆焼となって飛び焼、葉、砂流まじり、帽子の返り早く、深々と焼き下げ、鎬地にも総体的焼きが入り、かなり華やかな出来です。外装は縁頭が稲川克茂、鐔が光在銘で、共に虎図となり、目貫、栗形、小尻等も全て虎図でまとめられた黒蝋色塗の印籠刻鞘打刀拵です。拵にも特別保存の鑑定書が付帯した素晴らしい作品です。 2024大刀剣市カタログ所載品

刀 廣次 / Katana Hirotsugu
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Tokuho売切れ

刀 廣次 / Katana Hirotsugu

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世界81社の刀剣商を横断追跡 · 価格履歴 · 売却アーカイブ

仕様

長さ

64.7 cm

反り

2.3 cm

作者について

Sue-Soshu Hirotsugu廣次

1 御物2 重要刀剣

Hirotsugu was a swordsmith who resided in Kamakura in Sagami Province, working within the *Soshu-den* tradition. Sword reference works place the first generation in the Kenmu era; however, among extant works none can be traced back earlier than the mid-Muromachi period, and he is accordingly regarded as a representative Soshu smith of the late Muromachi period. Smiths of particularly high technical ability are known from around the Meio era, and there are also examples bearing Tenbun-era date inscriptions signed "Sunshu Shimada-ju," establishing a connection to Suruga Province. A wakizashi in the Imperial Collection dated Meio 9 (1500) represents the oldest firmly dated example. Hirotsugu's workmanship is characterized by bold, vigorous construction with wide *mihaba* and extended *kissaki*. The *kitae* is *itame-hada* mixed with *mokume*, frequently showing a tendency toward standing grain, with thickly adhering *ji-nie* and abundant *chikei*. The *hamon* is generally *yakidaka*, mixing *gunome* with *choji*, *togariba*, and *yahazu-gata* elements within a *notare* ground. With *tobiyaki* and *muneyaki* intermingled, the tempering develops into *hitatsura* of striking force, accompanied by frequent *kinsuji* and *sunagashi* and a bright *nioiguchi*. The NBTHK observes that at first glance such work "produces a strongly nie-laden, powerful hitatsura that calls to mind the Hasebe school of the Nanbokucho period." Several blades also display faint *utsuri*, and the *boshi* is characteristically deep, often finished *ichimai* with *hakikake*. Hirotsugu's finest pieces are consistently praised for the vigor and completeness of their hitatsura, with both *ji* and *ha* richly covered in *nie*. The execution is described as forceful even into the boshi, and the *horimono* on certain examples -- including *kurikara* and *bonji* carvings -- are called "splendid." The NBTHK notes that from these qualities "Hirotsugu's high level of technique is readily discerned," and the best works rank among the finest achievements of late Soshu craftsmanship.

刀剣商

勝武堂

shoubudou.co.jp

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