The monasteries that had sustained Yamato lost ground through the Muromachi period, and the schools thinned with them; Sue-Tegai kept the old masame manner alive in quantity. The burning of Tōdaiji’s Great Buddha hall in 1567 closed the temple age.
This is a large naginata by Kanenaga, a student of Kunitsugu from the Tegai school in Yamato province. Dating back to the Muromachi period (Koto), it features a straight temper line with flowing masame grain and is in remarkably healthy condition with a single mekugi-ana. Measuring 57.1cm in nagasa, this powerful blade embodies the deep character of Koto swords.
Certificate reading — 銘 包長
NihontoWatchmei · Tegai · Muromachi · nagasa 57.1cm · sori 1.3cm
Yamato-den · Yamato · around 1394-1428
Tōken Taikan top 31%
1 piece on the market now
Yamato-den · Yamato
Phase: Sue-Tegai末手掻· 1390–1700
29 pieces on the market now
Sue-Tegai (末手掻) is the late phase of the Tegai school, from the Ōei era through the Muromachi period (with a thin tail of name-bearers into the early Edo period). The term 末手掻 is used directly in NBTHK setsumei to set this generation apart from the classical Ko-Tegai of the founder Kanenaga. Its representative smiths are Kanezane (包眞), Kanetoshi (包俊 / 包利), Kaneyoshi (包吉), and Kaneyuki (包行), names that recur across several generations as the workshop continued to supply blades through the fifteenth and sixteenth centuries. The Sue-Tegai idiom is a tightening and quieting of the classical Yamato manner.
The jigane becomes a closely-forged ko-itame mixed with prominent masame that frequently takes on a whitish (shirake) cast — a hallmark of the late phase — while the hamon narrows to a nioi-based suguha that frays into hotsure and ko-midare, with a komaru bōshi. The hiogi (檜垣) file-mark on the nakago is a recurring diagnostic. Production shifts toward tantō and wakizashi in standard Muromachi forms alongside some katana, and the NBTHK observes that the work shows comparatively little individual character, faithfully preserving the traditional house style rather than the bold personal expression of the Kamakura founders. The phase represents the orthodox Yamato tradition carried, with conservative consistency, to the close of the Muromachi age. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Kanenaga包永 | 1288-1312 | 62 |
| Kanekiyo包清 | 1362-1370 | 8 |
| Kanetsugu包次 | 1317-1333 | 4 |
| Kanetoshi包俊 | 1381-1384 | 4 |
| Kanezane包眞 | 1394-1428 | 3 |
The monasteries that had sustained Yamato lost ground through the Muromachi period, and the schools thinned with them; Sue-Tegai kept the old masame manner alive in quantity. The burning of Tōdaiji’s Great Buddha hall in 1567 closed the temple age.
Certifies a genuine blade worth preserving: a signature confirmed correct, or, if unsigned, an era, province, and school that the NBTHK can reliably identify.
The NBTHK (Nihon Bijutsu Tōken Hozon Kyōkai, the Society for the Preservation of Japanese Art Swords) is a public-interest incorporated foundation founded in 1948 and supervised by Japan’s Agency for Cultural Affairs (Bunkachō); it is based at the Japanese Sword Museum in Tokyo. Its expert panels physically examine each submitted work (shinsa) and issue a certificate (kanteishō) ranking it by artistic and historical merit. NBTHK papers are the most widely recognized standard of authentication for Japanese swords and fittings.
NBTHK official siteExcept where the item is defective, we do not accept returns as a rule. In the case of an error on our part, please contact us by email within 3 days of the item's arrival.
This is a large naginata by Kanenaga, a student of Kunitsugu from the Tegai school in Yamato province. Dating back to the Muromachi period (Koto), it features a straight temper line with flowing masame grain and is in remarkably healthy condition with a single mekugi-ana. Measuring 57.1cm in nagasa, this powerful blade embodies the deep character of Koto swords.
Certificate reading — 銘 包長
NihontoWatchmei · Tegai · Muromachi · nagasa 57.1cm · sori 1.3cm
Yamato-den · Yamato · around 1394-1428
Tōken Taikan top 31%
1 piece on the market now
Yamato-den · Yamato
Phase: Sue-Tegai末手掻· 1390–1700
29 pieces on the market now
Sue-Tegai (末手掻) is the late phase of the Tegai school, from the Ōei era through the Muromachi period (with a thin tail of name-bearers into the early Edo period). The term 末手掻 is used directly in NBTHK setsumei to set this generation apart from the classical Ko-Tegai of the founder Kanenaga. Its representative smiths are Kanezane (包眞), Kanetoshi (包俊 / 包利), Kaneyoshi (包吉), and Kaneyuki (包行), names that recur across several generations as the workshop continued to supply blades through the fifteenth and sixteenth centuries. The Sue-Tegai idiom is a tightening and quieting of the classical Yamato manner.
The jigane becomes a closely-forged ko-itame mixed with prominent masame that frequently takes on a whitish (shirake) cast — a hallmark of the late phase — while the hamon narrows to a nioi-based suguha that frays into hotsure and ko-midare, with a komaru bōshi. The hiogi (檜垣) file-mark on the nakago is a recurring diagnostic. Production shifts toward tantō and wakizashi in standard Muromachi forms alongside some katana, and the NBTHK observes that the work shows comparatively little individual character, faithfully preserving the traditional house style rather than the bold personal expression of the Kamakura founders. The phase represents the orthodox Yamato tradition carried, with conservative consistency, to the close of the Muromachi age. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Kanenaga包永 | 1288-1312 | 62 |
| Kanekiyo包清 | 1362-1370 | 8 |
| Kanetsugu包次 | 1317-1333 | 4 |
| Kanetoshi包俊 | 1381-1384 | 4 |
| Kanezane包眞 | 1394-1428 | 3 |
The monasteries that had sustained Yamato lost ground through the Muromachi period, and the schools thinned with them; Sue-Tegai kept the old masame manner alive in quantity. The burning of Tōdaiji’s Great Buddha hall in 1567 closed the temple age.
Certifies a genuine blade worth preserving: a signature confirmed correct, or, if unsigned, an era, province, and school that the NBTHK can reliably identify.
The NBTHK (Nihon Bijutsu Tōken Hozon Kyōkai, the Society for the Preservation of Japanese Art Swords) is a public-interest incorporated foundation founded in 1948 and supervised by Japan’s Agency for Cultural Affairs (Bunkachō); it is based at the Japanese Sword Museum in Tokyo. Its expert panels physically examine each submitted work (shinsa) and issue a certificate (kanteishō) ranking it by artistic and historical merit. NBTHK papers are the most widely recognized standard of authentication for Japanese swords and fittings.
NBTHK official siteExcept where the item is defective, we do not accept returns as a rule. In the case of an error on our part, please contact us by email within 3 days of the item's arrival.
