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名品博物館

Meihin Museum

Masterworks from distinguished collections, worldwide.

Catalogue

The collection

  1. No. 1Jūyō Tōken

    The Date Yukimitsu

    Yukimitsu 行光
    Katana · Late Kamakura period
    Crest of the Date clan
    Private collection
  2. No. 2Tokubetsu Jūyō Tōken

    The Kan’in Mitsutada

    Mitsutada 光忠
    Tachi · Mid-Kamakura period
    Crest of the Kan’in-no-miya house
    Private collection

The provenance of every work is recorded in the museum’s Provenance Register.

About

Meihin, 名品, is the Japanese word for a masterwork.

The Meihin Museum is a curated museum of masterworks from distinguished collections around the world. Each work is presented with the care of a museum publication and an experience made for the work itself: photographs, film, research into its history, and the work itself, shown in its case.

How a work is presented

  1. Selection

    The work is examined in hand and judged on its own merits.

  2. Photography

    The work is photographed in the order a connoisseur looks at it: the shape, the steel and the temper line, the point, the tang.

  3. Film

    In a dark room, one small light moving along the steel.

  4. Provenance research

    Its history read from registers, inscriptions and papers, every statement graded by its evidence and cited, and set down in a Record of Provenance.

    The standard and the method

  5. Presentation

    An essay, the photographs and the record, laid out as a museum publication, with the work shown in its case where it can be.

  6. Opening

    The work opens in the museum, credited as its owner wishes: by name, by the name of a collection, or as a private collection.

The museum’s rooms

  1. Enter the museum

    The KATANA BAKO cases in the museum’s rooms. Choose a blade and step up to its case.

The Provenance Register

Every sword in the museum has a past, and much of it is still to be found. We look for it in registers, inscriptions and old catalogues, check what we find, and publish it here with its sources. Each record grows as the research does.

Following an old custom, we name each sword in honour of the great house to which it belonged. The names are the museum’s own, and a sword receives one only when its record establishes that the house held it.

  1. No. 1The Date YukimitsuDocumented Heirloom of the Date House of SendaiDraft
  2. No. 2The Kan’in MitsutadaFormerly in the Collection of the Kan’in-no-miya Princely HouseDraft

The Provenance Register

Commissions

The same care, for a work in your collection.

Each work in the museum is presented in three ways. The museum undertakes the same work on commission for museums, family offices, private collectors and auction houses: for a single work or a whole collection, and in confidence.

Provenance research
We trace the work’s history through registers, inscriptions, catalogues and papers, and set down what the evidence supports in a Record of Provenance.
Photography and film
Full-length photographs, the details in the order a connoisseur looks at them, and film of the steel under a single moving light.
Presentation
The work shown in its case in the museum’s rooms, to be seen from every side and studied without leaving its storage.

Write to the museum

The beginning

The Meihin Museum opens with two works. Its aim is a museum of the great swords and fittings in the world’s collections: each shown as fully as it deserves, and its history set down with care.

This is the beginning. Works will be added one at a time, as their owners choose to present them.

Present a work

If a masterwork in your care belongs among them, we would be glad to hear of it.

Write to the museum