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Description

This antique Japanese katana is signed by Washū Tegai-jū Kanekuni, a distinguished swordsmith from the early Edo period (Keichō era). He was the fifth-generation Kanekuni and elder brother of Nanki Shigekuni, known for their work as official swordsmiths for Tokugawa Ieyasu in Sunpu. The blade exhibits a beautiful jigane and suguha hamon, characteristic of the Yamato style, and comes with an NBTHK Juyo Token certificate.

NBTHK Setsumei

Jūyō-Tōken, 22nd Session — Designated June 1, 1974 Katana, mei: Tegai Kanekuni (包国) Measurements Nagasa 73.5 cm, sori 2.0 cm, motohaba 2.8 cm, sakihaba 1.95 cm, kissaki-nagasa 3.6 cm, nakago-nagasa 20.4 cm, nakago-sori none Description Keijō: shinogi-zukuri; mitsu-mune; high shinogi; slight curvature; chū-kissaki. Kitae: itame-hada with abundant ji-nie, and chikei appearing. Hamon: suguha-based, gently undulating in shallow notare with small gunome mixed in; nie adheres well; frequent sunagashi; mixed with hotsure and kuichigai-ba; kinsuji enter. Bōshi: ko-maru, slightly hakikake, with a shallow return. Horimono: None. Nakago: ubu; kurijiri with a shallow tip; shallow sujikai yasurime; one mekugi-ana; on the sashi-omote, toward the mune, there is a long signature. Artisan Shodai Tegai Kanekuni (包国) Era Early Edo period (Kan’ei era) Explanation The first generation Kanekuni belonged to a late line of the Yamato Tegai group and relocated to Sunpu. However, because his workmanship and the manner of his signature so closely resemble those of Nanki Shigekuni, he was traditionally regarded as the same person as Shigekuni. Yet, after Shigekuni moved to Wakayama in Kii Province, there are works by Kanekuni made in Suruga during the Kan’ei era; it is therefore clear that they are different individuals. Moreover, the theory that Kanekuni was Shigekuni’s father has no supporting materials, and must await future research. Still, there is no doubt that the two were swordsmiths of the same school and the same time. This katana is an outstanding work by the first generation Kanekuni: both ji and ha are well covered with nie, and it preserves the tradition.

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Swords›Yamato-den›Tegai›Sue-Tegai›Kanekuni›Katana signed by Kanekuni with NBTHK Juyo Token Certificate
katanaJūyō
Tegai Kanekuni

Katana signed by Kanekuni with NBTHK Juyo Token Certificate

mei · Tegai · Shinto · nagasa 73.5cm · sori 2cm

SOLD
Tegai Kanekuni — 1 of 26
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Measurements & details
Smith
Tegai Kanekuni
Type
Katana
School
Tegai
Period
Around 1596–1615(Keicho)
Province
Yamato
Signature
Signed(100% of this smith's designated works are signed)
Measurements
Nagasa 73.5cmSori 2cm
Description

This antique Japanese katana is signed by Washū Tegai-jū Kanekuni, a distinguished swordsmith from the early Edo period (Keichō era). He was the fifth-generation Kanekuni and elder brother of Nanki Shigekuni, known for their work as official swordsmiths for Tokugawa Ieyasu in Sunpu. The blade exhibits a beautiful jigane and suguha hamon, characteristic of the Yamato style, and comes with an NBTHK Juyo Token certificate.

NBTHK Zufu Commentary

Juyo #22

AI translation — may contain errors

-, 22nd Session — Designated June 1, 1974

, : Kanekuni (包国)

Measurements 73.5 cm, 2.0 cm, 2.8 cm, 1.95 cm, 3.6 cm, 20.4 cm, none

Description Keijō: ; ; high ; slight curvature; . : with abundant , and appearing. : -based, gently undulating in shallow with small mixed in; adheres well; frequent ; mixed with and ; enter. : , slightly , with a shallow return. : None. : ; with a shallow tip; shallow ; one ; on the , toward the , there is a long signature.

Artisan Kanekuni (包国)

Era Early period (’ei era)

Explanation The first generation Kanekuni belonged to a late line of the Yamato group and relocated to Sunpu. However, because his workmanship and the manner of his signature so closely resemble those of Nanki Shigekuni, he was traditionally regarded as the person as Shigekuni. Yet, after Shigekuni moved to Wakayama in Province, there are works by Kanekuni made in Suruga during the ’ei era; it is therefore clear that they are different individuals.

Moreover, the theory that Kanekuni was Shigekuni’s father has no supporting materials, and must await future research. Still, there is no doubt that the two were swordsmiths of the school and the time.

This is an outstanding work by the first generation Kanekuni: both and are well covered with , and it preserves the tradition.

About the maker

Kanekuni

包國

Yamato-den · Yamato · around 1596-1615

Fujishiro Jo saku · Tōken Taikan top 31%

3 pieces on the market now

›

Historical importance

Where Kanekuni stands among comparable artisans: across all of nihontō, and within tradition, era, and period. The tiers (Foremost · Leading · Major · Notable) weigh official designations from the NBTHK and Japan's Agency for Cultural Affairs, together with historical honors of lasting repute such as the Sansaku and Meibutsu-chō.

随一
Foremost
屈指
Leading
有数
Major
著名
Notable

Select a lens to see how it's measured.

Designation record
2 designated works
Jūyō
2
3 works by Kanekuni on the market→
Kanekuni — full profileYamato-den school
About the school

Tegai

手掻

Yamato-den · Yamato

Phase: Sue-Tegai末手掻· 1390–1700

29 pieces on the market now

›

Sue-Tegai (末手掻) is the late phase of the Tegai school, from the Ōei era through the Muromachi period (with a thin tail of name-bearers into the early Edo period). The term 末手掻 is used directly in NBTHK setsumei to set this generation apart from the classical Ko-Tegai of the founder Kanenaga. Its representative smiths are Kanezane (包眞), Kanetoshi (包俊 / 包利), Kaneyoshi (包吉), and Kaneyuki (包行), names that recur across several generations as the workshop continued to supply blades through the fifteenth and sixteenth centuries. Learn more →

27 recorded smiths184 designated works
Leading smiths
SmithEraDesignated
Kanenaga包永1288-131262
Kanekiyo包清1362-13708
Kanetsugu包次1317-13334
Kanetoshi包俊1381-13844
Kanezane包眞1394-14283
Explore the Tegai school →
NBTHK Certificate
Jūyō Tōken重要刀剣
Important Sword
›

A blade of top-grade workmanship and condition, formally judged to rank with a nationally recognized Important Art Object (Jūyō Bijutsuhin). Awarded only at the NBTHK’s competitive annual examination.

Of Japan’s roughly 2.5 million registered swords, only 12,307 (about 1 in 203) have ever attained Jūyō.

About the NBTHK›

The NBTHK (Nihon Bijutsu Tōken Hozon Kyōkai, the Society for the Preservation of Japanese Art Swords) is a public-interest incorporated foundation founded in 1948 and supervised by Japan’s Agency for Cultural Affairs (Bunkachō); it is based at the Japanese Sword Museum in Tokyo. Its expert panels physically examine each submitted work (shinsa) and issue a certificate (kanteishō) ranking it by artistic and historical merit. NBTHK papers are the most widely recognized standard of authentication for Japanese swords and fittings.

NBTHK official site→
Seller
S
Samurai Museum
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Return policy

Returns/exchanges limited to defects caused by shipping (except willful misconduct or gross negligence by the company); customers must contact within 72 hours of receiving the product.

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Description

This antique Japanese katana is signed by Washū Tegai-jū Kanekuni, a distinguished swordsmith from the early Edo period (Keichō era). He was the fifth-generation Kanekuni and elder brother of Nanki Shigekuni, known for their work as official swordsmiths for Tokugawa Ieyasu in Sunpu. The blade exhibits a beautiful jigane and suguha hamon, characteristic of the Yamato style, and comes with an NBTHK Juyo Token certificate.

NBTHK Setsumei

Jūyō-Tōken, 22nd Session — Designated June 1, 1974 Katana, mei: Tegai Kanekuni (包国) Measurements Nagasa 73.5 cm, sori 2.0 cm, motohaba 2.8 cm, sakihaba 1.95 cm, kissaki-nagasa 3.6 cm, nakago-nagasa 20.4 cm, nakago-sori none Description Keijō: shinogi-zukuri; mitsu-mune; high shinogi; slight curvature; chū-kissaki. Kitae: itame-hada with abundant ji-nie, and chikei appearing. Hamon: suguha-based, gently undulating in shallow notare with small gunome mixed in; nie adheres well; frequent sunagashi; mixed with hotsure and kuichigai-ba; kinsuji enter. Bōshi: ko-maru, slightly hakikake, with a shallow return. Horimono: None. Nakago: ubu; kurijiri with a shallow tip; shallow sujikai yasurime; one mekugi-ana; on the sashi-omote, toward the mune, there is a long signature. Artisan Shodai Tegai Kanekuni (包国) Era Early Edo period (Kan’ei era) Explanation The first generation Kanekuni belonged to a late line of the Yamato Tegai group and relocated to Sunpu. However, because his workmanship and the manner of his signature so closely resemble those of Nanki Shigekuni, he was traditionally regarded as the same person as Shigekuni. Yet, after Shigekuni moved to Wakayama in Kii Province, there are works by Kanekuni made in Suruga during the Kan’ei era; it is therefore clear that they are different individuals. Moreover, the theory that Kanekuni was Shigekuni’s father has no supporting materials, and must await future research. Still, there is no doubt that the two were swordsmiths of the same school and the same time. This katana is an outstanding work by the first generation Kanekuni: both ji and ha are well covered with nie, and it preserves the tradition.

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Swords›Yamato-den›Tegai›Sue-Tegai›Kanekuni›Katana signed by Kanekuni with NBTHK Juyo Token Certificate
katanaJūyō
Tegai Kanekuni

Katana signed by Kanekuni with NBTHK Juyo Token Certificate

mei · Tegai · Shinto · nagasa 73.5cm · sori 2cm

SOLD
Tegai Kanekuni — 1 of 26
Tegai Kanekuni — 2 of 26
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Measurements & details
Smith
Tegai Kanekuni
Type
Katana
School
Tegai
Period
Around 1596–1615(Keicho)
Province
Yamato
Signature
Signed(100% of this smith's designated works are signed)
Measurements
Nagasa 73.5cmSori 2cm
Description

This antique Japanese katana is signed by Washū Tegai-jū Kanekuni, a distinguished swordsmith from the early Edo period (Keichō era). He was the fifth-generation Kanekuni and elder brother of Nanki Shigekuni, known for their work as official swordsmiths for Tokugawa Ieyasu in Sunpu. The blade exhibits a beautiful jigane and suguha hamon, characteristic of the Yamato style, and comes with an NBTHK Juyo Token certificate.

NBTHK Zufu Commentary

Juyo #22

AI translation — may contain errors

-, 22nd Session — Designated June 1, 1974

, : Kanekuni (包国)

Measurements 73.5 cm, 2.0 cm, 2.8 cm, 1.95 cm, 3.6 cm, 20.4 cm, none

Description Keijō: ; ; high ; slight curvature; . : with abundant , and appearing. : -based, gently undulating in shallow with small mixed in; adheres well; frequent ; mixed with and ; enter. : , slightly , with a shallow return. : None. : ; with a shallow tip; shallow ; one ; on the , toward the , there is a long signature.

Artisan Kanekuni (包国)

Era Early period (’ei era)

Explanation The first generation Kanekuni belonged to a late line of the Yamato group and relocated to Sunpu. However, because his workmanship and the manner of his signature so closely resemble those of Nanki Shigekuni, he was traditionally regarded as the person as Shigekuni. Yet, after Shigekuni moved to Wakayama in Province, there are works by Kanekuni made in Suruga during the ’ei era; it is therefore clear that they are different individuals.

Moreover, the theory that Kanekuni was Shigekuni’s father has no supporting materials, and must await future research. Still, there is no doubt that the two were swordsmiths of the school and the time.

This is an outstanding work by the first generation Kanekuni: both and are well covered with , and it preserves the tradition.

About the maker

Kanekuni

包國

Yamato-den · Yamato · around 1596-1615

Fujishiro Jo saku · Tōken Taikan top 31%

3 pieces on the market now

›

Historical importance

Where Kanekuni stands among comparable artisans: across all of nihontō, and within tradition, era, and period. The tiers (Foremost · Leading · Major · Notable) weigh official designations from the NBTHK and Japan's Agency for Cultural Affairs, together with historical honors of lasting repute such as the Sansaku and Meibutsu-chō.

随一
Foremost
屈指
Leading
有数
Major
著名
Notable

Select a lens to see how it's measured.

Designation record
2 designated works
Jūyō
2
3 works by Kanekuni on the market→
Kanekuni — full profileYamato-den school
About the school

Tegai

手掻

Yamato-den · Yamato

Phase: Sue-Tegai末手掻· 1390–1700

29 pieces on the market now

›

Sue-Tegai (末手掻) is the late phase of the Tegai school, from the Ōei era through the Muromachi period (with a thin tail of name-bearers into the early Edo period). The term 末手掻 is used directly in NBTHK setsumei to set this generation apart from the classical Ko-Tegai of the founder Kanenaga. Its representative smiths are Kanezane (包眞), Kanetoshi (包俊 / 包利), Kaneyoshi (包吉), and Kaneyuki (包行), names that recur across several generations as the workshop continued to supply blades through the fifteenth and sixteenth centuries. Learn more →

27 recorded smiths184 designated works
Leading smiths
SmithEraDesignated
Kanenaga包永1288-131262
Kanekiyo包清1362-13708
Kanetsugu包次1317-13334
Kanetoshi包俊1381-13844
Kanezane包眞1394-14283
Explore the Tegai school →
NBTHK Certificate
Jūyō Tōken重要刀剣
Important Sword
›

A blade of top-grade workmanship and condition, formally judged to rank with a nationally recognized Important Art Object (Jūyō Bijutsuhin). Awarded only at the NBTHK’s competitive annual examination.

Of Japan’s roughly 2.5 million registered swords, only 12,307 (about 1 in 203) have ever attained Jūyō.

About the NBTHK›

The NBTHK (Nihon Bijutsu Tōken Hozon Kyōkai, the Society for the Preservation of Japanese Art Swords) is a public-interest incorporated foundation founded in 1948 and supervised by Japan’s Agency for Cultural Affairs (Bunkachō); it is based at the Japanese Sword Museum in Tokyo. Its expert panels physically examine each submitted work (shinsa) and issue a certificate (kanteishō) ranking it by artistic and historical merit. NBTHK papers are the most widely recognized standard of authentication for Japanese swords and fittings.

NBTHK official site→
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