説明

源正雄は、美濃に生まれ、名を鈴木次郎といい、清麿が正行銘であったころからの古参の弟子で、清麿自刃の一年前嘉永六年に独立して江戸下谷御徒町に居住したと伝える。この刀は、小杢目がよく交じる小板目肌に、地沸微塵に厚くつき、地景細かく頻りに入る潤いのある冴えた美しい地鉄に、丁子刃に、蛙子調の丁子など交じり華やかに乱れ、足・葉よく入り、沸よくつき、金筋長く頻りに掛り、匂口明るく冴え、帽子も乱れ込んで尖って返るなど、覇気溢れ、師清麿に迫る出来となる最高傑作である。

源正雄 刀 特別保存刀剣
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源正雄 刀 特別保存刀剣

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仕様

長さ

79 cm

反り

2 cm

元幅

3.3 cm

先幅

2.4 cm

作者について

Kiyomaro Masao正雄

2 重要刀剣

Yamaura Masao was born in Bunka 1 (1804) in Akaiwa village, Komoro, Shinano Province, the eldest son of the rural samurai Yamaura Nobukaze and elder brother of the celebrated Kiyomaro. Together with Kiyomaro, he studied under the Ueda domain smith Kawamura Toshitaka, signing early works as Kanri and Toshimasa before adopting the name Masao, then Shin'o, and finally Toshinaga in his later years. He used art names including "Tennenshi," "Yushaken," and "Yuunsai," and died in Meiji 7 (1874) at seventy-one. His stylistic trajectory followed that of his brother: beginning with *choji* in the manner of Toshitaka, then shifting decisively toward *Soshu-den*. The setsumei consistently note a forging of *itame-hada* with thick *ji-nie* and conspicuous *chikei*, and a tempering of *gunome* mixed with *ko-notare*, richly laden with *nie*, *kinsuji*, and *sunagashi*. His finest katana (Juyo, 58th Session) is described as possessing "a powerful forging -- thick with *ji-nie* and heavily interwoven with *chikei*" in which "*kinsuji* and *sunagashi* activities are richer than usual even for this maker's work." Yet the NBTHK observes that "in comparison with Kiyomaro, his work tends to show fewer *chikei* in the *ji* and fewer *sunagashi* and *kinsuji* within the hardened area, and the overall quality does not reach Kiyomaro's level." Despite this candid assessment, Masao's designated works demonstrate a smith of real accomplishment, particularly in the *Soshu-den* mode where *nie* is vigorously expressed and his *shobuzukuri* wakizashi display the sharp *fukura-kare* profile he favored. His output spans both katana of bold construction and wakizashi of refined character, and his commissions from named patrons attest to the regard in which he was held during the *shinshinto* era.

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