説明

時代 : 江戸末期 国 : 武蔵国 証書 : 財団法人日本美術刀剣保存協会 特別保存刀剣 鑑定書 外装 : 白鞘入 刃長 : 1尺3寸強 目釘穴 : 1個 元幅 : 35.0mm 元重 : 7.1mm Period : Late Edo Country : Musashi Paper : NBTHK Tokubetsu Hozon Paper Fittings : KShirasaya Length : 40.0cm Hole : 1 Bottom Width : 35.0mm Bottom Thinkness : 7.1mm 源正雄は清麿の高弟として名高く、江戸下谷御徒町で鍛刀したと伝えられています。正雄の年紀作は、嘉永六年(1853年)から慶応二年(1866年)までの十余年しかみられず、おそらくは鍛冶人生の大半を清麿の下で鍛刀したと思われ、現存する作刀も比較的少なく、中でも、安政五年(1858年)から万延元年(1860年)までの3年間はいわゆる、「函館打」と称されたもので、函館開港に伴い設置された箱館奉行堀織部正が正雄を招へいし、刀作りが行われたと伝えられています。 本作はまさにこの函館打にあたり、安政五年の作です。平造り、三ツ棟、表に雨竜、裏に梵字に素剣の彫物があり、刃文は互、小互の目連れて足よく入り、金筋砂流し長く入り、刃縁よく働き、湯走り、飛焼状に地にかかる所有り、地鉄は小板目に地沸細かく付き、地景よく交る出来で、清麿に迫る逸品です。

脇指 源正雄 安政五年八月日於 箱館山麓以砂鉄造 / Wakizashi Minamoto Masao A.D.1858
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脇指 源正雄 安政五年八月日於 箱館山麓以砂鉄造 / Wakizashi Minamoto Masao A.D.1858

脇差

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時代

Koka (1844-1848)

仕様

長さ

39.4 cm

元幅

3.5 cm

作者について

Kiyomaro Masao正雄

2 重要刀剣

Yamaura Masao was born in Bunka 1 (1804) in Akaiwa village, Komoro, Shinano Province, the eldest son of the rural samurai Yamaura Nobukaze and elder brother of the celebrated Kiyomaro. Together with Kiyomaro, he studied under the Ueda domain smith Kawamura Toshitaka, signing early works as Kanri and Toshimasa before adopting the name Masao, then Shin'o, and finally Toshinaga in his later years. He used art names including "Tennenshi," "Yushaken," and "Yuunsai," and died in Meiji 7 (1874) at seventy-one. His stylistic trajectory followed that of his brother: beginning with *choji* in the manner of Toshitaka, then shifting decisively toward *Soshu-den*. The setsumei consistently note a forging of *itame-hada* with thick *ji-nie* and conspicuous *chikei*, and a tempering of *gunome* mixed with *ko-notare*, richly laden with *nie*, *kinsuji*, and *sunagashi*. His finest katana (Juyo, 58th Session) is described as possessing "a powerful forging -- thick with *ji-nie* and heavily interwoven with *chikei*" in which "*kinsuji* and *sunagashi* activities are richer than usual even for this maker's work." Yet the NBTHK observes that "in comparison with Kiyomaro, his work tends to show fewer *chikei* in the *ji* and fewer *sunagashi* and *kinsuji* within the hardened area, and the overall quality does not reach Kiyomaro's level." Despite this candid assessment, Masao's designated works demonstrate a smith of real accomplishment, particularly in the *Soshu-den* mode where *nie* is vigorously expressed and his *shobuzukuri* wakizashi display the sharp *fukura-kare* profile he favored. His output spans both katana of bold construction and wakizashi of refined character, and his commissions from named patrons attest to the regard in which he was held during the *shinshinto* era.

刀剣商

勝武堂

shoubudou.co.jp

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