江戸は刀の目利きの時代である。本阿弥の鑑定、1719年の享保名物帳、盛んな刀剣書が、戦で抜かれることのなくなった刀を学問の対象へと変えていった。
Antique Japanese Sword Wakizashi Signed by Yasukuni with NBTHK Tokubetsu Hozon Certificate 【Description】 Yasukuni belonged to the Bushu Shitahara school, located in today’s Hachioji city(southwest part of Tokyo). This school thrived from the end of the Muromachi period to the late Edo period. (late 16C-Late 19C) His real name is Yamamoto Touta, while his smith name changed over time, starting from Hiroshige and then Musashi Taro Yasukuni. He was born in Bushu Hachioji as the son of Touta Hiroshige and moved to Edo city, becoming an apprentice of master Omura Kaboku, a famous swordsmith. Kanboku was primarily working as a surgeon for Mito Tokugawa Mitsukuni, the Mito domain’s feudal lord (Ibaraki prefecture today). Mitsukuni was a grandson of Tokugawa Ieyasu, the founder of Edo government. Yasukuni is famous for having forged a sword for the general Mitsukuni because he received an order from the domain in 1685. Futhermore, in 1721, the 8th Shogun Tokugawa Yoshimune ordered Yasukuni to participate in the sword-forging exhibition in Hamarikyu, the feudal lord’s residence in Edo. Shogun Yoshimune invited renowned swordsmiths there to compete for their craftsmanship. These facts indicate Yasukuni was acknowledged as a top-tier swordsmith in the mid-Edo period. We believe this Wakizashi was ordered by a high class Samurai official based on its elegant look. Shitahara school where Yasukuni belonged, is the group of swordsmiths under the Hojo clan’s auspicious, powerful feudal line during the late Muromachi period. Most of the Shitahara swordsmith’s real sir name was Yamamoto. After the Toyotomi clan destroyed the Hojo clan in the Azuchi Momoyama period, Shitahara swordsmiths started to serve the Tokugawa clan. They were known as Okakae Kaji, swordsmiths exclusively working for a specific feudal family. They kept forging for the Tokugawa clan until the end of the Edo period. This blade has a Tokubetsu Hozon certificate issued by NBTHK. This authentication paper was only given to Japanese swords, especially worth preserving by Nihon Bijutsu Touken Hozon Kyokai(the Society for the Preservation of the Japan Art Sword). This sword has beautiful Midare Hamon and comes with a beautiful scabbard and intricate sword fitting. 【 Blade】 Cutting Edge Length(Nagasa) : 51.5 cm ( 20.27 inches) Curvature(Sori) : 1.5 cm( 0.59 inches) Hamon : The crystalline structure which forms along the cutting edge of a blade as a result of the hardening process Jimon : visible steel surface pattern created by folding and hammering during forging process Nakago : Nakago is the tang of the Japanese sword. On this blade, his name, Musashi Taro Yasuhiro is engraved on the front and the other side says Ma Jyugo Mai Kobuse Saku(真十五枚甲伏作). Ma Jyugo Koubuse was a particular sword forging method/technique his master and he utilized. Japanese swordsmiths left the black rust on the tang on purpose to prevent red rust while the tang is in its handle. And the discoloration of the tang was created over time, which is a great indicator for a Japanese sword specialist to estimate when the sword was forged. Koshirae: Koshirae is the mounting of the Japanese sword. There are several parts that consist of Koshirae such as Saya(Scabbard), Tsuka( Handle), Tsuba(Handguard). Fuchi-Kashira : A pair of matching sword fittings that cover the upper and bottom parts of its sword hilt. Waves, the stump, and plants are designed. As waves’ movements continue endlessly, the wave pattern represents eternity, immortality, longevity, and birth, etcetera. Also, since tides change the shape and terrain of rocks repeatedly, some people hoped for a strong will for this motif. People used this pattern wishing for an indomitable spirit to rechallenge time and time without giving up. This motif has been appreciated especially for men’s Kimono (traditional Japanese costume) thanks to its dynamic design. Tsuka and Menuki : Tsuka is the handle of the Japanese sword and Menuki is its decoration. Kaeru (蛙, fr
在銘 · Shitahara · 江戸 · 長さ 51.5cm · 反り 1.5cm
















新刀 · 武蔵
現在13点販売中
下原派は武蔵国八王子の地に拠った刀工の一群で、室町末期に興り、以後江戸末期に至るまで作刀を続けた。古刀期の武蔵国を代表する鍛冶とされ、説示では周重・康重・照重・広重の四工を著名な工として挙げる。なかでも照重は康重・広重と並んで一派を代表する存在で、山本源二郎照重、山本与五郎康重のように山本姓を称した工も知られる。照重については銘鑑が初代を享禄、二代を永禄、三代を天正に充てており、永禄から天正の頃の作がもっとも時代の上がるものと鑑せられている。甲州の注文に応じて鍛えた薙刀も伝わり、地方を越えて求められた様子がうかがえる。 作風は末相州および村正一派の風に末関風を加味したものと説かれる。鍛えは板目に杢がしきりに交じって肌立ち、刃寄りが流れて綾杉風となり、渦を巻いたような肌があらわれる点に地がねの特色がある。刃文は湾れを基調に互の目が二つ三つ連れて尖り刃を交え、やや規則的に乱れて小沸がつき、砂流しのかかるものもある。帽子は乱れ込んで丸く返るものや先の尖って返るものがみられる。細かに肌立った杢目の地がねと、規則的に連れる互の目乱れにのたれを交えた刃文の組み合わせが、この一派を見分ける手がかりとなる。 鑑定にあたっては、肌立った地がねに綾杉風の流れと渦巻く肌があらわれること、互の目が規則的に連れて乱れる刃文の調子を要点とする。彫物では表に棒樋を掻き、倶利迦羅竜や不動、梵字を添えるものが多く、倶利迦羅竜の尾の巻き方に一派らしさが出るとされる。茎は栗尻に切鑢を施し、棟寄りに長銘を切るものが多い。室町末期の打刀や薙刀を代表する優品が重要刀剣に列せられており、照重の薙刀は両刃造という珍しい形状を伝える。武蔵国の在地鍛冶として実用に応えつつ、相州と関の風を併せ呑んだ独自の地刃を築いた点に、下原一派の位置づけがある。 詳しく見る →
江戸時代
江戸は刀の目利きの時代である。本阿弥の鑑定、1719年の享保名物帳、盛んな刀剣書が、戦で抜かれることのなくなった刀を学問の対象へと変えていった。
保存刀剣のうち、出来が一層優れ、保存状態も良好と認められたものです。再刃や、室町・江戸期の多くの無銘作は対象外となり、保存刀剣より高い基準が課されます。
日本美術刀剣保存協会(NBTHK)は、1948年に設立され、文化庁の監督を受ける公益財団法人で、東京・刀剣博物館に本部を置きます。専門の審査員が出品作を直接審査し、美術的・歴史的価値に応じた鑑定書を発行します。NBTHKの鑑定書は、日本刀および刀装具の真正性を示す最も広く認知された基準です。
NBTHK公式サイトReturns/exchanges limited to defects caused by shipping (except willful misconduct or gross negligence by the company); customers must contact within 72 hours of receiving the product.
Antique Japanese Sword Wakizashi Signed by Yasukuni with NBTHK Tokubetsu Hozon Certificate 【Description】 Yasukuni belonged to the Bushu Shitahara school, located in today’s Hachioji city(southwest part of Tokyo). This school thrived from the end of the Muromachi period to the late Edo period. (late 16C-Late 19C) His real name is Yamamoto Touta, while his smith name changed over time, starting from Hiroshige and then Musashi Taro Yasukuni. He was born in Bushu Hachioji as the son of Touta Hiroshige and moved to Edo city, becoming an apprentice of master Omura Kaboku, a famous swordsmith. Kanboku was primarily working as a surgeon for Mito Tokugawa Mitsukuni, the Mito domain’s feudal lord (Ibaraki prefecture today). Mitsukuni was a grandson of Tokugawa Ieyasu, the founder of Edo government. Yasukuni is famous for having forged a sword for the general Mitsukuni because he received an order from the domain in 1685. Futhermore, in 1721, the 8th Shogun Tokugawa Yoshimune ordered Yasukuni to participate in the sword-forging exhibition in Hamarikyu, the feudal lord’s residence in Edo. Shogun Yoshimune invited renowned swordsmiths there to compete for their craftsmanship. These facts indicate Yasukuni was acknowledged as a top-tier swordsmith in the mid-Edo period. We believe this Wakizashi was ordered by a high class Samurai official based on its elegant look. Shitahara school where Yasukuni belonged, is the group of swordsmiths under the Hojo clan’s auspicious, powerful feudal line during the late Muromachi period. Most of the Shitahara swordsmith’s real sir name was Yamamoto. After the Toyotomi clan destroyed the Hojo clan in the Azuchi Momoyama period, Shitahara swordsmiths started to serve the Tokugawa clan. They were known as Okakae Kaji, swordsmiths exclusively working for a specific feudal family. They kept forging for the Tokugawa clan until the end of the Edo period. This blade has a Tokubetsu Hozon certificate issued by NBTHK. This authentication paper was only given to Japanese swords, especially worth preserving by Nihon Bijutsu Touken Hozon Kyokai(the Society for the Preservation of the Japan Art Sword). This sword has beautiful Midare Hamon and comes with a beautiful scabbard and intricate sword fitting. 【 Blade】 Cutting Edge Length(Nagasa) : 51.5 cm ( 20.27 inches) Curvature(Sori) : 1.5 cm( 0.59 inches) Hamon : The crystalline structure which forms along the cutting edge of a blade as a result of the hardening process Jimon : visible steel surface pattern created by folding and hammering during forging process Nakago : Nakago is the tang of the Japanese sword. On this blade, his name, Musashi Taro Yasuhiro is engraved on the front and the other side says Ma Jyugo Mai Kobuse Saku(真十五枚甲伏作). Ma Jyugo Koubuse was a particular sword forging method/technique his master and he utilized. Japanese swordsmiths left the black rust on the tang on purpose to prevent red rust while the tang is in its handle. And the discoloration of the tang was created over time, which is a great indicator for a Japanese sword specialist to estimate when the sword was forged. Koshirae: Koshirae is the mounting of the Japanese sword. There are several parts that consist of Koshirae such as Saya(Scabbard), Tsuka( Handle), Tsuba(Handguard). Fuchi-Kashira : A pair of matching sword fittings that cover the upper and bottom parts of its sword hilt. Waves, the stump, and plants are designed. As waves’ movements continue endlessly, the wave pattern represents eternity, immortality, longevity, and birth, etcetera. Also, since tides change the shape and terrain of rocks repeatedly, some people hoped for a strong will for this motif. People used this pattern wishing for an indomitable spirit to rechallenge time and time without giving up. This motif has been appreciated especially for men’s Kimono (traditional Japanese costume) thanks to its dynamic design. Tsuka and Menuki : Tsuka is the handle of the Japanese sword and Menuki is its decoration. Kaeru (蛙, fr
在銘 · Shitahara · 江戸 · 長さ 51.5cm · 反り 1.5cm
















新刀 · 武蔵
現在13点販売中
下原派は武蔵国八王子の地に拠った刀工の一群で、室町末期に興り、以後江戸末期に至るまで作刀を続けた。古刀期の武蔵国を代表する鍛冶とされ、説示では周重・康重・照重・広重の四工を著名な工として挙げる。なかでも照重は康重・広重と並んで一派を代表する存在で、山本源二郎照重、山本与五郎康重のように山本姓を称した工も知られる。照重については銘鑑が初代を享禄、二代を永禄、三代を天正に充てており、永禄から天正の頃の作がもっとも時代の上がるものと鑑せられている。甲州の注文に応じて鍛えた薙刀も伝わり、地方を越えて求められた様子がうかがえる。 作風は末相州および村正一派の風に末関風を加味したものと説かれる。鍛えは板目に杢がしきりに交じって肌立ち、刃寄りが流れて綾杉風となり、渦を巻いたような肌があらわれる点に地がねの特色がある。刃文は湾れを基調に互の目が二つ三つ連れて尖り刃を交え、やや規則的に乱れて小沸がつき、砂流しのかかるものもある。帽子は乱れ込んで丸く返るものや先の尖って返るものがみられる。細かに肌立った杢目の地がねと、規則的に連れる互の目乱れにのたれを交えた刃文の組み合わせが、この一派を見分ける手がかりとなる。 鑑定にあたっては、肌立った地がねに綾杉風の流れと渦巻く肌があらわれること、互の目が規則的に連れて乱れる刃文の調子を要点とする。彫物では表に棒樋を掻き、倶利迦羅竜や不動、梵字を添えるものが多く、倶利迦羅竜の尾の巻き方に一派らしさが出るとされる。茎は栗尻に切鑢を施し、棟寄りに長銘を切るものが多い。室町末期の打刀や薙刀を代表する優品が重要刀剣に列せられており、照重の薙刀は両刃造という珍しい形状を伝える。武蔵国の在地鍛冶として実用に応えつつ、相州と関の風を併せ呑んだ独自の地刃を築いた点に、下原一派の位置づけがある。 詳しく見る →
江戸時代
江戸は刀の目利きの時代である。本阿弥の鑑定、1719年の享保名物帳、盛んな刀剣書が、戦で抜かれることのなくなった刀を学問の対象へと変えていった。
保存刀剣のうち、出来が一層優れ、保存状態も良好と認められたものです。再刃や、室町・江戸期の多くの無銘作は対象外となり、保存刀剣より高い基準が課されます。
日本美術刀剣保存協会(NBTHK)は、1948年に設立され、文化庁の監督を受ける公益財団法人で、東京・刀剣博物館に本部を置きます。専門の審査員が出品作を直接審査し、美術的・歴史的価値に応じた鑑定書を発行します。NBTHKの鑑定書は、日本刀および刀装具の真正性を示す最も広く認知された基準です。
NBTHK公式サイトReturns/exchanges limited to defects caused by shipping (except willful misconduct or gross negligence by the company); customers must contact within 72 hours of receiving the product.