徳川の泰平のもと、大小は法度の定める身分の制服となり、需要は城下町、とりわけ江戸に集まった。工芸は二つに分かれる。目利きのための華やかな鑑賞の作と、截断の結果を金象嵌に刻む実証の刀である。
NihontoWatchNihontoWatchThis blade was signed by Bitchu no Kami Tachibana Yasuhiro(備中守橘康広). Yasuhiro was active in sword-forging during the Kanbun (1661-1673: Early Edo Period). Yasuhiro belonged to a prestigious sword school called Kishu Ishido and Osaka Ishido School. Ishido School His father, Tosa Shogen Tachibana Yasuhiro(土佐将監橘康廣), was born in Omi province, located in Shiga prefecture. And he belonged to Omi Ishido school during the early Edo period. Ishido school was initially founded by Sukenaga, an offspring of Ichimonji Sukemune, who made Fukuoka Ichimonji school in Bizen province(Today’s Okayama prefecture). During 1492-1501(Late Muromachi period), Sukenaga and his school moved from Bizen province to Omi province after being summoned by Gamou family, a powerful feudal line in that region. Sukenaga started to live in front of Ishido temple, and he changed his surname to Ishido. Kishu＆ Osaka Ishido School As of the early Edo period, many Ishido swordsmiths moved to other parts of Japan, looking for better opportunities. There are four areas: Edo, Osaka, Kishu(Wakayama prefecture), and Chikuzen(Fukuoka prefecture). Omi Ishido school is the origin of whole other Ishido branches that flourished during the Edo period. Following this trend, Yasuhiro’s father, who belonged to Omi Ishido school, moved from Omi province to Kishu province. It is said that the father was the founder of Kishu Ishido school and played an essential role in making this school prosperous. Yasuhiro was born as the son of the head of Kishu Ishido school. And he mastered excellent sword forging techniques from his father. And it is said that Yasuhiro served Tokugawa Yorinobu, the first head of Kishu domain, who was the 10th son of Tokugawa Ieyasu. Yasuhiro exclusively forged swords for Kishu domain for many years. Later in his career, Yasuhiro received the honorable title “Bitchu no Kami” in 1657 and moved to Settsu city in Osaka to spread the tradition of Ishido school. He built the foundation of Osaka Sekido school. Yasuhiro is known as one of the most prominent figures that made Osaka Isido school prosperous during the early Edo period. Osaka city flourished as a castle town and became the business center during the early Edo period. Many swordsmiths moved to Osaka to look for better opportunities. They not only forged swords for those Samurai who lived in Osaka but also for feudal lords nationwide. Among many swordsmiths active in the same period as Yasuhiro, he was one of the most famous figures in Osaka Ishido school. This blade is appraised as a Tokubetsu Hozon Token(特別保存刀剣) issued by NBTHK(Nihon Bijutsu Touken Hozon Kyokai:日本美術刀剣保存協会). Fuchi-Kashira This Fuchi Kashira has golden color; it makes an ornamental look for the handle part. This coloring matches well with the Tsukamaki thread. Tsuka and Menuki The Kamakiri (蟷螂, mantis) is the motif of this Menuki. Same as the Fuchi Kashira, this Menuki is also colored with golden paint. The mantis is also called “Ogami-Mushi (拝み虫),” or “Inori-Mushi (祈り虫)” in Japanese. Both of these names mean a praying insect. Mantises hold their arms together, and their long wings cover their lower bodies. As this posture looks like a priest who prays to God, the mantis is likened to a “praying mantis.” Mantises lay well. Therefore mantis is considered a symbol of children. Tsuba and Habaki Yotsu-Mokkou-shaped Tsuba that has Kozuka and Kougai holes. The Mokkou shape, its origin is a shape of eggs. When a quince (it is written 木瓜 in Japanese) is cut into round slices, its cross-section looks similar to this shape; therefore, it was named as the Mokkougata (木瓜形) Tsuba. Yotsu-Mokkougata (四ツ木瓜形, a combination of four Mokkou shapes) Tsuba is often seen as you see in this work. The scenery of the moonlit night is depicted for this Tsuba. Since ancient times, the sun and the moon have been treated as objects of worship. Some people considered them the symbol of authority. The moon pattern has various shapes depending on the waxing and waning of the moon: full moon, half-moon, crescent, or hazy moon. There is also the idea: as the moon changes its shape depending on its fullness, it represents growth and development. Authentication Paper They authenticated the blade on March 15th in the 30th year of Heisei (2018). They appraised it as Tokubetsu Hozon Touken, the blade especially worth preserving for Japanese society.
販売店の記載のまま
摂津 · 1684-1688頃
藤代 中上作 · 刀剣大鑑 上位76%
現在6点販売中
康廣の位置づけを、日本刀全体および伝法・時代・時期ごとに示します。各区分（随一・屈指・有数・著名）は、NBTHK および文化庁による指定に加え、三作や名物帳などの歴史的栄誉を加味したものです。
各項目を選ぶと評価方法が表示されます。
江戸時代
徳川の泰平のもと、大小は法度の定める身分の制服となり、需要は城下町、とりわけ江戸に集まった。工芸は二つに分かれる。目利きのための華やかな鑑賞の作と、截断の結果を金象嵌に刻む実証の刀である。
保存刀剣のうち、出来が一層優れ、保存状態も良好と認められたものです。再刃や、室町・江戸期の多くの無銘作は対象外となり、保存刀剣より高い基準が課されます。
日本美術刀剣保存協会（NBTHK）は、1948年に設立され、文化庁の監督を受ける公益財団法人で、東京・刀剣博物館に本部を置きます。専門の審査員が出品作を直接審査し、美術的・歴史的価値に応じた鑑定書を発行します。NBTHKの鑑定書は、日本刀および刀装具の真正性を示す最も広く認知された基準です。
NBTHK公式サイトReturns/exchanges limited to defects caused by shipping (except willful misconduct or gross negligence by the company); customers must contact within 72 hours of receiving the product.