Description

本末行は山城綾小路定利と同時代の鎌倉初期承久頃(1219年)(800年前)の刀工です。本太刀は小切っ先で腰反り強く元に踏ん張りが有り先は伏せ心で中心は雉股になり時代が初期日本刀の姿を現し、地金は小板目肌良く詰み細かな地沸が付き地には乱れ映りが華やかに現れています。刃紋は小沸出来で小乱れに小丁子、小互の目を交え乱れがこずむ気味が有り匂い口は掟どおりうるむところもあり刃中金筋や砂流しがかかり三条宗近や五条兼永系の鍛冶で綾小路に住むようになり綾小路末永と別称されるようになったと思われます。後に来国行に連なる伝系です。天正拵えも本綾小路末行の太刀に一層華を添えています。寒山先生は鞘書きに古備前とされていますが、山城京の都の太刀の方が一層本末行に相応しい極めでしょう、とっくの昔に重要刀剣になっていなければならない太刀です。この度御数寄者様から世の中に初めて出た為に格安にてご提供いたします。

末行(綾小路) Sueyuki(Ayanokouji)
Sold
TokuhoSold

末行(綾小路) Sueyuki(Ayanokouji)

Katana

SOLD

Tracked across 76 dealers worldwide · price history · sold archive

Specifications

Nagasa

76.4 cm

Sori

2.8 cm

Motohaba

2.94 cm

Sakihaba

1.61 cm

About the maker

Ayanokoji Sueyuki末行

3 Jūyō Tōken

Osafune Sadamitsu was a Sue-Bizen smith active during the late Muromachi period, known primarily through joint works (*gassaku*) produced with his contemporary Katsumitsu of the Osafune lineage. Sword reference works record three generations of the name extending through the Kakitsu era, yet Sadamitsu's existence around the Meio period could not previously be confirmed; the surviving dated *naginata* of Meio 8 (1499), produced in collaboration with Katsumitsu, serves to fill that documentary gap and stands as an important reference for research into Sue-Bizen production networks. The workmanship of the Katsumitsu-Sadamitsu collaboration displays the characteristic Sue-Bizen style of complex, compound *gunome* formations. The *kitae* shows *itame-hada* with a flowing tendency (*nagare-gokoro*), with *mokume* mixed in places; fine *ji-nie* adheres thickly, with delicate *chikei*, and *midare-utsuri* stands out. The *hamon* is based on open-at-the-base (*koshi no hiraita*) gunome, mixed with *togari-ba* and *ko-gunome*-like elements. The tempering band is broad with conspicuous undulations, while *ashi* and *yo* enter frequently; *ko-nie* adheres, and small *tobiyaki*, *sunagashi*, and *kinsuji* appear. The *nioiguchi* is bright and clear. Katsumitsu's particular contribution is noted as achieving a more florid and brilliant workmanship than other Sue-Bizen smiths by mixing abundant *choji* within the irregular pattern. The designation records emphasize the powerful and splendid carvings that accompany these works -- including *bonji* in superimposed carving (*kasanebori*) with *rendai*, and shrine dedication inscriptions -- as distinctive features of Sue-Bizen production. The supplementary inscriptions naming the Miyake clan, a lineage that continued into the Ukita family with its base in Kojima in Bizen, further elevate these works as important sources for understanding the relationship between Sue-Bizen smiths and the warrior clans who patronized them.

Dealer

Nipponto

nipponto.co.jp

Sold