Description

This is a katana made by Echizen ju Harima Daijo Fujiwara Shigetaka in the early Edo period (around 1661). The blade has a notare hamon and itame jigane, reminiscent of Yasutsugu. It comes with a koshirae featuring a rare green lacquer saya with gold foil and Mino fittings, as well as a shirasaya and a Tokubetsu Hozon certificate from the NBTHK.

刀/越前住播磨大掾藤原重高
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刀/越前住播磨大掾藤原重高

Katana

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Tracked across 76 dealers worldwide · price history · sold archive

Specifications

Nagasa

74 cm

Sori

1.3 cm

Motohaba

3.15 cm

Sakihaba

2.25 cm

About the maker

Shimosaka Shigetaka重高

The first-generation Harima Daijo Shigetaka was a disciple of the first-generation Echizen Yasutsugu, and among the smiths of the Echizen group he is regarded as possessing the highest level of skill. An extant wakizashi bearing a date of Genna 2 (1616) establishes his period of activity in the early Edo period. The line continued through several generations into the Bakumatsu, yet it is the *shodai* whose work most closely approaches the range of his master. While many Echizen smiths characteristically finish their tangs in *ken-gata* form, Shigetaka is distinctive in employing *kurijiri*, with the first generation tending toward a particularly shallow contour. Shigetaka's forging presents tightly packed *itame-hada* mixed with *mokume*, with *ji-nie* adhering well and fine *chikei* entering; the steel frequently bears a darkened, "*kane*-colored" tone that the NBTHK setsumei note as especially noteworthy in comparison with typical Echizen work. His *hamon* characteristically favors *suguha-cho* with shallow *notare*, mixed with *ko-gunome* and somewhat pointed elements; *ashi* enter well, the *nioi* is deep with thick *nie*, and *kinsuji* and *sunagashi* appear throughout. The *boshi* typically forms *ko-maru* with a rather deep *kaeri*, showing *hakikake* at the tip. His manner of signing is compact and vertically tightened, executed with a thick chisel. The *naginata-zukuri* wakizashi modeled after the celebrated Meibutsu "Honebami Toshiro" is praised as one of his greatest masterpieces, demonstrating faithful *utsushi* technique and splendid *horimono* in the *kinai-bori* manner. Surviving works by the *shodai* are not commonly encountered, and among them katana are particularly few; *hira-zukuri* wakizashi are comparatively numerous, while tanto include both *hira-zukuri* and *kanmuri-otoshi-zukuri* forms. The *kanmuri-otoshi* examples display an archaic manner suggesting an intention to evoke old Yamato precedents. Across his oeuvre, the refinement and compactness of the forging stands apart from ordinary Echizen production.

Dealer

Tokka Biz

tokka.biz

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