Description

Tokubetsu Hozon Token 『 Bushu ju Minamoto no MASAO saku Ansei sannen hachigatsu hi 』 Token Type 『Katana』 Mei 『Bushu ju Minamoto no MASAO saku Ansei sannen hachigatsu hi』 『Bushu ju Minamoto no MASAO saku』 Certificate 『Nihon Bijutsu Token Hozon Kyokai Tokubetsu Hozon Token』 NBTHK 『Tokubetsu Hozon Paper』 Era 『Ansei sannen』 Production age 『1857』 Minamoto no Masao (Suzuki Jiro Minamoto no Masao) was a prominent student of Minamoto Kiyomaro, a master swordsmith of the late Edo period. He was a master who most closely resembled his teacher Kiyomaro, and boasted the best skill among Kiyomaro's disciples. The fact that he signed "Masao" suggests that he was a disciple since Kiyomaro signed "Masayuki," and he is thought to be a veteran member of the school. He became independent in Kaei six and lived in Shitaya Okachimachi, Edo. His style inherits that of his teacher, but it is characterized by the low waist of the *gunome*, and the *mei* is in a fluent cursive style. This work features large *gunome midare* with deep *nie*, a bright and clear blade, *sunagashi* and *kinsuji* frequently running through the heads of the *gunome*, and from the *monouchi* it takes on a Soshu-den style with rough *nie* and violent *midare*, with layers of *kinsen* and a bright and clear *nioiguchi*. It is the best work of Masao, and a masterpiece that is in no way inferior to the masterpieces of Minamoto Kiyomaro. It is a rare sword that maintains the best condition from the perspective of soundness. 『Shape』Shinogi-zukuri, iori-mune, the *mihaba* is normal and does not drop to the *saki*, there is little *hiraniku*, there is a feeling of *fumbari*, the *sori* is deep, and the *o-kissaki* is elongated. 『Kitae』Ko-itame hada flowing with *mokume*, thick *ji-nie*, rough *ji-nie* in places, *jikei* enters well, well-forged and beautiful, with moisture in the *ji*. 『Hamon』Large *gunome midare* with deep *nie*, a bright and clear blade, *sunagashi* and *kinsuji* frequently running through the heads of the *gunome*, and from the *monouchi* it takes on a Soshu-den style with rough *nie* and violent *midare*, with layers of *kinsen* and a bright and clear *nioiguchi*. 『Boshi』Shallow *midarekomi*, the *omote* *saki* is violently *midare* and swept vigorously, the *ura* *saki* is flame-like and swept finely with a pointed tendency. 『Nakago』Ubu, *saki-kurijiri*, *yasurime* *sujikai*, *mekugi ana* 1, large *tagane* and bold cursive *mei* in the center of the *omote* and *ura*. 『Habaki』Gold-clad double 『Size』 Nagasa (Blade length) 69.7cm Ni shaku san sun, Sori 2cm Width of moto 3.1cm, Width of saki 2.5cm, Thickness of moto 0.7cm Thickness of saki 0.55cm

特別保存刀剣『武州住源正雄作 安政三年八月日』
Tokuho

特別保存刀剣『武州住源正雄作 安政三年八月日』

Katana

¥3,300,000

Tracked across 76 dealers worldwide · price history · sold archive

Specifications

Nagasa

69.7 cm

Sori

2 cm

Motohaba

3.1 cm

Sakihaba

2.5 cm

About the maker

Kiyomaro Masao正雄

2 Jūyō Tōken

Yamaura Masao was born in Bunka 1 (1804) in Akaiwa village, Komoro, Shinano Province, the eldest son of the rural samurai Yamaura Nobukaze and elder brother of the celebrated Kiyomaro. Together with Kiyomaro, he studied under the Ueda domain smith Kawamura Toshitaka, signing early works as Kanri and Toshimasa before adopting the name Masao, then Shin'o, and finally Toshinaga in his later years. He used art names including "Tennenshi," "Yushaken," and "Yuunsai," and died in Meiji 7 (1874) at seventy-one. His stylistic trajectory followed that of his brother: beginning with *choji* in the manner of Toshitaka, then shifting decisively toward *Soshu-den*. The setsumei consistently note a forging of *itame-hada* with thick *ji-nie* and conspicuous *chikei*, and a tempering of *gunome* mixed with *ko-notare*, richly laden with *nie*, *kinsuji*, and *sunagashi*. His finest katana (Juyo, 58th Session) is described as possessing "a powerful forging -- thick with *ji-nie* and heavily interwoven with *chikei*" in which "*kinsuji* and *sunagashi* activities are richer than usual even for this maker's work." Yet the NBTHK observes that "in comparison with Kiyomaro, his work tends to show fewer *chikei* in the *ji* and fewer *sunagashi* and *kinsuji* within the hardened area, and the overall quality does not reach Kiyomaro's level." Despite this candid assessment, Masao's designated works demonstrate a smith of real accomplishment, particularly in the *Soshu-den* mode where *nie* is vigorously expressed and his *shobuzukuri* wakizashi display the sharp *fukura-kare* profile he favored. His output spans both katana of bold construction and wakizashi of refined character, and his commissions from named patrons attest to the regard in which he was held during the *shinshinto* era.

Dealer

Taiseido

taiseido.biz

¥3,300,000

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