-, 59th Session — Designated October 19, 2013
, : Yamashiro Daijō Fujiwara Kunikane (山城大掾藤原国包)
Measurements 70.4 cm, 1.3 cm, 2.9 cm, 2.0 cm, 3.1 cm, 20.3 cm, 0.1 cm
Description : , ; somewhat wide with pronounced taper from base to tip; high ; shallow ; . : Predominantly with an overall tendency toward flowing grain; very fine, thickly applied ; fine appearing intermittently; the is clear (). : A -based temper with a slightly impure (-gokoro) cast; with interspersed in places; deep with thick ; along the overall, with intermittent and ; the is bright and clear (). : , tending toward ; vigorous . : None. : ; kuri-; ; one ; on the , a long signature carved below the peg hole toward the , and on the a corresponding date inscription.
Artisan Kunikane (国包), (1st generation)
Era Early period; dated Kan’ei 4 (1627), 10th month (lucky day)
Explanation The first-generation Kunukane was of the Hongo lineage. He was initially called Genzō, and later Yoshinosuke, and claimed descent from the Yamato Hōshō Gorō line. He was born in Bunroku 1 (1592) at Kokubu Wakabayashi in Miyagi District, Ōshū (present-day Sendai City). Thereafter he became a retained smith of Date Masamune, and it is said that in Keichō 19 (1614), by his lord’s command, he went up to Kyōto and studied under no Kami Masatoshi. In Kan’ei 3 (1626) he received the court title Yamashiro Daijō; however, when Masamune died in Kan’ei 13 (1636), Kunukane likewise took the Buddhist tonsure, adopting the name Ninzaku Yōe (仁沢用恵). In Shōhō 2 (1645), at age fifty-four, he retired and transferred headship to his second-generation heir, the eldest son Kichi’emon; even thereafter he continued forging, and died in 4 (1664) at age seventy-three.
His manner of work consistently adheres to the Yamato Hōshō tradition: forging and producing a ‑structured in which uchi-noke, , , and related appear; is well developed, and the tends toward a style.
This shows an overall flowing tendency within , with very fine thickly applied and with fine appearing intermittently. The is in tone, carrying a slight impure cast; appears along the overall; deep and thick are present, and and appear intermittently. These features clearly manifest the typical style of the Kunukane.
Moreover, as a work by this smith it displays a powerful with somewhat wide ; the vigorous forging with interspersed is admirable, and the likewise has a bright and clear () with plentiful internal activity. The Kan’ei 4 date inscription also makes this sword valuable reference material for research into this maker’s work.








