説明

The 45th Juyo Tosogu 第四十五回 重要刀装具 Joshin Kozuka 後藤乗真 The 3rd Main Line Goto Master (1512 - 1562) A Magnificent Juyo Kozuka by Joshin the third mainline Goto master. He is ranked as Meiko 名工 by Wakayama (the highest rank) and there are over 80 Juyo tosogu by him. Joshin was a Samurai. He was highly skilled at making tosogu but only pursued this when not engaged in military duties. He had received gifts from the Emperor Go-Nara (1527-1557) in recognition of his bravery. Joshin died on the battlefield at Okaki in 1562. This kozuka is signed on the back “Mon Joshin Mitsmori (Kao)” This means the the motift of the work was made by Joshin and this attribution was by Mitsumori (Keijo), the 14th Goto mainline master. He lived from 1751-1804. From the Juyo Nado Zufu text about this Kozuka: Designated on October 29, 1999 45th Juyo Sword Fittings Drum theme kogai naoshi kozuka, signed Mon Joshin Mitsumori (kao) Explanation: "Joshin was the third generation of the Goto family. He was the son of the second generation, Sojo. His common name was Jiro, his given name was Yoshihisa, and later he was known as Genshiro Harumitsu. He served two Ashikaga shoguns, Yoshiharu and Yoshiteru. Joshin had estates in Sakamoto, Omi Province. Later, he had a feud with the Asai family in northern Omi, and on March 6, 1562 (Eiroku 5), he was attacked by Asai Ryomasa and killed in battle at the age of fifty-one. As mentioned above, Joshin was not only a metal craftsman but also a military commander. Due to his brave and strong character, his works are known for being large, powerful, and often carved to fill the entire surface." This is a kogai naoshi kozuka, featuring a gold utori design. Originally, it was a kogai, it is a kozuka now. It is a robustly carved work filling the entire surface, likely depicting a drum used in a Noh play favored by the shogun. The gold inlay on the back is also elegantly done. SOLD Back

The 45th Juyo Tosogu Joshin Kozuka
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The 45th Juyo Tosogu Joshin Kozuka

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Goto Joshin後藤乗真

1 重要美術品5 特別重要刀剣61 重要刀剣

後藤乗真は、後藤家二代宗乗の嫡男で、俗名を二郎、諱を吉久、のち源四郎治光と称した。足利将軍家義晴・義輝の二公に仕え、近江国坂本に三百町の所領を有していた。永禄五年三月六日、北近江の浅井氏と確執があり、浅井亮政の襲撃を受けて戦死した。享年五十一歳。乗真は彫金工とは別に武将でもあったといわれ、剛勇の性格であったと伝えられている。 乗真の作風は、大振りで力強く、額面いっぱいに彫るのが特徴とされる。特に「山高く谷深く」と形容される雄渾な彫技が目を惹き、対象を高々と彫り上げ、横に拡張する画面構成と相まって雄大な空間を表現する。金紋を据えた作品も多く、その肉置は豊かで力が漲っている。また、赤銅魚子地を高彫とした作例が多く見られ、金、銀、色絵などを施した華やかな作風も存在する。倶利迦羅龍図や獅子文など、後藤家の掟物にも独自の作風を示し、龍の爪は大きく長く、爪先が開くという特色が顕著である。笄を小柄に仕立て直した作品も遺されており、その場合でも額面いっぱいに力強く彫り込まれている。 乗真の作品は、その力強い作風と量感豊かな彫技が高く評価されている。「大振りで力強く」、「額面いっぱいに彫る」といった特徴は、説示において繰り返し言及される。また、「山高く谷深し」と評される彫りの深さ、抑揚のある肉置、手強い鏨運びなども、乗真作品の魅力として挙げられる。後藤家における重要な刀装具師として、その名跡は後代にも影響を与え、光孝や光守といった後藤家の刀工によって極められた作品も存在する。

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