説明

出ました出ました新刀相州伝の代表刀工として有名な備中国住大月与五郎国重一門の名刀が出ました。備中水田国重は室町末期大永頃(1521年)(503年前)に備中荏原に起こり新刀期まで繁栄して全国に水田国重鍛冶は繁栄しました。代表刀工の江戸期の大月与五郎国重はすぐれた作品が多く正宗や郷義弘にも迫る作品も多く、多くの作品は江戸時代に相州伝上工に化けたものが多い位上手でした。本刀は水田国重宇右衛門の貴重な個銘の有る、江戸時代初期明暦2年5月7日(1656年)(368年前)紀の有る特別注文品として打たれた名刀です。本刀の姿は元身幅と先身幅との差の少ない古刀期の姿を現し、地金は板目肌に鍛え精良な地金を現し、刃紋は沸本位の互の目乱れ刃に尖り刃を交え広狭が有り華やかな大乱れ刃を焼き沸に大小が有り覇気有る刃を焼いています。上部に向かい大のたれ刃の焼刃が幅広くなり沸も荒くなり帽子は一枚帽子で深く返り棟には棟焼きもあり見事にここに相州伝を現し、良くぞ無銘にされずに残っていたものと思います。江戸期の拵えも虎の目貫の付いた豪華な四分一金具一作半太刀拵えが本水田宇右衛門国重の名刀に一段と華を添えています。この度古いお数寄者様から新刀相州伝として素晴らしく人気の有る水田宇右衛門国重の貴重な年紀作ある名刀を後進の方にお安くお譲り下さいとお預かりした為に特別に格安にてご提供いたします是非お楽しみ下さい。

辰五月七備中水田国重作 水田宇右衛門 Bicchu Mizuta Kunishige
Tokuho

辰五月七備中水田国重作 水田宇右衛門 Bicchu Mizuta Kunishige

¥1,250,000

世界81社の刀剣商を横断追跡 · 価格履歴 · 売却アーカイブ

仕様

長さ

69.6 cm

反り

1.5 cm

元幅

2.85 cm

先幅

2.19 cm

作者について

Mizuta Kunishige國重

2 御物1 重要刀剣

Kunishige worked within the Mizuta school of Bitchu Province, a lineage that flourished from the late Muromachi period into the Edo era. The most celebrated smith of this name is Otsuki Yogoro Kunishige, commonly abbreviated as "Daiyogo," who was the son of Otsuki Saburobei Kunishige and is recognized as the foremost master of the Mizuta school. The NBTHK observes that "the nationwide prosperity of this school during the Edo period was likely due to the presence of such superior craftsmen." Earlier work signed "Ko-Mizuta Kunishige" is dated to the late Muromachi period, with a katana bearing the date Tensho 20 (1592) among the few signed examples by the older lineage. The Ko-Mizuta works display a *kitae* of dense *ko-itame-hada* with *ji-nie* and *utsuri*, and a *hamon* built around *gunome-midare* as the principal theme, incorporating small *midare* and *ko-choji* in what the NBTHK describes as an "overall somewhat busy" manner, with a tightly formed *nioiguchi* and attached *ko-nie* as the chief point of appreciation. The later Daiyogo Kunishige, by contrast, excelled particularly in the *Soshu-den*, producing *itame-hada* with prominent standing grain, well-adhering *ji-nie*, and *chikei*, tempered in bold *notare*-style *o-midare* that in the upper half becomes nearly *hitatsura*, with deep *nioi* and coarse nie. The *boshi* on such works enters in irregular *midare-komi* with *hakikake*, burning down long to the *mune-machi*. The tang tip in the Mizuta manner is characteristically *ha-agari kurijiri*. Signed examples by both the Ko-Mizuta and Daiyogo lines are described as "comparatively few," lending particular significance to surviving blades. The Ko-Mizuta katana of Tensho 20 is called "not only a typical example, but also one of his representative works," while the Daiyogo Kunishige is praised as "a superior craftsman who exceeded his father's skill." This rarity of signed work is traditionally attributed to signatures being removed or blades being shortened and reworked into superior pieces -- a testament to the enduring regard in which Mizuta workmanship has been held.

刀剣商

明倫産業

nipponto.co.jp

¥1,250,000

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