宗依

Ichimonji Muneyori

評価作品2点

現在、宗依の作品は販売されていません。フォローすると、出品されたときにお知らせします。

重要巻 19, 番 133 · 太刀

概要

Muneyori is transmitted as a smith of the Ko-Bizen school, listed in the meikan as "Bizen Genryaku-zen" — that is, active before the Genryaku era (1184–1185) — placing him at the boundary of the late Heian and early Kamakura periods. His precise lineage within the Ko-Bizen group remains a matter of scholarly uncertainty; the designation records note that his school affiliation "is not entirely clear." His workmanship and the manner of his signature (mei) are regarded as similar to those of Kageyori, suggesting a close working relationship or shared workshop tradition within the broader Ko-Bizen milieu. Extant works bearing his signature are extremely few, lending considerable rarity to any authenticated example.

Muneyori's tachi are rendered in shinogi-zukuri with iori-mune, exhibiting pronounced koshi-zori with fumibari and chu-kissaki — a classical Ko-Bizen silhouette. The forging is an itame-hada that stands out with a tendency toward hada-dachi, with ji-nie adhering and faint utsuri appearing in the ground. The hamon is characteristically a chu-suguha base into which ko-midare and ko-choji intermingle, tempered with ko-nie; ashi and yo enter, and sunagashi and kinsuji are observed within the temper line. The nioiguchi is noted as deep and clear. The boshi tends toward a straight form, either tightening in (sugu ni tsumeru) or turning in ko-maru with hakikake. The nakago bear bold, large two-character signatures executed in a confident hand.

The NBTHK characterizes Muneyori's work as possessing an antique charm — koko — that is the hallmark of early Bizen workmanship. At the same time, the records acknowledge a somewhat provincial quality that "lacks refinement," distinguishing his hand from the more polished output of later Bizen masters. This combination of archaic dignity and forthright rusticity places Muneyori among the earliest identifiable personalities of the Bizen tradition, a smith whose rare surviving blades preserve the austere character of Ko-Bizen craftsmanship before the school's celebrated refinement of subsequent generations.

歴史的重要度

宗依の位置づけを、日本刀全体および伝法・時代・時期ごとに示します。各区分(随一・屈指・有数・著名)は、NBTHK および文化庁による指定に加え、三作や名物帳などの歴史的栄誉を加味したものです。

随一
随一
屈指
屈指
有数
有数
著名
著名

各項目を選ぶと評価方法が表示されます。

指定

国宝—
重要文化財—
重要美術品—
御物1
特別重要刀剣—
重要刀剣1

名工ランク

伝来

系譜

一文字派の他の作者

  1. 1.宗吉Muneyoshi12指定
  2. 2.貞眞Sadazane13指定
  3. 3.恒次Tsunetsugu12指定
  4. 4.成宗Narimune9指定
  5. 5.重久Shigehisa5指定
  6. 6.宗忠Munetada5指定
  7. 7.助宗Sukemune5指定
  8. 8.助則Sukenori4指定
  9. 9.助守Sukemori2指定
  10. 10.行國Yukikuni1 販売中1指定
  11. 11.尚宗Naomune2指定
  12. 12.信房Nobufusa2指定

福岡一文字の作

すべて見る →

一文字派の作

すべて見る →

備前の伝統

すべて見る →
¥650,000保存

雲次

小太刀・41.3 cm・文保
つるぎの屋
お問い合わせ重要

雲生

刀・68.99 cm・鎌倉
銀座長州屋
¥89,500重要

景光

短刀・25.3 cm・元応
Nihonto.com
¥3,300,000特別保存

康光

脇差・46.8 cm・応永
飯田高遠堂
お問い合わせ重要

兼光

刀・72.3 cm・南北朝
江州屋刀剣店
¥4,050,000

兼光

刀・74.5 cm・南北朝
サムライミュージアム