説明

刃長58.11センチ 反り0.3センチ 元幅29.2ミリ 元重ね5.5ミリ 物打幅22.6ミリ 物打重ね4.2ミリ 横手位置幅18.2ミリ 松葉先重ね4.0ミリ 裸身重量453グラム。 江戸前期寛文頃(1661~) The early period of Edo 平成13年7月5日 和歌山県登録 初代越前住播磨大掾藤原重高は、新刀期越前を代表する刀工で、新刀鍛冶工系譜に関兼則末葉又は門人とも伝えられています。初・二代は受領あり、それ以下は受領無しと伝え、作風は良く出来た作に肥後大掾等に似るもの。また、日向大掾貞次等に似る作風のもの、互の目乱れ直刃等が見られ、地鉄は板目、小板目の肌立ち心のものが散見されます。 銘字は初・二代とも『越前住播磨大掾藤原重高』を冠して、初代は重高の銘をやや横広に切り、二代は『重』の銘の中の『田』の上空間を縦長に、又『高』の銘字も縦長の形状になり、初代の作品は少なく、二代の作が多く残されています。 この脇指は姿や銘文から、二代重高と鑑せられる作で、うぶ買い付けのままの姿でご案内致します。総体に錆に包まれていますが、今のところ疵はなさそうに見えます。焼刃を確認すべく店主町井勲自ら砥石を当てて確認致しましたところ、帽子までしっかりと焼刃が確認できております。 しかるべき諸工作を施し、特別保存刀剣鑑定まで御受審頂いて後世に伝え残して頂きたい逸品です。 各種クレジットカード、ショッピングローンによる分割購入も承っております。お気軽にお申し付け下さい。

播磨大掾藤原重高 - Harimadaijyou Fujiwara Shigetaka - 3-420
Tokuho

播磨大掾藤原重高 - Harimadaijyou Fujiwara Shigetaka - 3-420

脇差

¥253,000

世界81社の刀剣商を横断追跡 · 価格履歴 · 売却アーカイブ

仕様

長さ

58.11 cm

反り

0.3 cm

元幅

2.92 cm

先幅

2.26 cm

作者について

Shimosaka Shigetaka重高

The first-generation Harima Daijo Shigetaka was a disciple of the first-generation Echizen Yasutsugu, and among the smiths of the Echizen group he is regarded as possessing the highest level of skill. An extant wakizashi bearing a date of Genna 2 (1616) establishes his period of activity in the early Edo period. The line continued through several generations into the Bakumatsu, yet it is the *shodai* whose work most closely approaches the range of his master. While many Echizen smiths characteristically finish their tangs in *ken-gata* form, Shigetaka is distinctive in employing *kurijiri*, with the first generation tending toward a particularly shallow contour. Shigetaka's forging presents tightly packed *itame-hada* mixed with *mokume*, with *ji-nie* adhering well and fine *chikei* entering; the steel frequently bears a darkened, "*kane*-colored" tone that the NBTHK setsumei note as especially noteworthy in comparison with typical Echizen work. His *hamon* characteristically favors *suguha-cho* with shallow *notare*, mixed with *ko-gunome* and somewhat pointed elements; *ashi* enter well, the *nioi* is deep with thick *nie*, and *kinsuji* and *sunagashi* appear throughout. The *boshi* typically forms *ko-maru* with a rather deep *kaeri*, showing *hakikake* at the tip. His manner of signing is compact and vertically tightened, executed with a thick chisel. The *naginata-zukuri* wakizashi modeled after the celebrated Meibutsu "Honebami Toshiro" is praised as one of his greatest masterpieces, demonstrating faithful *utsushi* technique and splendid *horimono* in the *kinai-bori* manner. Surviving works by the *shodai* are not commonly encountered, and among them katana are particularly few; *hira-zukuri* wakizashi are comparatively numerous, while tanto include both *hira-zukuri* and *kanmuri-otoshi-zukuri* forms. The *kanmuri-otoshi* examples display an archaic manner suggesting an intention to evoke old Yamato precedents. Across his oeuvre, the refinement and compactness of the forging stands apart from ordinary Echizen production.

刀剣商

刀心

shop.nihontou.jp

¥253,000

刀心で見る