説明

Title: Koushi Seuyu Sukashi Description An Iron Tsuba circle shape with two holes Mogarashi Nyudo Soten is the son of the first Soten, who was a famous metalworker in the middle of the Edo period. He was excellent at the same type of engraving technique as his father. This Tsuba describes “Koushi Seiyu Zu” with openwork. It is a popular motif that has been designed since ancient times. Koushi means an honorable person, and Seiyu means to travel. It would be a longing for sages to indulge in hobbies and arts in nature, far away from the world. Each wise person’s face is clearly engraved. Trees, clouds, cloths and blank space are inlaid with gold. You will appreciate its stunning beauty. It is his notable technique. For example, if you focus on sage’s clothes pattern, you will find be able to find a kind of good-luck pattern. Please look at men who wear clothes that are designed with the Kikkou pattern. Kikkou means a turtle’s shell. It’s a continuous geometric pattern connecting regular hexagons up and down. The turtle lives a long life; therefore, turtle and turtle’s shell pattern represent longevity. Kikkou pattern has been familiar to people for a long time ago. Another example to check his high-quality inlay technique is the dragon pattern inlaid on the sage cloth, which is engraved on the right side of the surface. Dragon is a very famous and popular motif. It is a beast that is a symbol of auspicious signs. Its body is likened nine animals: antlers are deer, the head is a camel, eyes are demons, the neck is a snake, belly is Mizuchi (mythical animal in Japan which looks like a snake and have a horn and four legs), scales are fish, claws are falcons, palms are tigers, and ears are cows. It was thought that Dragon would reign at the top of all animals because of its odd-looking appearance. It is treated as the all-purpose auspicious pattern. This Tsuba is recognized by The Society for Preservation of Japanese Art Swords, which is known as NBTHK. *As this item is an antique, please check each photo and ensure its condition. What is Tsuba? Tsuba is the hand-guard of the Japanese sword. High-class Samurai wore his katana sword with its beautiful sword mountings such as Tsuba. Tsuba’s front design tends to be more decorative as this part was often seen by other Samurais when he was walking on the streets. Why is it that the sword mounting was important for Samurai? The sword mountings of the Japanese sword have many kinds of decorations such as handguards (Tsuba), sword hilt (Menuki), pommel (Fuchi Kashira). The sword mountings of the Japanese sword have many kinds of decorations such as handguards (Tsuba), sword hilt (Menuki), pommel (Fuchi Kashira). The Japanese sword worked as a weapon and as an object to show who he was. For example, it shows their personalities and beliefs. You could say that it is like decorations for smartphones today. We recommend you zoom in on the pictures of the sword fittings. When you do so, you can see the skill of Japanese metal engraving techniques. They are mainly made of iron and copper with inlays of gold, silver, and bronze. When it comes to handguard (Tsuba), each one has a different outline and weight. These sword fittings that have lived with Japanese swords of the same age might be worth as much as the Japanese swords. They are inconspicuous parts of the Japanese sword. Nevertheless, if you are knowledgeable or particular about it, you will become a connoisseur of the Samurai. ————————————————————————————————————— About us Samurai Museum is located in Tokyo, Japan, exhibiting antique artifacts related to the Samurai history. Samurai Museum Shop is the place for those who are interested in Japanese culture and craftsmanship. We deal with antique Samurai swords/armor, original Japanese sword mounting, traditional crafts made in Japan and so on. Payment method We accept payment through Stripe (Credit card) or Paypal. If you prefer other payment method, please contact us. You can either pay

Mid Edo period antique Tsuba for Samurai Sword with NBTHK Hozon Certificate (T-214)
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Mid Edo period antique Tsuba for Samurai Sword with NBTHK Hozon Certificate (T-214)

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作者について

Hikone Soten宗典

10 重要刀剣

藻柄子宗典は、元来は京都の出身と伝えられ、後に江州彦根に移住し、彦根彫の祖とされている。初銘を秀典と称し、彦根御家中川北氏の抱え工となり、氏を喜多川と改めたという。同名二代が存在するとされ、現存する行年紀作などから、初代の活躍期は江戸時代前期から中期にかけてと推定される。美濃彫の流れを汲むとも伝えられ、作風に後藤風、美濃風が見られるとする見解もあるが、後藤家に学んだと見られる大きな特色はないとする指摘もある。 宗典の作風は、鉄地または赤銅地を高彫、象嵌色絵で飾るものが多く、特に鉄地高彫に色絵象嵌を施した作に傑作が多いとされる。題材は武者、竹林の七賢、花鳥、藻貝尽くしなど多岐にわたり、本作のように唐人物や群仙図といった人物を主題としたものも存在する。色絵には金、銀、赤銅、素銅など各種の色金を用い、華やかで賑々しい作風を特徴とする。赤銅魚子地高彫の作も存在し、金覆輪を施したものも見られる。作風は緻密であり、その彫口はおおらかでゆったりとしており、観る者を幽玄の世界に誘うと評される。 宗典の作は、その濃密な彫法で名を馳せ、彦根彫の代表工として知られる。しかし、その名声故に、後代の彦根彫りの作品に宗典の銘が多用され、粗悪な作品にも刻銘されているのが現実である。真作においては、賑々しい作柄に品格を兼ね備えた豪華な優鐔が多く、行年銘が貴重である。保存状態が良いことも評価される点である。

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