説明

A beautiful strongly curved koto sword attributed to the Naminohira group of swordsmiths. The hada/grain pattern is Masame with itama and Shirake utsuri can be seen. The hamon is sugu-ha with ashi and sunagashi, there is nijuba which can be seen also. The koshirae saya is finished in a black lacquer.The Tsuka ito is green. There are Uma blossom design in iron on the fuchi kashira finished in the taka-bori style.. the tsuba is iron sukashi also with Uma blossomsAfter the Kamakura period (1185-1333) on through the Edo period (1615-1868), the name of Naminohira was passed down from generation to generation of sword makers who lived in Naminohira, Satsuma Province (the southern outskirts of present-day Kagoshima City).For those who love to sail or in the Navy, this sword holds very special significance.‘Nami’ means ‘wave‘, hira means ‘flat‘. This translates to “sail on calm seas“. Naminohira swords made by Satsuma swordsmiths were very popular among the Japanese Imperial Navy for the swords brought with them a positive omen. In general Naminohira blades are very rare, so this is a unique find.As history tells us, during the Edo Period (1603-1868) the ruling Tokugawa family kept Japan in virtual isolation from foreign visitors for two and a half centuries. Interestingly enough, the Satsuma area had gates of their own, both to those outside their land in Kyushu AND to the outside world. Essentially only those born in Satsuma lived in Satsuma.To defend their unique culture and maintain their way of life,Satsuma developed a fierce army of their own. The government from Edo often sent spies to Satsuma, but this more often than not resulted in the death of these spies – never to return to Edo.Satsuma warriors were one of the most feared in the country.One fine example of the strength of Satsuma warriors was the Namamugi Jiken (Samurai from the Shimazu Daimyo Family. In 1862 in Satsuma, a British man was killed during a small war between the British and the Satsuma clan. A newspaper in the UK at that time, reported emphatically that the British were defeated by one of the clans in Japan. Since this historical scuffle at the end of the Edo period, Satsuma and Britain have forged a seemingly close relationship. Typical Naminohira attribute are as follows pertaining the the Muromachi era.MUROMACHI ERA BLADE DETAILS:SHINOGI and wide SHINOGI-JI but OEI influence brought low SHINOGI without FUNBARI. Medium curve. Some with MARU NAKAGO-MUNE. Looser grain and less JI-NIE than the earlier pieces. HOSO-SUGU with ASHI, SUGU KO-GUNOME and SUGU-KUZURE BA in deep NIOI. SUNAGASHI. BOSHI can become KUZURE.Deep KAERI is a late-school mark. Mei:Mumei, attributed to NaminohiraDate:koto (1400’s-1500’s)Nagasa:26-7/8 inchesSori:20.0 mmWidth at the ha-machi:28.0 mmWidth at the yokote:18.1 mmThickness at the mune-machi:7.0 mmConstruction:Shinogi zukuriMune:IoriNakago:UbuKitae:itame/masame shirake-utsureHamon:Midare GunomeBoshi:MaruCondition:Good polish kantei-sho(鑑定書) No 354596katana,mumei: Naminohira (波平)nagasa2shaku2sun5bu hanMigi wa tô-kyôkai ni oite shinsa no kekka,hozon-tôkento kantei-shi kore o shô-suru.(右は當協會に於て審査の結果保存刀剣と鑑定しこれを証する)Heisei jûichinen jûgatsu itsuka (平成十一年十月五日)zaidan-hôjin (公益財團法人): Nihon Bijutsu Tôken Hozon Kyôkai (日本美術刀劍保存協會)Appraisalkatana, unsigned: Naminohiranagasa~ 68.3 cmAccording to the result of theshinsacommittee of our society we judged this work as authentic and designate it ashozon-tôken.October 5th1999[Foundation] NBTHK Subscribe for the Latest Updates!Join our mailing list to receive the latest News & Updates fromNihonto Antiques.SUBSCRIBEYou have Successfully Subscribed!Your email address will be kept private & will only be used to send updates from this site! Owner to get 4.5k maybe 4kRick Georgergeorge5957@yahoo.com(806) 438-4515

Naminohira Daito (fss-737)
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Naminohira Daito (fss-737)

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世界81社の刀剣商を横断追跡 · 価格履歴 · 売却アーカイブ

仕様

長さ

68.3 cm

反り

2 cm

元幅

2.8 cm

先幅

1.81 cm

流派について

Naminohira School波平派

16 重要刀剣

波平派は、平安時代後期に正国なる刀工が大和より薩摩国谷山郡波平の地に来住して開祖となったと伝えられる。その子を行安といい、以後その門流は南北朝時代を経て幕末新々刀期にまで綿々と続いた。同派の中でも南北朝期を降らぬ刀工及びその作刀群を総称して古波平と呼び、波平安次の名跡は鎌倉中期から室町期にかけて継承されている。一説に安次は行安の門とも伝えられ、在銘作は数少なく資料的に極めて貴重である。 古波平の作風は大和気質の強く窺えるものであるが、鍛えは板目に流れ肌が目立って交じり、ねっとりとして軟らか味をおびた肌合を呈し、地沸がよくつき太い地景が随処に入る。刃文は細直刃を基調として匂口がうるみごころとなり、小沸がつき、刃縁にほつれが見られ、腰元を焼き落すなどの諸点に特色がある。帽子は直ぐに焼詰め、或いは丸く浅く返る。姿は腰反りのついた古様な太刀姿を呈し、南北朝期には身幅がやや広く元先の幅差が目立たず大鋒に結ぶなど時代色が現れる。 新刀期に入ると、延宝八年生まれの一平安代が同派の代表工となる。通称を玉置小市といい、初め父安貞について学び、のちに波平本家の大和守安国の門にも学んだ。享保六年正月、同国の正清と共に八代将軍吉宗に召されて江戸で鍛刀し、その技を認められて幕府から一葉葵紋を茎に切ることを許され、さらに帰途朝廷より主馬首に任ぜられた。安代は穏やかな直刃調浅くのたれた刃取りを得意とし、匂が深く沸が厚く強くつき、荒沸を交え、金筋・沸筋・砂流しがさかんに入るなど、働き豊富な作風を示している。

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