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Meihin MuseumNo. 1

The Date Yukimitsu

Yukimitsu 行光

Omote. Nagasa 71.5 cm.

Particulars

Maker
Yukimitsu 行光
Type
Katana
Period
Late Kamakura period
Measurements
Nagasa 71.5 cm
Papers
Jūyō Tōken, NBTHK 70th shinsa, 2024 (item 16)
Collection
Private collection

A katana attributed to Yukimitsu of Sagami, late Kamakura period. A gift of the shōgun to the Date house of Sendai.

The work

A hamon is hard to see in daylight. In a dark room, with one small light moving along the blade, the crystals of the temper line catch it in turn, and the grain of the forged steel shows between them.

The Jūyō papers describe this one: nie-laden ko-gunome mixed with ko-notare, with ashi, kinsuji and sunagashi; excellently forged itame with mokume, fine ji-nie and chikei.

The history

Yukimitsu worked in Sagami at the end of the Kamakura period, in the circle of Shintōgo Kunimitsu: one of the smiths who brought the Sōshū tradition to maturity. The signed works of his that survive are tantō, so a long blade like this one is known by attribution.

Here the attribution is in gold. Hon’ami Kōyū, of the family of sword appraisers, inlaid the name 行光 on the tang after the blade had been shortened, and his own name and seal mark, 本阿(花押), on the other face: in 1735, it appears, when the sword was prepared for presentation.

In 1735, on the betrothal of Princess Tone to Date Munemura, the shōgun Tokugawa Yoshimune gave the sword to the Date house of Sendai. The sources differ on who received it at the ceremony: the shogunate’s chronicle names Munemura’s father, Yoshimura, lord of Sendai; the genealogies of the Kansei era name Munemura. The Date family’s register of swords, the Kensō Hiroku, lists it as entry 50 and values it at 200 mai. Its description there (the gold inlay, a groove on each face, a length of two shaku three sun six bu) fits this blade.

The sword stayed with the Date, it appears, through the removal of their collection to Tokyo in the Meiji era and until the death of Count Date Okimune in 1947, and left the family in the dispersal of the collection after the war. A sayagaki by Hon’ami Nisshū, now lost, is reported to have recorded it as an heirloom of the Date of Ōshū.

On 6 November 2024 the NBTHK designated it Jūyō Tōken at its 70th shinsa, item 16 of the session. Its description concludes that Kōyū’s attribution may be accepted.

In November 2025 Tanobe Michihiro (Tanzan) wrote a sayagaki on the plain wooden scabbard. In part:

“The blade displays an itame that features plenty of ji-nie and chikei interwoven with the forging structure, and the steel is of a ‘wet’ appearance … Accordingly, we have here a masterwork, and the old attribution is appropriate.”

Tanobe Michihiro (Tanzan), November 2025

Provenance

Crest of the Date house of Sendai (竹に雀)

Documented Heirloom of the Date House of Sendai

  1. Late Kamakura period

    Made in Sagami at the end of the Kamakura period; attributed to Yukimitsu.

    Per the papers

  2. 1735

    Origami by Hon’ami Kōyū, at 200 gold mai.

    Established

  3. 1735

    Given by the shōgun Tokugawa Yoshimune to the Date house of Sendai. The sources differ on whether Yoshimura or his son Munemura received it.

    Established

  4. 1757

    The fittings by Gotō Tsūjō receive their own origami; the sword is in the Date house.

    Established

  5. 1789

    Entered in the Date register of swords, the Kensō Hiroku, as entry 50.

    Established

  6. To 1947

    In the Date collection, it appears, until the death of Count Okimune.

    Well supported

  7. c. 1947–1955

    Leaves the Date family, it appears, in the post-war dispersal of the collection.

    Well supported

  8. Undated

    A sayagaki by Hon’ami Nisshū, now lost, is reported to have recorded the sword as a Date heirloom.

    Well supported

  9. 2024

    Designated Jūyō Tōken, NBTHK 70th shinsa (item 16).

    Established

  10. 2025

    Sayagaki by Tanobe Michihiro (Tanzan), November.

    Established

Record of Provenance No. 1 (draft for curatorial review)

Enter the case

The work in its KATANA BAKO case, in the museum’s rooms.

Private collection

The presentation

The case
KATANA BAKO, by Keisuke Nakamura
Film and presentation
The Meihin Museum
The full-length photographs
Paul Kremers, tsuba.info
The papers
NBTHK, Jūyō Tōken, 70th shinsa, 2024 (item 16); description by Ōhira Takeko

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