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Description

This is an unsigned Tachi attributed to Ko Naminohira, measuring 74.0 cm with a deep sori, and is judged to be from the late Kamakura period. The blade features a well-packed ko-itame hada with masame flowing in a wave-like pattern, a fine suguha-cho hamon mixed with ko-gunome, and delicate kinsuji and sunagashi. It comes with an NBTHK Tokubetsu Hozon certificate and is housed in a shirasaya.

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Swords›Naminohira›Tachi: Ko Naminohira (Unsigned)
tachiTokubetsu Hozon
Naminohira School

Tachi: Ko Naminohira (Unsigned)

mumei · Naminohira · Kamakura · nagasa 74cm · sori 2.9cm

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Tachi
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Measurements & details
Smith
Naminohira School
Type
Tachi
School
Naminohira
Period
Kamakura
Province
Satsuma
Signature
Unsigned(0% of this smith's designated works are signed)
Measurements
Nagasa 74cmSori 2.9cmMotohaba 2.95cmSakihaba 2.01cmKasane 0.65cm
Description

This is an unsigned Tachi attributed to Ko Naminohira, measuring 74.0 cm with a deep sori, and is judged to be from the late Kamakura period. The blade features a well-packed ko-itame hada with masame flowing in a wave-like pattern, a fine suguha-cho hamon mixed with ko-gunome, and delicate kinsuji and sunagashi. It comes with an NBTHK Tokubetsu Hozon certificate and is housed in a shirasaya.

About the school

Naminohira

波平

Wakimono · Satsuma

13 pieces on the market now

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The Naminohira school traces its origins to the late Heian period, when a swordsmith named Masakuni migrated from Yamato Province and established himself at Naminohira in Taniyama District, Satsuma Province. His son Yukiyasu succeeded him, and the lineage continued unbroken into the late Edo shinshintō era. The collective term Ko-Naminohira designates smiths and works dating no later than the Nanbokuchō period, distinguishing the school's formative generations from later practitioners. This geographic isolation in southern Kyushu allowed the development of a distinctive regional aesthetic that balanced mainland influences with local forging traditions. The school's technical identity reveals a pronounced Yamato character in both construction and tempering, yet the forging exhibits a characteristic density and slight tenacity (nebari) that distinguishes Naminohira work from its Yamato antecedents. The jigane typically shows strongly flowing itame-hada, often with a whitish cast and well-adhering ji-nie, while thick chikei appear throughout the ground. In the hamon, a fine hoso-suguha or narrow suguha-based temper predominates, with the nioiguchi displaying a distinctive urumi tendency—a moist, soft quality that creates a subdued, somewhat shizumi-inclined appearance.

A diagnostic feature appears at the hamachi, where slight yaki-otoshi marks the transition from untempered to tempered steel. The school's Nanbokuchō-period works often present extended ō-kissaki and deep koshizori, embodying the martial aesthetic of that turbulent age. The Naminohira tradition experienced a renaissance during the Edo period, producing masters such as Ichi Heian Yasushiro, who in Kyōhō 6 (1721) was summoned to forge for Shōgun Tokugawa Yoshimune. His exceptional skill earned him the privilege of engraving the ichiyō aoi crest on his nakago and the court appointment of Shume no Suke. His work and that of his contemporary Masakiyo represent the apex of Satsuma shintō, demonstrating how provincial schools could achieve recognition at the highest levels of Tokugawa society. The scarcity of early signed works, particularly from the Kamakura and Nanbokuchō periods, renders extant examples invaluable for understanding the school's development and its role in transmitting Yamato forging methods to Japan's southern frontier. Learn more →

21 recorded smiths46 designated works
Leading smiths
SmithEraDesignated
Yukiyasu行安1308-131110
Yasutsugu安次1375-13810
Yasuyoshi安吉1469-14870
Fuji藤1394-14280
Yasutsugu安次1224-12250
Explore the Naminohira school →

Historical context

The Kamakura period (1185 to 1333)

›

Nearly every later authority calls Kamakura the golden age of the sword: the first warrior government as patron, the great traditions at full strength simultaneously, and, tradition holds, the finest smiths of the realm rotating through Go-Toba’s court.

The Kamakura period (1185 to 1333) →

NBTHK Certificate
Tokubetsu Hozon Tōken特別保存刀剣
Sword Especially Worthy of Preservation
›

A Hozon-certified blade judged to show notably superior workmanship and a better state of preservation. The bar is higher: re-tempered blades and most unsigned Muromachi/Edo works are excluded.

About the NBTHK›

The NBTHK (Nihon Bijutsu Tōken Hozon Kyōkai, the Society for the Preservation of Japanese Art Swords) is a public-interest incorporated foundation founded in 1948 and supervised by Japan’s Agency for Cultural Affairs (Bunkachō); it is based at the Japanese Sword Museum in Tokyo. Its expert panels physically examine each submitted work (shinsa) and issue a certificate (kanteishō) ranking it by artistic and historical merit. NBTHK papers are the most widely recognized standard of authentication for Japanese swords and fittings.

NBTHK official site→
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