This is a fantastic opportunity to acquire a unique katana by Fujiwara Korekazu, which was recently displayed at the Geisha and Samurai exhibition in Barcelona. The blade features a beautiful and vivid hamon, nice jihada, and horimono, presented in Handachi koshirae from the Edo period and shirasaya. It comes with a full-color exhibition catalog and is in very good condition, making it a museum-worthy piece for any collector.
mei · Ishido · Keian (1648-1652) · nagasa 69.2cm · sori 1.5cm








































Shinto · Musashi · around 1648-1652
Fujishiro Jo saku · Tōken Taikan top 37%
2 pieces on the market now
Where Korekazu stands among comparable artisans: across all of nihontō, and within tradition, era, and period. The tiers (Foremost · Leading · Major · Notable) weigh official designations from the NBTHK and Japan's Agency for Cultural Affairs, together with historical honors of lasting repute such as the Sansaku and Meibutsu-chō.
Select a lens to see how it's measured.
Shinto · Omi
45 pieces on the market now
The Ishido school (石堂) traces its root to Omi Province, where smiths surnamed Hioki and bearing names such as Ishido worked before the line dispersed across the country in the early Edo period. From that Omi stem grew four principal branches: the Fukuoka Ishido of Chikuzen, the Edo Ishido carried east by makers who had first gone up from Omi to Kyoto, the Osaka Ishido seeded by smiths who settled in the merchant city, and the Kishu Ishido working under the Kii daimyo. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Tsunemitsu常光 | 1648-1661 | 7 |
| Yasuhiro安廣 | 1661-1673 | 4 |
| Tsunahiro綱廣 | 1673-1681 | 0 |
| Nagatsugu長次 | 1345-1350 | 0 |
| Nagatsugu長次 | 1681-1684 | 0 |
Certifies a genuine blade worth preserving: a signature confirmed correct, or, if unsigned, an era, province, and school that the NBTHK can reliably identify.
The NBTHK (Nihon Bijutsu Tōken Hozon Kyōkai, the Society for the Preservation of Japanese Art Swords) is a public-interest incorporated foundation founded in 1948 and supervised by Japan’s Agency for Cultural Affairs (Bunkachō); it is based at the Japanese Sword Museum in Tokyo. Its expert panels physically examine each submitted work (shinsa) and issue a certificate (kanteishō) ranking it by artistic and historical merit. NBTHK papers are the most widely recognized standard of authentication for Japanese swords and fittings.
NBTHK official site14-day return if items arrive damaged or in unexpected condition; customer bears return shipping + insurance; items returned in original condition with all accessories; antique armour non-returnable; only regular priced items refundable; shipping costs non-refundable.
This is a fantastic opportunity to acquire a unique katana by Fujiwara Korekazu, which was recently displayed at the Geisha and Samurai exhibition in Barcelona. The blade features a beautiful and vivid hamon, nice jihada, and horimono, presented in Handachi koshirae from the Edo period and shirasaya. It comes with a full-color exhibition catalog and is in very good condition, making it a museum-worthy piece for any collector.
mei · Ishido · Keian (1648-1652) · nagasa 69.2cm · sori 1.5cm








































Shinto · Musashi · around 1648-1652
Fujishiro Jo saku · Tōken Taikan top 37%
2 pieces on the market now
Where Korekazu stands among comparable artisans: across all of nihontō, and within tradition, era, and period. The tiers (Foremost · Leading · Major · Notable) weigh official designations from the NBTHK and Japan's Agency for Cultural Affairs, together with historical honors of lasting repute such as the Sansaku and Meibutsu-chō.
Select a lens to see how it's measured.
Shinto · Omi
45 pieces on the market now
The Ishido school (石堂) traces its root to Omi Province, where smiths surnamed Hioki and bearing names such as Ishido worked before the line dispersed across the country in the early Edo period. From that Omi stem grew four principal branches: the Fukuoka Ishido of Chikuzen, the Edo Ishido carried east by makers who had first gone up from Omi to Kyoto, the Osaka Ishido seeded by smiths who settled in the merchant city, and the Kishu Ishido working under the Kii daimyo. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Tsunemitsu常光 | 1648-1661 | 7 |
| Yasuhiro安廣 | 1661-1673 | 4 |
| Tsunahiro綱廣 | 1673-1681 | 0 |
| Nagatsugu長次 | 1345-1350 | 0 |
| Nagatsugu長次 | 1681-1684 | 0 |
Certifies a genuine blade worth preserving: a signature confirmed correct, or, if unsigned, an era, province, and school that the NBTHK can reliably identify.
The NBTHK (Nihon Bijutsu Tōken Hozon Kyōkai, the Society for the Preservation of Japanese Art Swords) is a public-interest incorporated foundation founded in 1948 and supervised by Japan’s Agency for Cultural Affairs (Bunkachō); it is based at the Japanese Sword Museum in Tokyo. Its expert panels physically examine each submitted work (shinsa) and issue a certificate (kanteishō) ranking it by artistic and historical merit. NBTHK papers are the most widely recognized standard of authentication for Japanese swords and fittings.
NBTHK official site14-day return if items arrive damaged or in unexpected condition; customer bears return shipping + insurance; items returned in original condition with all accessories; antique armour non-returnable; only regular priced items refundable; shipping costs non-refundable.