Two courts, sixty years of war, and the most dramatic silhouettes in the sword’s history: broad blades, extended points, true ōdachi later cut down into the majestic katana collectors prize. The Sōshū manner was the style of the age.
This is an unsigned tachi attributed to the Ko-Kongo-Hyoe school, dating to the Nanbokucho period (approx. 660 years ago). It features a wide body, shallow sori, and a large kissaki, characteristic of the period. The blade comes with an Edo period han-tachi koshirae, enhancing its classical appearance.
NihontoWatchmumei · Kongo-Hyoe · Nanbokucho · nagasa 75cm · sori 1.7cm
Wakimono · Chikuzen
8 pieces on the market now
The Kongōbyōe school (Kongōbyōe-ha) flourished in Chikuzen Province during the Nanbokuchō period alongside the more celebrated Samonji lineage. Based in the Reizen district, the school takes its name from the artisan Kongōbyōe, though signed examples are exceedingly rare, with the earliest documented work being a tantō by Sadamori dated Shōhei 25 (1370) and designated an Important Art Object. This blade's signature—"Chikushū Reizen Sadamori"[[c:1]]—confirms the school's geographic center and provides a stylistic benchmark for attributions within the tradition. Kongōbyōe blades exhibit a distinctive Yamato temperament (Yamato kishitsu) in both jigane and hamon, setting them apart from typical Kyūshū productions. The forging characteristically combines large itame with nagare-hada and prominent mokume-hada, creating surface texture that stands out conspicuously. The jigane tends toward a dark, slightly blackish tone with frequent chikei interwoven throughout.
The hamon is invariably a narrow suguha or hoso-suguha, occasionally tinged with shallow notare or small gunome inflections. The nioiguchi displays a characteristic tight feeling (shimari-gokoro) with well-adhering ko-nie, while modest kinsuji and sunagashi create refined scenery spanning ji and ha. Near the cutting edge, nagare-hada often transitions to masame, and hotsure appears along the habuchi. The school's output demonstrates what period connoisseurs termed "metal flavor" (kanamono), reflecting Kyūshū forging traditions while maintaining the refined sensibility of Yamato technique. Extant works attributed to Ko-Kongōbyōe typically survive as greatly shortened (ō-suriage) blades with Nanbokuchō proportions—wide mihaba, shallow sori, and ō-kissaki—presenting dignified, powerful forms despite their modified state. The combination of dark-toned jigane densely filled with fine chikei, tight nioiguchi, and restrained nie activity creates a sober yet engaging aesthetic that distinguishes the school within the broader Chikuzen tradition. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Sadamori貞盛 | 1345-1350 | 24 |
| Morihisa盛久 | 1521-1528 | 0 |
| Morimitsu盛光 | 1558-1570 | 0 |
| Moriyasu盛安 | 1532-1555 | 0 |
| Kongo Hyoe Moritaka金剛兵衛盛高 | Showa-Heisei | 0 |
The Nanbokuchō period (1333 to 1392)
Two courts, sixty years of war, and the most dramatic silhouettes in the sword’s history: broad blades, extended points, true ōdachi later cut down into the majestic katana collectors prize. The Sōshū manner was the style of the age.
Certifies a genuine blade worth preserving: a signature confirmed correct, or, if unsigned, an era, province, and school that the NBTHK can reliably identify.
The NBTHK (Nihon Bijutsu Tōken Hozon Kyōkai, the Society for the Preservation of Japanese Art Swords) is a public-interest incorporated foundation founded in 1948 and supervised by Japan’s Agency for Cultural Affairs (Bunkachō); it is based at the Japanese Sword Museum in Tokyo. Its expert panels physically examine each submitted work (shinsa) and issue a certificate (kanteishō) ranking it by artistic and historical merit. NBTHK papers are the most widely recognized standard of authentication for Japanese swords and fittings.
NBTHK official siteWe accept returns within 3 days counted from the item's arrival date. Items that have been altered cannot be handled. Return shipping is the customer's responsibility. If the destination is overseas, returns are as a rule not possible.
¥1,500,000
This is an unsigned tachi attributed to the Ko-Kongo-Hyoe school, dating to the Nanbokucho period (approx. 660 years ago). It features a wide body, shallow sori, and a large kissaki, characteristic of the period. The blade comes with an Edo period han-tachi koshirae, enhancing its classical appearance.
NihontoWatchmumei · Kongo-Hyoe · Nanbokucho · nagasa 75cm · sori 1.7cm
Wakimono · Chikuzen
8 pieces on the market now
The Kongōbyōe school (Kongōbyōe-ha) flourished in Chikuzen Province during the Nanbokuchō period alongside the more celebrated Samonji lineage. Based in the Reizen district, the school takes its name from the artisan Kongōbyōe, though signed examples are exceedingly rare, with the earliest documented work being a tantō by Sadamori dated Shōhei 25 (1370) and designated an Important Art Object. This blade's signature—"Chikushū Reizen Sadamori"[[c:1]]—confirms the school's geographic center and provides a stylistic benchmark for attributions within the tradition. Kongōbyōe blades exhibit a distinctive Yamato temperament (Yamato kishitsu) in both jigane and hamon, setting them apart from typical Kyūshū productions. The forging characteristically combines large itame with nagare-hada and prominent mokume-hada, creating surface texture that stands out conspicuously. The jigane tends toward a dark, slightly blackish tone with frequent chikei interwoven throughout.
The hamon is invariably a narrow suguha or hoso-suguha, occasionally tinged with shallow notare or small gunome inflections. The nioiguchi displays a characteristic tight feeling (shimari-gokoro) with well-adhering ko-nie, while modest kinsuji and sunagashi create refined scenery spanning ji and ha. Near the cutting edge, nagare-hada often transitions to masame, and hotsure appears along the habuchi. The school's output demonstrates what period connoisseurs termed "metal flavor" (kanamono), reflecting Kyūshū forging traditions while maintaining the refined sensibility of Yamato technique. Extant works attributed to Ko-Kongōbyōe typically survive as greatly shortened (ō-suriage) blades with Nanbokuchō proportions—wide mihaba, shallow sori, and ō-kissaki—presenting dignified, powerful forms despite their modified state. The combination of dark-toned jigane densely filled with fine chikei, tight nioiguchi, and restrained nie activity creates a sober yet engaging aesthetic that distinguishes the school within the broader Chikuzen tradition. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Sadamori貞盛 | 1345-1350 | 24 |
| Morihisa盛久 | 1521-1528 | 0 |
| Morimitsu盛光 | 1558-1570 | 0 |
| Moriyasu盛安 | 1532-1555 | 0 |
| Kongo Hyoe Moritaka金剛兵衛盛高 | Showa-Heisei | 0 |
The Nanbokuchō period (1333 to 1392)
Two courts, sixty years of war, and the most dramatic silhouettes in the sword’s history: broad blades, extended points, true ōdachi later cut down into the majestic katana collectors prize. The Sōshū manner was the style of the age.
Certifies a genuine blade worth preserving: a signature confirmed correct, or, if unsigned, an era, province, and school that the NBTHK can reliably identify.
The NBTHK (Nihon Bijutsu Tōken Hozon Kyōkai, the Society for the Preservation of Japanese Art Swords) is a public-interest incorporated foundation founded in 1948 and supervised by Japan’s Agency for Cultural Affairs (Bunkachō); it is based at the Japanese Sword Museum in Tokyo. Its expert panels physically examine each submitted work (shinsa) and issue a certificate (kanteishō) ranking it by artistic and historical merit. NBTHK papers are the most widely recognized standard of authentication for Japanese swords and fittings.
NBTHK official siteWe accept returns within 3 days counted from the item's arrival date. Items that have been altered cannot be handled. Return shipping is the customer's responsibility. If the destination is overseas, returns are as a rule not possible.
¥1,500,000
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