江戸は刀の目利きの時代である。本阿弥の鑑定、1719年の享保名物帳、盛んな刀剣書が、戦で抜かれることのなくなった刀を学問の対象へと変えていった。
With the continuing trend toward less functional, flamboyant blades during the Edo Period, concerns of durability led to a movement within the nihonto world to return to Koto Era swordsmithing traditions, creating simpler, albeit useful nihonto. This need for practical weapons was well-founded, especially as foreign influence foreshadowed the coming of another civil war on Japanese soil. This change in political structure, alongside the shift in swordmaking philosophy, will be analyzed through a katana forged by Choshu Nagahiro, a swordsmith operating in the hotbed of anti-Tokugawa sentiments. The blade is finely forged, standing out from the generally inferior blades made in the late Edo Period and Meiji Period, expressing carefully managed dimensions in a clear homage to the ancient blades of the Koto Era. The blade’s surface is stunning, being forged from an extremely tight ko-itame hada reminiscent of Bizen works. The steel is particularly bright, likely due to its abundance of ji-nie, with sparsely clustered chikei amplifying this brightness. The hamon follows in the footsteps of Bizen Osafune work, being forged in a ko-nie deki with abundant ko-choji and ko-gunome along a suguha base. Hataraki are prevalent throughout the yakiba, including various ashi and yo within the hamon itself, alongside nie-based hataraki, such as kinsuji and sunagashi. Interestingly, kuichigai-ba is also present slightly below the nioi guchi, resulting in a “full” temper with much to observe. The blade’s temper ends rather modestly, approaching the kissaki in a ko-maru boshi. With the discussion of workmanship thoroughly resolved, the blade’s measurements are listed below with the necessary historical significance. Measurements: Nagasa: 74.2 cm (in line for the koto-inspired swords of the late Edo Period) Motohaba: 3.4 cm (particularly wide, especially for a later blade) Sakihaba: 2.3 cm Motokasane: 8.5 mm (greater thickness of blades was prioritized at this time for tameshigiri) Sakikasane: 5.7 mm The nakago of the blade is ubu, being finished with a kengyo-jiri tip. The blade is both signed and dated, providing great insight into the history of the blade. On the katana-omote, the smith inscribed the naga-mei signature “Nagahiro, Resident of Choshu Domain” (長州萩住永弘). Looking to the obverse, the nakago was inscribed with the date “A Day in the Eighth Month of Bunkyu, Year Two” (文久二年八月日), dating the blade’s forging to September of 1862 CE. The tang has a single mekugi-ana, indicating a lack of alteration of the tang, even to wear different fittings. The blade’s shape is in shinogi-zukuri, with an iori-mune. This is the most common form of geometry for nihonto, having had over a millennium to cement itself by the time of the sword’s forging. As such, the blade has a distinctly “Japanese” identity through centuries of refinement and continued use. Adding character to the blade is the tasteful addition of a bo-hi horimono, decreasing the blade’s weight while contrasting
Certificate reading — 銘 長州萩住永弘 文久二年八月日































周防 · 1865-1868頃
刀剣大鑑 上位60%
現在1点販売中
江戸時代
江戸は刀の目利きの時代である。本阿弥の鑑定、1719年の享保名物帳、盛んな刀剣書が、戦で抜かれることのなくなった刀を学問の対象へと変えていった。
保存刀剣のうち、出来が一層優れ、保存状態も良好と認められたものです。再刃や、室町・江戸期の多くの無銘作は対象外となり、保存刀剣より高い基準が課されます。
日本美術刀剣保存協会(NBTHK)は、1948年に設立され、文化庁の監督を受ける公益財団法人で、東京・刀剣博物館に本部を置きます。専門の審査員が出品作を直接審査し、美術的・歴史的価値に応じた鑑定書を発行します。NBTHKの鑑定書は、日本刀および刀装具の真正性を示す最も広く認知された基準です。
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