This is a round Heianjo tsuba made of iron with brass inlay and openwork carving. Heianjo-style tsuba are characterized by brass inlays on iron plates, often depicting scenic designs. This particular tsuba features a plum blossom (ume) design.
NihontoWatchBETA
Heianjo-Zogan School
Edo
Yamashiro
Unsigned
Iron-tsuba
23 pieces on the market now
Heianjo zogan tsuba constitute a technique-defined regional tradition rooted in Yamashiro Province, centered on the capital city of Kyoto. The NBTHK setsumei consistently describe the tradition as one that "draws upon the lineage of Onin tsuba," though the relationship is understood as broadly contemporaneous rather than strictly sequential; the earliest Heianjo inlay works are, in terms of period, close to Onin tsuba. The tradition flourished from the closing years of the Muromachi period through the Momoyama era and into the early Edo period. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Shigemitsu重光 | — | 0 |
| Hidesada英貞 | — | 0 |
| Tadatsugu忠次 | — | 0 |
| Yoshihisa吉久 | — | 0 |
| Yoshinaga吉長 | — | 0 |
We could not find an authenticity certificate on the seller’s listing. Japanese swords and fittings are normally papered by the NBTHK (or the NTHK). Without one, the attribution is the seller’s own assessment and has not been independently verified — treat it with caution and ask the dealer about certification before buying.
Returns/exchanges/cancellations not accepted after shipment except for significant defects; if defective, return/exchange possible within 3 days of arrival (return shipping paid by customer).
This is a round Heianjo tsuba made of iron with brass inlay and openwork carving. Heianjo-style tsuba are characterized by brass inlays on iron plates, often depicting scenic designs. This particular tsuba features a plum blossom (ume) design.
NihontoWatchBETAHeianjo-Zogan School
Edo
Yamashiro
Unsigned
Iron-tsuba
23 pieces on the market now
Heianjo zogan tsuba constitute a technique-defined regional tradition rooted in Yamashiro Province, centered on the capital city of Kyoto. The NBTHK setsumei consistently describe the tradition as one that "draws upon the lineage of Onin tsuba," though the relationship is understood as broadly contemporaneous rather than strictly sequential; the earliest Heianjo inlay works are, in terms of period, close to Onin tsuba. The tradition flourished from the closing years of the Muromachi period through the Momoyama era and into the early Edo period. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Shigemitsu重光 | — | 0 |
| Hidesada英貞 | — | 0 |
| Tadatsugu忠次 | — | 0 |
| Yoshihisa吉久 | — | 0 |
| Yoshinaga吉長 | — | 0 |
We could not find an authenticity certificate on the seller’s listing. Japanese swords and fittings are normally papered by the NBTHK (or the NTHK). Without one, the attribution is the seller’s own assessment and has not been independently verified — treat it with caution and ask the dealer about certification before buying.
Returns/exchanges/cancellations not accepted after shipment except for significant defects; if defective, return/exchange possible within 3 days of arrival (return shipping paid by customer).
