This is an Edo period tsuba from the Heian-Jo school. It features a rounded iron base with petals engraved and colored. It comes in a Kiri box with an Aoi Art estimation paper.
NihontoWatchBETA
Heianjo-Zogan School
Edo
Unsigned
Iron-tsuba
23 pieces on the market now
Heianjo zogan tsuba constitute a technique-defined regional tradition rooted in Yamashiro Province, centered on the capital city of Kyoto. The NBTHK setsumei consistently describe the tradition as one that "draws upon the lineage of Onin tsuba," though the relationship is understood as broadly contemporaneous rather than strictly sequential; the earliest Heianjo inlay works are, in terms of period, close to Onin tsuba. The tradition flourished from the closing years of the Muromachi period through the Momoyama era and into the early Edo period. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Shigemitsu重光 | — | 0 |
| Hidesada英貞 | — | 0 |
| Tadatsugu忠次 | — | 0 |
| Yoshihisa吉久 | — | 0 |
| Yoshinaga吉長 | — | 0 |
We could not find an authenticity certificate on the seller’s listing. Japanese swords and fittings are normally papered by the NBTHK (or the NTHK). Without one, the attribution is the seller’s own assessment and has not been independently verified — treat it with caution and ask the dealer about certification before buying.
If you wish to return an item, please notify us within 3 days of receipt. After this period we cannot accept cancellations. Please ship the return to us within 5 business days. Cancellation is conditional on the item being kept in the same condition as at the time of sale, so please handle it with care.
This is an Edo period tsuba from the Heian-Jo school. It features a rounded iron base with petals engraved and colored. It comes in a Kiri box with an Aoi Art estimation paper.
NihontoWatchBETAHeianjo-Zogan School
Edo
Unsigned
Iron-tsuba
23 pieces on the market now
Heianjo zogan tsuba constitute a technique-defined regional tradition rooted in Yamashiro Province, centered on the capital city of Kyoto. The NBTHK setsumei consistently describe the tradition as one that "draws upon the lineage of Onin tsuba," though the relationship is understood as broadly contemporaneous rather than strictly sequential; the earliest Heianjo inlay works are, in terms of period, close to Onin tsuba. The tradition flourished from the closing years of the Muromachi period through the Momoyama era and into the early Edo period. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Shigemitsu重光 | — | 0 |
| Hidesada英貞 | — | 0 |
| Tadatsugu忠次 | — | 0 |
| Yoshihisa吉久 | — | 0 |
| Yoshinaga吉長 | — | 0 |
We could not find an authenticity certificate on the seller’s listing. Japanese swords and fittings are normally papered by the NBTHK (or the NTHK). Without one, the attribution is the seller’s own assessment and has not been independently verified — treat it with caution and ask the dealer about certification before buying.
If you wish to return an item, please notify us within 3 days of receipt. After this period we cannot accept cancellations. Please ship the return to us within 5 business days. Cancellation is conditional on the item being kept in the same condition as at the time of sale, so please handle it with care.
