Description

Mei: "Mumei" Type: Katana Nagasa: 2 shaku 2 sun 4 bu Sori: 8 bu Motohaba: 28 mm Motokasane: 7 mm Sakihaba: 20 mm Sakikasane: 6 mm Toshin weight: 598 grams (All measurements are approximate) Tokyo Metropolitan Board of Education Ko-Nyudo Kunimitsu was a swordsmith who moved from Yamato Province to Etchu Province around the Bunpo era at the end of the Kamakura period. He founded the Uda school, became the patriarch of the Uda lineage, and trained numerous swordsmiths. This blade features a beautiful sori profile with thick jinie. The unique jihada is fine and well-packed, with a quality of workmanship reminiscent of the Rai school. The hataraki shows a tight nioiguchi with konie, featuring hotsure and yubashiri that intertwine to create an antique flavor. It is a masterpiece of peerless workmanship, praised as a superior work (yuhin) by the current authority, Mr. Tanobe. Two habaki are included. When the toshin is placed in the koshirae, there is a slight rattling in the tsuka of the koshirae. 0 Yen (Tax included)

鎌倉末期古宇多の始祖『古入道国光』田野辺氏鞘書時代の龍図打刀拵え付特別保存刀剣
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鎌倉末期古宇多の始祖『古入道国光』田野辺氏鞘書時代の龍図打刀拵え付特別保存刀剣

Katana

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Specifications

Motohaba

2.8 cm

Sakihaba

2 cm

About the maker

Ko-Uda Kunimitsu國光

1 Tokubetsu Jūyō1 Jūyō Tōken

Uda Kunimitsu (宇多国光), known as Ko-nyudo Kunimitsu (古入道国光), is traditionally regarded as the founder of the Uda school. According to accepted tradition, around the Bunpo era (1317–1319) he relocated from Uda District in Yamato Province to Utsu in Etchu Province, establishing a lineage that would flourish through subsequent generations. He is said to have had sons named Kunifusa and Kunimune, and subsequent smiths bearing the name Kunimitsu appear to span several generations from the late Kamakura into the Nanbokucho period. No definitively signed works by Ko-nyudo Kunimitsu himself are confirmed; however, extant tachi bearing the signature "Uda Kunimitsu" and datable to the late Kamakura period are reasonably attributed to his hand. Blades attributed to Ko-nyudo Kunimitsu strongly display a Yamato-like character in both *jihada* and *hamon*. The forging typically shows tightly worked *ko-itame-hada*, at times with *masame-hada* mixed in toward the edge, well covered with *ji-nie* and intermingled with *chikei*. A whitish *utsuri* reminiscent of *shirake* may stand out in the *ji*. The *hamon* is characteristically *suguha*-based, occasionally exhibiting shallow *notare* with a slight admixture of small *gunome*; *ko-nie* adheres well, and *sunagashi* and *kinsuji* appear along the temper line. The *boshi* returns in *ko-maru* with *hakikake* at the tip. *Bo-hi* carved on both sides with *maru-dome* is a recurring feature. Ko-nyudo Kunimitsu occupies a position of considerable importance as the progenitor of the Uda school, one of the principal forging traditions of Etchu Province. His work demonstrates the direct transmission of Yamato-den characteristics into a provincial setting during the late Kamakura period. Blades attributed to his hand that survive in *kenzen* condition constitute valuable reference material for understanding the formative period of the Uda tradition and the broader dissemination of Yamato forging methods into the northern provinces.

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Kusanagi

kusanaginosya.com

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