An iron tsuba featuring an openwork iris design, made by Tadatsugu. This tsuba is a sword fitting, likely from the Edo period. The dimensions are 7.25cm in height, 7.05cm in width, and 0.55cm in thickness.
NihontoWatchmei · Edo
Heianjo-Zogan Tadatsugu
Edo
Signed
Iron-tsuba
1 piece on the market now
Iron-tsuba
22 pieces on the market now
Heianjo zogan tsuba constitute a technique-defined regional tradition rooted in Yamashiro Province, centered on the capital city of Kyoto. The NBTHK setsumei consistently describe the tradition as one that "draws upon the lineage of Onin tsuba," though the relationship is understood as broadly contemporaneous rather than strictly sequential; the earliest Heianjo inlay works are, in terms of period, close to Onin tsuba. The tradition flourished from the closing years of the Muromachi period through the Momoyama era and into the early Edo period. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Shigemitsu重光 | — | 0 |
| Hidesada英貞 | — | 0 |
| Tadatsugu忠次 | — | 0 |
| Yoshihisa吉久 | — | 0 |
| Yoshinaga吉長 | — | 0 |
We could not find an authenticity certificate on the seller’s listing. Japanese swords and fittings are normally papered by the NBTHK (or the NTHK). Without one, the attribution is the seller’s own assessment and has not been independently verified — treat it with caution and ask the dealer about certification before buying.
Contact within 3 days of receipt; returns not accepted for modified items or when trade-in goods are involved.
An iron tsuba featuring an openwork iris design, made by Tadatsugu. This tsuba is a sword fitting, likely from the Edo period. The dimensions are 7.25cm in height, 7.05cm in width, and 0.55cm in thickness.
NihontoWatchmei · Edo
Heianjo-Zogan Tadatsugu
Edo
Signed
Iron-tsuba
1 piece on the market now
Iron-tsuba
22 pieces on the market now
Heianjo zogan tsuba constitute a technique-defined regional tradition rooted in Yamashiro Province, centered on the capital city of Kyoto. The NBTHK setsumei consistently describe the tradition as one that "draws upon the lineage of Onin tsuba," though the relationship is understood as broadly contemporaneous rather than strictly sequential; the earliest Heianjo inlay works are, in terms of period, close to Onin tsuba. The tradition flourished from the closing years of the Muromachi period through the Momoyama era and into the early Edo period. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Shigemitsu重光 | — | 0 |
| Hidesada英貞 | — | 0 |
| Tadatsugu忠次 | — | 0 |
| Yoshihisa吉久 | — | 0 |
| Yoshinaga吉長 | — | 0 |
We could not find an authenticity certificate on the seller’s listing. Japanese swords and fittings are normally papered by the NBTHK (or the NTHK). Without one, the attribution is the seller’s own assessment and has not been independently verified — treat it with caution and ask the dealer about certification before buying.
Contact within 3 days of receipt; returns not accepted for modified items or when trade-in goods are involved.
