説明

水田鍛冶とは水田、荏原、砦部などの地で活動した刀工の総称で、大月派の国重系、河野派の為家系が主。室町後期から始まり、江戸初期の大与五国重など名工を輩出して全国に名を馳せ、近代に至るまで十七代続いている。先祖は青江鍛冶と云われるが作柄は相州伝が強く、沸の強い華やかな出来が多い。 本作は肌目が顕著に表れた特徴ある一振。九寸を超える長寸の平造りで棟は三ッ棟。刃文は直ぐ調の小乱れで、僅かに湾れが交じって小足が入る。地鉄ははっきりと現した板目肌が目を引き、相州伝の名工、越中則重を狙ったことは明らか。生ぶ茎は国重に共通した極端な刃上がりの栗尻で、特徴的な銘振りは大与五国重によく似ている。松皮肌風の鍛えやその刃文から一時代古く見え、国重の力量がよくわかる。 上等な刀装具を用いた金工拵は、シュロの毛鞘に薄茶柄巻きで上品な仕立て。古い鮫皮は経年の傷みもあるが、通常と比べてかなり大粒の親鮫を用いている。鍔は赤銅磨地能装束図、縁頭は檀渓渡河図で銘は堀川高鶴、小柄は赤銅七々子地能装束図。保存刀剣鑑定書附。

短刀/備中国水田住国重
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短刀/備中国水田住国重

短刀

売却済

世界81社の刀剣商を横断追跡 · 価格履歴 · 売却アーカイブ

仕様

長さ

28.4 cm

反り

0.2 cm

元幅

2.85 cm

先幅

2.25 cm

作者について

Mizuta Kunishige國重

2 御物1 重要刀剣

Kunishige worked within the Mizuta school of Bitchu Province, a lineage that flourished from the late Muromachi period into the Edo era. The most celebrated smith of this name is Otsuki Yogoro Kunishige, commonly abbreviated as "Daiyogo," who was the son of Otsuki Saburobei Kunishige and is recognized as the foremost master of the Mizuta school. The NBTHK observes that "the nationwide prosperity of this school during the Edo period was likely due to the presence of such superior craftsmen." Earlier work signed "Ko-Mizuta Kunishige" is dated to the late Muromachi period, with a katana bearing the date Tensho 20 (1592) among the few signed examples by the older lineage. The Ko-Mizuta works display a *kitae* of dense *ko-itame-hada* with *ji-nie* and *utsuri*, and a *hamon* built around *gunome-midare* as the principal theme, incorporating small *midare* and *ko-choji* in what the NBTHK describes as an "overall somewhat busy" manner, with a tightly formed *nioiguchi* and attached *ko-nie* as the chief point of appreciation. The later Daiyogo Kunishige, by contrast, excelled particularly in the *Soshu-den*, producing *itame-hada* with prominent standing grain, well-adhering *ji-nie*, and *chikei*, tempered in bold *notare*-style *o-midare* that in the upper half becomes nearly *hitatsura*, with deep *nioi* and coarse nie. The *boshi* on such works enters in irregular *midare-komi* with *hakikake*, burning down long to the *mune-machi*. The tang tip in the Mizuta manner is characteristically *ha-agari kurijiri*. Signed examples by both the Ko-Mizuta and Daiyogo lines are described as "comparatively few," lending particular significance to surviving blades. The Ko-Mizuta katana of Tensho 20 is called "not only a typical example, but also one of his representative works," while the Daiyogo Kunishige is praised as "a superior craftsman who exceeded his father's skill." This rarity of signed work is traditionally attributed to signatures being removed or blades being shortened and reworked into superior pieces -- a testament to the enduring regard in which Mizuta workmanship has been held.

刀剣商

十拳

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