This is a good quality iron tsuba featuring a bamboo motif rim and a design of a well bucket and morning glory vine. The motif is a reference to a famous haiku by the Edo period poet Fukuda Chiyo-ni (Kaga no Chiyo-jo). The tsuba measures 8.18 cm x 7.65 cm with a seppa dai of 3.4mm and mimi of 4.2mm, and was formerly part of the Skip Holbrook collection, who noted it as Umetada.
NihontoWatchBETAUmetada · Edo
Umetada School
Edo
Shinto · Kyoto
43 pieces on the market now
The Umetada school is one of the most distinguished metalworking lineages of the Momoyama period, rooted in Nishijin, Kyoto, and claiming descent from the legendary Sanjo Munechika. The house served the Ashikaga shogunal family over successive generations, establishing deep foundations in the full range of sword-related arts -- swordmaking, blade carving (toshin-bori), the production of steel and fittings, the shortening of blades, the insertion of inlaid signature attributions (zogan-mei), and the making of mountings. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Myoju明寿 | 1590-1631 | 45 |
| Muneyoshi宗吉 | 1596-1615 | 5 |
| Naritsugu就次 | — | 0 |
| Umetada Mitsushige光重 | 1700-1750 | 0 |
| Kaji’emon加治右衛門 | — | 0 |
We could not find an authenticity certificate on the seller’s listing. Japanese swords and fittings are normally papered by the NBTHK (or the NTHK). Without one, the attribution is the seller’s own assessment and has not been independently verified — treat it with caution and ask the dealer about certification before buying.
This is a good quality iron tsuba featuring a bamboo motif rim and a design of a well bucket and morning glory vine. The motif is a reference to a famous haiku by the Edo period poet Fukuda Chiyo-ni (Kaga no Chiyo-jo). The tsuba measures 8.18 cm x 7.65 cm with a seppa dai of 3.4mm and mimi of 4.2mm, and was formerly part of the Skip Holbrook collection, who noted it as Umetada.
NihontoWatchBETAUmetada · Edo
Umetada School
Edo
Shinto · Kyoto
43 pieces on the market now
The Umetada school is one of the most distinguished metalworking lineages of the Momoyama period, rooted in Nishijin, Kyoto, and claiming descent from the legendary Sanjo Munechika. The house served the Ashikaga shogunal family over successive generations, establishing deep foundations in the full range of sword-related arts -- swordmaking, blade carving (toshin-bori), the production of steel and fittings, the shortening of blades, the insertion of inlaid signature attributions (zogan-mei), and the making of mountings. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Myoju明寿 | 1590-1631 | 45 |
| Muneyoshi宗吉 | 1596-1615 | 5 |
| Naritsugu就次 | — | 0 |
| Umetada Mitsushige光重 | 1700-1750 | 0 |
| Kaji’emon加治右衛門 | — | 0 |
We could not find an authenticity certificate on the seller’s listing. Japanese swords and fittings are normally papered by the NBTHK (or the NTHK). Without one, the attribution is the seller’s own assessment and has not been independently verified — treat it with caution and ask the dealer about certification before buying.
