Description

This antique Katana is attributed to the Kashu Kagemitsu school, active from the mid-Nanbokucho to early Edo period, with this particular blade believed to be from the late Muromachi period. It comes with an NBTHK Hozon Certificate, confirming its authenticity and artistic value. The sword features a traditional Koshirae with a bellflower (kikyo) themed Menuki and an oval-shaped brass Tsuba, along with a Nishiki-zutsumi decorated Saya.

Antique Japanese Sword Katana Attributed to Kagemitsu NBTHK Hozon Certificate

Antique Japanese Sword Katana Attributed to Kagemitsu NBTHK Hozon Certificate

Katana

$8,116

Tracked across 76 dealers worldwide · price history · sold archive

Specifications

Nagasa

68 cm

Sori

2 cm

About the school

Kaga School加賀派

The Kaga inlay tradition (*Kaga zōgan*) emerged in Kaga Province during the early Edo period, centered on the castle town of Kanazawa under the patronage of the Maeda clan. This distinctive form of *hira-zōgan* is said to have developed when craftsmen specializing in stirrup decoration (*abumi-shi*) adapted their metalworking techniques to *tsuba* and other sword fittings, flourishing from the early seventeenth century through the Kyōhō era (1716–1736). Working against polished grounds of *shakudō*, *shibuichi*, or occasionally refined copper (*suaka*), these artisans created works characterized by their compositional sophistication and technical precision, establishing a regional aesthetic that would influence later generations of metalworkers. The hallmark of Kaga workmanship lies in its masterful deployment of multiple colored metals—gold, silver, copper, *shakudō*, and *shibuichi*—inlaid in flat relief against dark, highly polished grounds. Motifs range from naturalistic subjects such as autumn grasses, butterflies, and mandarin ducks beneath willows to more formal designs including paulownia crests and brocade wrappers, all rendered with meticulous *kebori* line engraving that adds refinement to the broader inlay work. The compositions typically extend across the entire surface of the guard, creating an effect of visual richness and decorative abundance. Against jet-black *shakudō* or the warm tonality of *suaka*, the multicolored inlays achieve a luminous clarity, producing works of elegant splendor (*fūryū*) that balance technical virtuosity with restrained taste. The tradition's influence extended beyond its geographic center, with works attributed to Kaga methods appearing in collections throughout Japan. Large-scale presentation pieces demonstrate the school's capacity for ambitious design, while the consistent quality of execution across surviving examples suggests a well-established workshop system with shared technical standards. Though individual makers within the tradition rarely signed their work, the distinctive aesthetic—characterized by full-surface compositions, polished dark grounds, and precise multicolor inlay—remains immediately recognizable, preserving the legacy of Kanazawa's metalworking excellence through the Edo period.

Dealer

Samurai Museum

samuraimuseum.jp