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作者について

Shinto Suketaka助隆

Suketaka's home province was Harima (Banshu). He studied under Kuroda Takazane, and in Kansei 10 (1798) received the honorary title Nagato no Kami. He died in Bunka 2 (1805) at the age of fifty-three. Throughout his career, Suketaka held Tsuda Echizen no Kami Sukehiro in deep private admiration, and this reverence defined his life's work. Among *shinshinto* period smiths who studied Sukehiro's *toranba*-style temper -- including Suishinshi Masahide and Tegarayama Masashige -- Suketaka is regarded as particularly skillful. His blades consistently present a large-scaled *taihai* with somewhat wide *mihaba*, shallow *sori*, and an elongated *chu-kissaki*. The *jihada* is a *ko-itame-hada* so tightly forged it approaches *muji*, with *ji-nie* adhering and the *jigane* bright and clear. The *hamon* begins with a long *yakidashi*, then forms a *toran-midare*-like composition in which large *gunome* and *gunome-choji* intermix, creating conspicuous height variations and a billowing, wave-like effect. Thick *ashi* enter; the *nioiguchi* is deep; and *nie* adheres well, with *ara-nie* appearing in places. The *nioiguchi* is bright and clear throughout. The *boshi* is characteristically *sugu* with *ko-maru*, showing *hakikake* toward the tip. The long *nakago* and application of *kesho-yasuri* likewise emulate Sukehiro's manner. The NBTHK notes that Suketaka's *toran-midare* is "truly so accomplished that it approaches the genuine article," though none among his contemporaries attains the degree of brightness seen in Sukehiro himself. His *jigane* is praised as carefully refined, evidencing high technical skill, and his works are consistently termed representative pieces. Matched *daisho* made as true pairs are noted as uncommon, adding to the documentary significance of such examples.

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