説明

Title: Souro Zu Description This kozuka is crafted from shakudō, a traditional Japanese alloy of copper and gold, known for its deep blue-black patina. It features high-relief carving (高彫, takabori) and is adorned with gold and silver inlay (色絵, iroe), creating a richly detailed and elegant decorative effect. This kozuka depicts two herons (鷺, sagi) living by the water’s edge. The heron, a graceful water bird, has long been regarded as a symbol of noble character and high-ranking officials, as it stands clean and dignified even in the muddy waters of rivers and rice fields. In classical Chinese art as well, the heron is often portrayed as an auspicious creature. For example, a painting featuring a heron, lotus, and drunken hibiscus is believed to symbolize a life of happiness, wealth, and prosperity. According to the NBTHK certificate, this kozuka is attributed to the Ōtsuki school(大月派). Alongside the Nagatsune and Okamoto Tekken-dō schools, the Ōtsuki school was one of the leading groups of Kyoto metalworkers during the Edo period. Founded by Ōtsuki Mitsuoki, the school produced many distinguished artisans, including Hideoki, Atsuoki, Hidekuni, and Gassan. *As this item is an antique, please check each photo and ensure its condition. What is Kozuka? Kozuka is the small knife stored in Kozuka Hitsu (groove of the sheath of the Japanese sword). Many Tsubas (handguard) have two holes to put Kozuka and Kougai (equipment for appearance) next to Nakagoana (a hole of the Tsuba to put sword), so that Samurai didn’t need to draw his sword out of the scabbard when he wanted to use Kozuka or Kougai. Initially, Samurai used it for cutting wood or attacking enemies in an emergency. It is said that Kozuka was used as a craft knife rather than a weapon. The decorative designs of Kozuka were more emphasized than its practical use in the Edo period when Samurai society enjoyed one of the most peaceful times. And there were many ornamental Kozuka and Kougai created by Japanese metalworkers. Why is it that the sword mounting was important for Samurai? The sword mountings of the Japanese sword have many kinds of decorations such as handguards (Tsuba), sword hilt (Menuki), pommel (Fuchi Kashira). The Japanese sword worked as a weapon and as an object to show who he was. For example, it shows their personalities and beliefs. You could say that it is like decorations for smartphones today. We recommend you zoom in on the pictures of the sword fittings. When you do so, you can see the skill of Japanese metal engraving techniques. They are mainly made of iron and copper with inlays of gold, silver, and bronze. When it comes to handguard (Tsuba), each one has a different outline and weight. These sword fittings that have lived with Japanese swords of the same age might be worth as much as the Japanese swords. They are inconspicuous parts of the Japanese sword. Nevertheless, if you are knowledgeable or particular about it, you will become a connoisseur of the Samurai. Authentication Paper : NBTHK Hozon Certificate NBTHK, also known as Nihon Bijutsu Touken Hozon Kyokai (the Society for the Preservation of the Japan Art Sword), is one of the oldest Japanese sword appraising organizations in modern-day Japan. They authenticated the Kozuka on December 22nd in the 23rd year of Heisei (2011). They appraised it as Hozon Tousougu, the Kozuka worth preserving for Japanese society. The purchaser will receive this original certificate as well. We can also translate what is written into English and make a PDF file for your record if you request. 【About us】 Samurai Museum is located in Tokyo, Japan, exhibiting antique artifacts related to the Samurai history. Samurai Museum Shop is the place for those who are interested in Japanese culture and craftsmanship. We deal with antique Samurai swords/armor, traditional crafts made in Japan and so on. 【Payment method】 We accept payment through Stripe (Credit card), PayPal , Apple Pay or ChromePay, all of which are secure

Edo period Antique Kozuka for Samurai Sword with NBTHK Hozon Certificate (K-77)

Edo period Antique Kozuka for Samurai Sword with NBTHK Hozon Certificate (K-77)

小柄

$992

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流派

Ōtsuki

時代

Edo

流派について

Otsuki School大月派

大月派は江戸時代後期京都を中心に活躍した装剣金工の一派である。開祖大月光興は元禄期に京都に出て、横谷宗珉の高彫色絵の技法を学び、独自の作風を確立した。門人には川原林秀興、篠山篤興、天光堂秀国らがおり、特に秀興は師の技法を継承しながら大月派を隆盛に導いた。文化文政期には秀興の門下から松尾月山嘉六(金剛斎)が輩出され、大月派の伝統を幕末まで維持した。同派は赤銅・真鍮・鉄・四分一など多様な地金を用い、高彫色絵を駆使した華麗な作風で知られる。 大月派の技法的特徴は、精緻な魚子地に高肉彫と据紋を併用し、金や素銅による色絵を施す点にある。高肉彫には立体感豊かな鏨使いが見られ、特に動物の羽毛や龍の鱗など細部の表現に優れる。構図は大胆であり、広い鉄地空間と高彫部分の分量が絶妙な均衡を保つ。片切彫も併用し、人物・動植物・故事など幅広い画題を手掛ける。鐔の造形は竪丸形・葵形・撫角形など多様であり、打返耳に仕立てられるものが多い。地金の微妙な起伏により動静を表現し、彫刻と空間の対比によって主題を際立たせる手法は同派の真骨頂である。 大月派の作品は幕末京都の装剣金工を代表するものとして高く評価される。月山の「孔雀図鐔・縁頭」は魚子を微細に蒔き、据紋を一際高く据え、鏨使いの巧緻さと重厚な面持ちで孔雀の華麗さを極めている。「潜り龍図鐔」は蕩々と飛翔する金龍を生命力豊かに表し、鉄地の起伏と高肉彫の均衡が絶妙である。「衣川館図鐔」は前九年・後三年合戦の一場面を画題とし、両武者の微妙な状態の描写と館の細密な彫技が見事である。これら重要刀装指定作に見る通り、大月派は師流を忠実に継承しながら独自の境地を開き、京都金工の伝統を後世に伝えた。

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