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概要·歴史的重要度·指定·伝来·流派
概要歴史的重要度指定伝来流派
  1. 流派
  2. 相州
  3. 末相州
  4. 廣次

廣次

Sue-Soshu Hirotsugu

重要
巻 20, 番 91 · 刀

廣次

Sue-Soshu Hirotsugu

評価作品3点

著名の刀工
国相模時代Bunmei (1469–1487)時代区分室町流派相州>末相州伝法相州伝代3rd藤代Jo saku刀工大鑑400(上位37%)種別刀工コードHIR483
1御物
2重要刀剣

概要

Hirotsugu was a swordsmith who resided in Kamakura in Sagami Province, working within the Soshu-den tradition. Sword reference works place the first generation in the Kenmu era; however, among extant works none can be traced back earlier than the mid-Muromachi period, and he is accordingly regarded as a representative Soshu smith of the late Muromachi period. Smiths of particularly high technical ability are known from around the Meio era, and there are also examples bearing Tenbun-era date inscriptions signed "Sunshu Shimada-ju," establishing a connection to Suruga Province. A wakizashi in the Imperial Collection dated Meio 9 (1500) represents the oldest firmly dated example.

Hirotsugu's workmanship is characterized by bold, vigorous construction with wide mihaba and extended kissaki. The kitae is itame-hada mixed with mokume, frequently showing a tendency toward standing grain, with thickly adhering ji-nie and abundant chikei. The hamon is generally yakidaka, mixing gunome with choji, togariba, and yahazu-gata elements within a notare ground. With tobiyaki and muneyaki intermingled, the tempering develops into hitatsura of striking force, accompanied by frequent kinsuji and sunagashi and a bright nioiguchi. The NBTHK observes that at first glance such work "produces a strongly nie-laden, powerful hitatsura that calls to mind the Hasebe school of the Nanbokucho period." Several blades also display faint utsuri, and the boshi is characteristically deep, often finished ichimai with hakikake.

Hirotsugu's finest pieces are consistently praised for the vigor and completeness of their hitatsura, with both ji and ha richly covered in nie. The execution is described as forceful even into the boshi, and the horimono on certain examples -- including kurikara and bonji carvings -- are called "splendid." The NBTHK notes that from these qualities "Hirotsugu's high level of technique is readily discerned," and the best works rank among the finest achievements of late Soshu craftsmanship.

歴史的重要度

廣次の位置づけを、日本刀全体および伝統・時代・時期ごとに示します。各位(随一・屈指・有数・著名)は、NBTHK および文化庁による指定に加え、三作や名物帳などの歴史的栄誉を加味したものです。

随一
随一
屈指
屈指
有数
有数
著名
著名

各項目を選ぶと評価方法が表示されます。

指定

国宝—
重要文化財—
重要美術品—
御物1
特別重要刀剣—
重要刀剣2

名工ランク

伝来

販売中

末相州派

末相州派の他の刀工

  1. 1.綱廣Tsunahiro2 販売中12指定
  2. 2.總宗Fusamune5指定
  3. 3.廣正Hiromasa1 販売中4指定
  4. 4.清平Kiyohira4指定
  5. 5.綱家Tsunaie3指定
  6. 6.廣次Hirotsugu2 販売中2指定
  7. 7.廣次Hirotsugu1指定
  8. 8.國次Kunitsugu1指定
  9. 9.正廣Masahiro8指定
  10. 10.綱廣Tsunahiro1 販売中2指定
  11. 11.綱廣Tsunahiro1 販売中2指定
  12. 12.康春Yasuharu1指定

廣次

廣次(Hirotsugu)は、相模の末相州派の刀工です。

文明に活動しました。

作風は相州伝に属します。

廣次の作品には、重要2点が指定されています。