Description

This iron tsuba is signed "Toshimasa" and comes with NBTHK Hozon Tosogu certification. The tsuba is decorated with a carved dragon around the edge. It was made in the Edo period and comes in a custom-made kiri box.

Iron tsuba signed Toshimasa with Kao, with NBTHK Hozon Tosogu. Dragon
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Iron tsuba signed Toshimasa with Kao, with NBTHK Hozon Tosogu. Dragon

Tsuba

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Tracked across 81 dealers worldwide · price history · sold archive

About the maker

Egawa Toshimasa利政

Egawa Toshimasa, whose common name was Seikichi, was born in Mito in An'ei 2 (1773). He traveled to Edo and entered the atelier of Yokoya Eisei, where he came to the attention of a senior fellow pupil, Katsura Eiju, who arranged his adoption into the Katsura house. Toshimasa inherited Eiju's common name Saichiro, assumed the art-name Katsura Sorin, and continued in his adoptive father's role as a *kakae-ko* (retained craftsman) to the Arima family, lords of Kurume Domain. He used both the Egawa and Katsura surnames throughout a remarkably long career: signed works are recorded at age seventy-five (Ka'ei 1), eighty-two (Ansei 2), and eighty-eight. Grounded in the carving techniques of the Yokoya school and its *iebori* (hereditary atelier) lineage, Toshimasa characteristically employs *shakudo nanako-ji* combined with *takabori* and *iroe* to render birds and animals, horses, fish and shellfish, and insects with what the NBTHK describes as "a dignified, elevated tone." His relief work is distinguished by pronounced *niku* and powerful modeling, while his choice of subject and naturalistic observation of posture and movement also reveal "the fresh, innovative sensibility associated with *machibori*" -- the town-carver idiom that operated outside hereditary workshop conventions. He excelled at *issaku-kanagu* (unified fitting suites), coordinating design programs across *tsuba*, *fuchi-kashira*, *kozuka*, *kogai*, and *menuki* with lavish use of gold and silver inlay. The NBTHK's assessments consistently affirm that Toshimasa's compositions display "a high degree of refinement" and that his painstaking *chokin* results in work of "notably elevated dignity appropriate to daimyo equipment." Whether depicting the shishi-and-peony theme at which the Yokoya school excelled or distributing twenty-two insects across a *mushi-zukushi* ensemble with minute fidelity, the evaluations find that "the distinctive qualities and accomplished skill of Egawa Toshimasa are amply demonstrated" and that "the artist's strengths are fully manifested."

Dealer

Soryu

soryu.pl

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