After the Ōnin War broke the Ashikaga order, a century of Sengoku warfare armed nearly every province in Japan. The era rewards a discriminating eye: routine work exists in quantity, and beside it stand custom blades of the first rank.
This wakizashi is attributed to Shitahara Terushige, a swordsmith active in Musashi Province during the late Muromachi to early Edo period. The Shitahara school was known for producing practical and durable swords, valued for their toughness and cutting ability. This blade features a Bonji character and a Kurikara-ken carving, symbolizing protection and spiritual strength, and comes with an NBTHK Hozon Certificate.
Certificate reading — 無銘（下原照重）
NihontoWatchmumei · Shitahara · Eiroku (1558-1570) · nagasa 57.2cm · sori 1.06cm
Shinto · Musashi
13 pieces on the market now
The Shitahara group (下原) worked at Hachiōji in Bushū, the old province of Musashi, from the end of the Muromachi period and carried its forge on into the Edo period. The setsumei place the lineage among the swordmakers of Musashi in the kotō age and name Terushige, Yasushige, Hiroshige, and Chikashige as its leading hands, with the meikan recording Terushige across three generations: a shodai in Kyōroku, a nidai in Eiroku, and a sandai in Tenshō. " That same blade was made to order, in this case from Hagiwara Kaminao of Kōshū, marking the group as a working provincial forge serving its region. In the forging the setsumei return repeatedly to an itame-hada freely mixed with mokume that stands up rather than lying flat, the grain described as hada-datsu, often running to nagare near the edge and taking on an ayasugi-like, whorled or vortex-like cast in the jigane. The temper is a moderately undulating notare into which gunome enter, frequently in regular paired sequences, with pointed togariba, a chōji-like feeling at times, and ko-nie clinging along a nioiguchi that can settle into a subdued shizumi tone; sunagashi and ashi appear within the ha, and the bōshi tends to run midare-komi and turn back in maru. One katana shows a wet-looking nureba surface with angular irregularities and hakikake.
The setsumei read this hand as a synthesis drawing on late Sōshū and the Muramasa line together with late Mino tendencies, which together account for the standing grain and the paired gunome. For kantei the markers are consistent: the risen mokume with its ayasugi turn, the regularly paired gunome, and a build suited to the uchigatana of the closing Muromachi years, often with pronounced sakizori and an extended chū-kissaki. Carving recurs, including bō-hi, bonji, gomabashi, and a deeply cut kurikara-ryū whose coiling tail the NBTHK singles out as characteristic. Named and dated pieces anchor the group: the Yamamoto Genjirō Terushige naginata, uncommon as a double-edged ryōba form, and a Terushige katana appraised between Eiroku and Tenshō that the register calls the hakubi of the school. The setsumei note that Shitahara work survives in number into the shintō period while outstanding examples remain few, which sets these designated blades apart within the lineage. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Terushige照重 | 1558-1570 | 2 |
| Terushige照重 | 1596-1615 | 1 |
| Yasushige康重 | 1558-1570 | 1 |
| Morishige盛重 | 1661-1673 | 0 |
| Yasushige康重 | 1661-1704 | 0 |
After the Ōnin War broke the Ashikaga order, a century of Sengoku warfare armed nearly every province in Japan. The era rewards a discriminating eye: routine work exists in quantity, and beside it stand custom blades of the first rank.
Certifies a genuine blade worth preserving: a signature confirmed correct, or, if unsigned, an era, province, and school that the NBTHK can reliably identify.
The NBTHK (Nihon Bijutsu Tōken Hozon Kyōkai, the Society for the Preservation of Japanese Art Swords) is a public-interest incorporated foundation founded in 1948 and supervised by Japan’s Agency for Cultural Affairs (Bunkachō); it is based at the Japanese Sword Museum in Tokyo. Its expert panels physically examine each submitted work (shinsa) and issue a certificate (kanteishō) ranking it by artistic and historical merit. NBTHK papers are the most widely recognized standard of authentication for Japanese swords and fittings.
NBTHK official siteReturns/exchanges limited to defects caused by shipping (except willful misconduct or gross negligence by the company); customers must contact within 72 hours of receiving the product.
This wakizashi is attributed to Shitahara Terushige, a swordsmith active in Musashi Province during the late Muromachi to early Edo period. The Shitahara school was known for producing practical and durable swords, valued for their toughness and cutting ability. This blade features a Bonji character and a Kurikara-ken carving, symbolizing protection and spiritual strength, and comes with an NBTHK Hozon Certificate.
Certificate reading — 無銘（下原照重）
NihontoWatchmumei · Shitahara · Eiroku (1558-1570) · nagasa 57.2cm · sori 1.06cm
Shinto · Musashi
13 pieces on the market now
The Shitahara group (下原) worked at Hachiōji in Bushū, the old province of Musashi, from the end of the Muromachi period and carried its forge on into the Edo period. The setsumei place the lineage among the swordmakers of Musashi in the kotō age and name Terushige, Yasushige, Hiroshige, and Chikashige as its leading hands, with the meikan recording Terushige across three generations: a shodai in Kyōroku, a nidai in Eiroku, and a sandai in Tenshō. " That same blade was made to order, in this case from Hagiwara Kaminao of Kōshū, marking the group as a working provincial forge serving its region. In the forging the setsumei return repeatedly to an itame-hada freely mixed with mokume that stands up rather than lying flat, the grain described as hada-datsu, often running to nagare near the edge and taking on an ayasugi-like, whorled or vortex-like cast in the jigane. The temper is a moderately undulating notare into which gunome enter, frequently in regular paired sequences, with pointed togariba, a chōji-like feeling at times, and ko-nie clinging along a nioiguchi that can settle into a subdued shizumi tone; sunagashi and ashi appear within the ha, and the bōshi tends to run midare-komi and turn back in maru. One katana shows a wet-looking nureba surface with angular irregularities and hakikake.
The setsumei read this hand as a synthesis drawing on late Sōshū and the Muramasa line together with late Mino tendencies, which together account for the standing grain and the paired gunome. For kantei the markers are consistent: the risen mokume with its ayasugi turn, the regularly paired gunome, and a build suited to the uchigatana of the closing Muromachi years, often with pronounced sakizori and an extended chū-kissaki. Carving recurs, including bō-hi, bonji, gomabashi, and a deeply cut kurikara-ryū whose coiling tail the NBTHK singles out as characteristic. Named and dated pieces anchor the group: the Yamamoto Genjirō Terushige naginata, uncommon as a double-edged ryōba form, and a Terushige katana appraised between Eiroku and Tenshō that the register calls the hakubi of the school. The setsumei note that Shitahara work survives in number into the shintō period while outstanding examples remain few, which sets these designated blades apart within the lineage. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Terushige照重 | 1558-1570 | 2 |
| Terushige照重 | 1596-1615 | 1 |
| Yasushige康重 | 1558-1570 | 1 |
| Morishige盛重 | 1661-1673 | 0 |
| Yasushige康重 | 1661-1704 | 0 |
After the Ōnin War broke the Ashikaga order, a century of Sengoku warfare armed nearly every province in Japan. The era rewards a discriminating eye: routine work exists in quantity, and beside it stand custom blades of the first rank.
Certifies a genuine blade worth preserving: a signature confirmed correct, or, if unsigned, an era, province, and school that the NBTHK can reliably identify.
The NBTHK (Nihon Bijutsu Tōken Hozon Kyōkai, the Society for the Preservation of Japanese Art Swords) is a public-interest incorporated foundation founded in 1948 and supervised by Japan’s Agency for Cultural Affairs (Bunkachō); it is based at the Japanese Sword Museum in Tokyo. Its expert panels physically examine each submitted work (shinsa) and issue a certificate (kanteishō) ranking it by artistic and historical merit. NBTHK papers are the most widely recognized standard of authentication for Japanese swords and fittings.
NBTHK official siteReturns/exchanges limited to defects caused by shipping (except willful misconduct or gross negligence by the company); customers must contact within 72 hours of receiving the product.
