This complete and authentic samurai armor features the typical characteristics of the early production of tosei gusoku (“modern armor”) in Western Japan. In fact, the colors are garish and the finishing is elegant, with unusual stylistic solutions. The helmet is typical of the Haruta school and echoes the akoda–nari type patterns popular in the region since the Muromachi period, and the mask offers a fierce expression while remaining with elegant features and original traits. The construction displays elements of practicality that specimens produced later in the Edo period would go on to lose and that are typical of samurai armor of the sengoku jidai (Warring States Period): the curved edge at the top of the armor and the additional movable protections on the sides were in fact used to prevent the tip of a weapon from slipping toward the throat or armpits. In addition, the shikoro (neck guard) divided into three parts and the sode (shoulder shields) with the front corner cut off offered greater freedom of movement in battle. The number of tassels protecting the lap (kusazuri) is also quite peculiar, as is the use of a sugake odoshi binding with hon–kozane plates in the central part of the armor, as common on some haramaki of the Muromachi period. The gilt brass applications (kanamono) are of the highest quality, especially on the back. Such refinement suggests a date slightly later than the Momoyama period.
Offered by Giuseppe Piva













Edo
Kōshū Tokubetsu Kichō Shiryō · Nihon Katchū Bugu Kenkyū Hozon Kai
The first-class (kō-grade) of the especially-valuable rank and the society’s second-highest grade, reserved for armour of exceptional importance.
Japanese armour is not certified by the NBTHK. The Nihon Katchū Bugu Kenkyū Hozon Kai (the Association for the Research and Preservation of Japanese Helmets and Armour), founded in 1961, is the principal body for armour. Its shinsa grades a piece as 資料 (shiryō, "reference material") across five ascending ranks: Hozon, Kichō, Tokubetsu Kichō, Kōshū Tokubetsu Kichō, and the highest, Jūyō Bunka Shiryō. The 資料 framing reflects the society’s purpose of preserving armour as cultural and historical reference, distinct from the NBTHK’s sword paper tiers.




€45,000