The twentieth century nearly killed the craft twice: wartime distortion, then the occupation ban. The NBTHK’s founding in 1948 and licensed forging from 1953 rebuilt the sword as an art, crowned by Living National Treasures and the mukansa rank.
義弘は青森県の城下町、弘前市の刀工で本名は二唐保(にがら たもつ)、大正五年生まれ。二唐家は陸奥津軽藩のお抱え鍛冶を務めた一門で、江戸初期から四百年続いた青森で最も名の知れた一派。父は義信、兄は国俊と一家みな刀鍛冶で、昭和十六年から栗原昭秀や堀井俊秀らに学び、戦中戦後と鍛刀を続けた。 本作は二尺四寸を超え、その強い腰反りは太刀然とし古い備前物を意識した造り込み。元幅先幅広くずっしりとした重量感。一文字の重花丁子を思わせる互の目丁子刃文は高低差があり、小沸がたっぷりとついて小足長足が多く働きがある。地鉄は小板目肌が詰み、帽子は焼き幅広くやや尖り気味に返っている。生ぶ茎にも反りがつき、深い筋違い鑢目を入れて二字銘を切る。
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As written by the shop
Aomori · around 1926-1989
Shōwa to the present: destruction and revival
The twentieth century nearly killed the craft twice: wartime distortion, then the occupation ban. The NBTHK’s founding in 1948 and licensed forging from 1953 rebuilt the sword as an art, crowned by Living National Treasures and the mukansa rank.
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