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鑑定
NihontoWatch Mon

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マーケット
事典
鑑定

説明

Title: Eda Tsubaki Zu Description This Kougai is attributed to Waki Goto (脇後藤). Waki-Goto refers to craftsmen who were not part of the main Goto family, but were from its branch families, students, or other metalworkers who learned and followed the Goto style. The Goto family was a famous and respected group of metal artists that started in the mid-Muromachi period. The first master, Goto Yujo, began working in Kyoto around the 1460s. The family served the shogunate for generations, making sword fittings, and their tradition continued for about 400 years through around 17 generations until the late Edo period. According to the certificate, the theme of this Kougai is Tsubaki (椿, camellia). In a theory, the way flowers fell off was unfavorably received among Samurai families because it was seen just like a head had fallen off. However, on the other hand, Tsubaki has been appreciated as a plant that produces various byproducts. Tsubaki has been used for multiple things, such as oil, cosmetics, and medicine; we would say that this flower has been very familiar to Japanese people’s lives since ancient times. Also, some people believed that the Tsubaki would protect people from epidemics or evil spirits. As mentioned above, the Japanese name of camellia is written as 椿. And this letter is composed of 木 (tree) and 春 (spring). So, this flower was considered a plant that waits for the arrival of spring. We could imagine how people named this flower in an attempt to give it a good meaning. The piece is made of shakudo, a dark metal alloy, and has a nanako pattern (魚々子地) on the surface. This pattern is created by placing tiny, round bumps evenly, like fish eggs. In addition, it features inlay work made with shikō (志鋼, a type of metal used for decoration). *As this item is an antique, please check each photo and ensure its condition. Why is it that the sword mounting was important for Samurai? The sword mountings of the Japanese sword have many kinds of decorations such as handguards (Tsuba), sword hilt (Menuki), pommel (Fuchi Kashira). The Japanese sword worked as a weapon and as an object to show who he was. For example, it shows their personalities and beliefs. You could say that it is like decorations for smartphones today. We recommend you zoom in on the pictures of the sword fittings. When you do so, you can see the skill of Japanese metal engraving techniques. They are mainly made of iron and copper with inlays of gold, silver, and bronze. When it comes to handguard (Tsuba), each one has a different outline and weight. These sword fittings that have lived with Japanese swords of the same age might be worth as much as the Japanese swords. They are inconspicuous parts of the Japanese sword. Nevertheless, if you are knowledgeable or particular about it, you will become a connoisseur of the Samurai. Authentication Paper : NBTHK Hozon Certificate NBTHK, also known as Nihon Bijutsu Touken Hozon Kyokai (the Society for the Preservation of the Japan Art Sword), is one of the oldest Japanese sword appraising organizations in modern-day Japan. They authenticated the Kozuka on March 11th in the third year of Heisei (1991). They appraised it as Hozon Tousougu, the Kozuka worth preserving for Japanese society. The purchaser will receive this original certificate as well. We can also translate what is written into English and make a PDF file for your record if you request. 【About us】 Samurai Museum is located in Tokyo, Japan, exhibiting antique artifacts related to the Samurai history. Samurai Museum Shop is the place for those who are interested in Japanese culture and craftsmanship. We deal with antique Samurai swords/armor, traditional crafts made in Japan and so on. 【Payment method】 We accept payment through Stripe (Credit card), PayPal , Apple Pay or ChromePay, all of which are secure payment methods. Also, you don’t need to make an account on Stripe for the checkout. If you prefer other payment method, please contact us. You may either pa

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刀装具›家彫›後藤›脇後藤›Edo period Antique Kougai for Samurai Sword with NBTHK Hozon Certificate (K-73)
笄保存
脇後藤派

Edo period Antique Kougai for Samurai Sword with NBTHK Hozon Certificate (K-73)

無銘 · Goto · 江戸

売却済
脇後藤派 — 1 of 7
脇後藤派 — 2 of 7
脇後藤派 — 3 of 7
脇後藤派 — 4 of 7
脇後藤派 — 5 of 7
脇後藤派 — 6 of 7
脇後藤派 — 7 of 7
1 / 7
1 / 7
脇後藤派 — 1 of 7脇後藤派 — 2 of 7脇後藤派 — 3 of 7脇後藤派 — 4 of 7脇後藤派 — 5 of 7脇後藤派 — 6 of 7脇後藤派 — 7 of 7
法量・詳細
作者

脇後藤派

時代

江戸

銘

無銘

鑑定書

保存 (NBTHK)

説明

Title: Eda Tsubaki Zu Description This Kougai is attributed to Waki Goto (脇後藤). Waki-Goto refers to craftsmen who were not part of the main Goto family, but were from its branch families, students, or other metalworkers who learned and followed the Goto style. The Goto family was a famous and respected group of metal artists that started in the mid-Muromachi period. The first master, Goto Yujo, began working in Kyoto around the 1460s. The family served the shogunate for generations, making sword fittings, and their tradition continued for about 400 years through around 17 generations until the late Edo period. According to the certificate, the theme of this Kougai is Tsubaki (椿, camellia). In a theory, the way flowers fell off was unfavorably received among Samurai families because it was seen just like a head had fallen off. However, on the other hand, Tsubaki has been appreciated as a plant that produces various byproducts. Tsubaki has been used for multiple things, such as oil, cosmetics, and medicine; we would say that this flower has been very familiar to Japanese people’s lives since ancient times. Also, some people believed that the Tsubaki would protect people from epidemics or evil spirits. As mentioned above, the Japanese name of camellia is written as 椿. And this letter is composed of 木 (tree) and 春 (spring). So, this flower was considered a plant that waits for the arrival of spring. We could imagine how people named this flower in an attempt to give it a good meaning. The piece is made of shakudo, a dark metal alloy, and has a nanako pattern (魚々子地) on the surface. This pattern is created by placing tiny, round bumps evenly, like fish eggs. In addition, it features inlay work made with shikō (志鋼, a type of metal used for decoration). *As this item is an antique, please check each photo and ensure its condition. Why is it that the sword mounting was important for Samurai? The sword mountings of the Japanese sword have many kinds of decorations such as handguards (Tsuba), sword hilt (Menuki), pommel (Fuchi Kashira). The Japanese sword worked as a weapon and as an object to show who he was. For example, it shows their personalities and beliefs. You could say that it is like decorations for smartphones today. We recommend you zoom in on the pictures of the sword fittings. When you do so, you can see the skill of Japanese metal engraving techniques. They are mainly made of iron and copper with inlays of gold, silver, and bronze. When it comes to handguard (Tsuba), each one has a different outline and weight. These sword fittings that have lived with Japanese swords of the same age might be worth as much as the Japanese swords. They are inconspicuous parts of the Japanese sword. Nevertheless, if you are knowledgeable or particular about it, you will become a connoisseur of the Samurai. Authentication Paper : NBTHK Hozon Certificate NBTHK, also known as Nihon Bijutsu Touken Hozon Kyokai (the Society for the Preservation of the Japan Art Sword), is one of the oldest Japanese sword appraising organizations in modern-day Japan. They authenticated the Kozuka on March 11th in the third year of Heisei (1991). They appraised it as Hozon Tousougu, the Kozuka worth preserving for Japanese society. The purchaser will receive this original certificate as well. We can also translate what is written into English and make a PDF file for your record if you request. 【About us】 Samurai Museum is located in Tokyo, Japan, exhibiting antique artifacts related to the Samurai history. Samurai Museum Shop is the place for those who are interested in Japanese culture and craftsmanship. We deal with antique Samurai swords/armor, traditional crafts made in Japan and so on. 【Payment method】 We accept payment through Stripe (Credit card), PayPal , Apple Pay or ChromePay, all of which are secure payment methods. Also, you don’t need to make an account on Stripe for the checkout. If you prefer other payment method, please contact us. You may either pa

流派について

脇後藤

家彫 · Kyoto

現在75点販売中

›

脇後藤 脇後藤とは、刀装具製作において歴代にわたり権威を保った後藤宗家に対し、その傍系・分家にあたる諸家の総称である。後藤家は室町時代以来、足利将軍家・徳川幕府に仕え、その彫物は「家彫」と称されて市井の需要に応じた「町彫」と区別され、刀装金工の最高峰と仰がれた。脇後藤はこの宗家の血脈と技法を分かち、京都および江戸の中央のみならず諸国へとその伝統を広めた一群である。室町末期に活躍したと伝わる光乗をはじめ、程乗の次男にして理兵衛家を興した悦乗、権兵衛家の順乗、勘兵衛家の東乗・光文、半左衛門家の光正、次左衛門家の光久など、多くの名工がこの系譜に名を連ねている。とりわけ悦乗光邦は寛永十九年に京都に生まれ、加賀前田家より百五十石を賜り、勘兵衛家の演乗と隔年で加州金沢に住して門人を育成し、加賀後藤の隆盛に大きく寄与した。 作風は専ら後藤の御家流を基調とし、赤銅魚子地を高彫あるいは鋤出高彫とし、これに金色絵を施すのを本領とする。魚子地は細かく整然として深く澄み、肉置きも優れる。光乗は桐紋・鳳凰・百足などの意匠を好み、その魚子地と高彫の肉取りに後藤上三代の遺風を伝える。悦乗は龍や獅子といった後藤の掟物のみならず、滑らかな赤銅の波文地に尾鰭を跳ね上げ勢いよく海上を飛ぶ鯱を、隅々まで細緻な鏨の活きた金紋であらわすなど、一風変わった趣向の作をも遺し、小柄笄の仕立・肉置は父程乗に全く同じく、金の色あいよく彫技も傑出する。幕末に至っては、光文の七夕図に見るごとく、赤銅魚子地の高彫金色絵を蒔絵・螺鈿の鞘と取り合わせ、加賀工芸の極致と称される優美な刀装をも生み出している。 評価においては、脇後藤の作はいずれも父祖の御家流を忠実に継ぎつつ、各家それぞれに独自の意匠と卓越した彫技を加えた点が高く評価される。順乗の双龍図鐔が「後藤傍系作品中の傑出作」[[c:1]]と称されるごとく、傍系にありながら宗家に劣らぬ技量を示す作が少なくない。在銘品が比較的少ないため、その遺品はいずれも資料的価値が高く、後藤家研究の好資料として珍重される。理兵衛家の加州移住によって伝統は京・江戸の外へも広がり、加賀後藤として一地方の金工を興隆させた。かくして脇後藤は、後藤宗家の家彫の伝統を時代の好尚に応じて展開させながらその品格を保ち続けた一流として、日本刀装金工史上に重要な位置を占めている。 詳しく見る →

29名の刀工指定210口
主要刀工
刀工時代指定
光乗1480-16705
宗知—0
守邨厚隆—0
泰乗—0
光治—0
脇後藤流派を見る →
NBTHK鑑定書
Hozon Tōsōgu保存刀装具
Fitting Worthy of Preservation
›

銘が正しい、または無銘でも年代・流派を指摘でき、美術工芸的価値が認められる、保存に値する真正の刀装具と鑑定されたものです。

NBTHKについて›

日本美術刀剣保存協会(NBTHK)は、1948年に設立され、文化庁の監督を受ける公益財団法人で、東京・刀剣博物館に本部を置きます。専門の審査員が出品作を直接審査し、美術的・歴史的価値に応じた鑑定書を発行します。NBTHKの鑑定書は、日本刀および刀装具の真正性を示す最も広く認知された基準です。

NBTHK公式サイト→
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脇後藤派の売約済み

銀座誠友堂
特別保存
Menuki - Tokuho - by Waki-Goto School - 目貫[脇後藤 這龍図目貫][日本美術刀剣保存協会]特別保存刀装具Menuki - Tokuho - by Waki-Goto School - 目貫[脇後藤 這龍図目貫][日本美術刀剣保存協会]特別保存刀装具
売切れ

目貫

作脇後藤派
江戸
売却済
あさひ刀剣
保存
Kozuka - Hozon - by Waki-Goto School - 小柄 布袋唐子図(無銘・悦乗)Kozuka - Hozon - by Waki-Goto School - 小柄 布袋唐子図(無銘・悦乗)
売切れ

小柄

作脇後藤派
江戸
売却済
あやかし堂
保存
Fuchi-Kashira - Hozon - by Waki-Goto School - 縁頭 桐図 後藤光倫Fuchi-Kashira - Hozon - by Waki-Goto School - 縁頭 桐図 後藤光倫
売切れ

縁頭

作脇後藤派
江戸
売却済
サムライミュージアム
保存
Menuki - Hozon - by Waki-Goto School - 刀装具 目貫 NBTHK保存刀装具鑑定書付 (M-44)Menuki - Hozon - by Waki-Goto School - 刀装具 目貫 NBTHK保存刀装具鑑定書付 (M-44)
売切れ

目貫

作脇後藤派
江戸
売却済

脇後藤派の作

すべて見る →
銀座長州屋
特別保存
Tsuba - Tokuho - by Goto Ichijo - 銀座長州屋Tsuba - Tokuho - by Goto Ichijo - 銀座長州屋

鍔

作後藤一乗
江戸
お問い合わせ
銀座盛光堂
特別保存
Futatokoro - Tokuho - by Goto Ichijo - 後藤法橋一乗(花押)飛鶴図Futatokoro - Tokuho - by Goto Ichijo - 後藤法橋一乗(花押)飛鶴図

二所物

作後藤一乗
late Edo–early Meiji (1791–1876)
¥1,900,000
銀座盛光堂
重要
Kozuka - Jūyō - by Ichijo Ikkin - 船田一琴 花押Kozuka - Jūyō - by Ichijo Ikkin - 船田一琴 花押

小柄

作一琴
江戸
お問い合わせ
Mandarin Mansion
特別保存
Koshirae - Tokuho - by Araki Tomei - 荒木東明 脇差 拵えKoshirae - Tokuho - by Araki Tomei - 荒木東明 脇差 拵え

拵

作東明
江戸
お問い合わせ
Onihonto
保存
Fuchi-Kashira - Hozon - by Waki-Goto Seijo - 雷雲龍図縁頭 後藤清乗作Fuchi-Kashira - Hozon - by Waki-Goto Seijo - 雷雲龍図縁頭 後藤清乗作

縁頭

作清乗
early Edo (1606–1688)
¥1,250
葵美術
重要
Gotokoromono - Jūyō - by Araki Tomei - 刀装具一揃:無銘:鐔、小柄、縁頭、目貫、裏瓦、栗形(第65回重要刀装具):粟図Gotokoromono - Jūyō - by Araki Tomei - 刀装具一揃:無銘:鐔、小柄、縁頭、目貫、裏瓦、栗形(第65回重要刀装具):粟図

五所物

作東明
late Edo (1817–1870)
¥12,500,000
銀座盛光堂
特別保存
Menuki - Tokuho - by Waki-Goto Tojo - 割笄 銘 後藤東乗(花押)Menuki - Tokuho - by Waki-Goto Tojo - 割笄 銘 後藤東乗(花押)

目貫

作東乗
Edo (1670)
¥650,000
丸英刀剣
特別保存
Menuki - Tokuho - by Araki Tomei - 荒木東明 短冊銘 粟穂図目貫Menuki - Tokuho - by Araki Tomei - 荒木東明 短冊銘 粟穂図目貫

目貫

作東明
江戸
¥2,200,000

後藤派の作

すべて見る →
飯田高遠堂
重要
Kozuka - Jūyō - by Goto Sojo - 刀装具 鑑定書内容:財)日本美術刀剣保存協会 重要刀装具[N.B.T.H.K]Juyo Tosougu No.54 NO.B318 作者 : 後藤宗乗Kozuka - Jūyō - by Goto Sojo - 刀装具 鑑定書内容:財)日本美術刀剣保存協会 重要刀装具[N.B.T.H.K]Juyo Tosougu No.54 NO.B318 作者 : 後藤宗乗

小柄

作後藤宗乗
室町
¥3,300,000
山城屋
特重
Koshirae - Tokuju - by Kaga-Goto Etsujo - 【太刀拵】 金梨子地葵紋散金貝蒔絵鞘糸巻太刀拵 / 鐔(銘)後藤悦乗(花押)Koshirae - Tokuju - by Kaga-Goto Etsujo - 【太刀拵】 金梨子地葵紋散金貝蒔絵鞘糸巻太刀拵 / 鐔(銘)後藤悦乗(花押)

拵

作悦乗
江戸
お問い合わせ
葵美術
特別保存
Kozuka - Tokuho - by Goto Tsujo - 小柄:通乗作 光美(日本美術刀剣保存協会 特別保存刀装具)Kozuka - Tokuho - by Goto Tsujo - 小柄:通乗作 光美(日本美術刀剣保存協会 特別保存刀装具)

小柄

作後藤通乗
Mid Edo (1664-1721)
¥500,000
和敬堂
特別保存
Menuki - Tokuho - by Goto Teijo - 目貫 無銘 程乗 十二支図Menuki - Tokuho - by Goto Teijo - 目貫 無銘 程乗 十二支図

目貫

作後藤程乗
Early Edo (1603-1673)
¥380,000
刀心
特別貴重
Futatokoro - Tokubetsu Kichō - by Goto Tsujo - 束稲図二所 後藤光寿(花押) -Goto Mitsutoshi(Kao)- 16-197Futatokoro - Tokubetsu Kichō - by Goto Tsujo - 束稲図二所 後藤光寿(花押) -Goto Mitsutoshi(Kao)- 16-197

二所物

作後藤通乗
Mid Edo (1664-1721)
¥550,000
Onihonto
特別保存
Menuki - Tokuho - by Goto School - 大名乗後藤 獅子図目貫(特別重要刀剣等鑑定書付)Menuki - Tokuho - by Goto School - 大名乗後藤 獅子図目貫(特別重要刀剣等鑑定書付)

目貫

作後藤派
室町
¥1,500
葵美術
特別保存
Mitokoromono - Tokuho - by Goto Ichijo - 二所物(小柄・笄):後藤一乗(日本美術刀剣保存協会 特別保存刀装具)Mitokoromono - Tokuho - by Goto Ichijo - 二所物(小柄・笄):後藤一乗(日本美術刀剣保存協会 特別保存刀装具)

三所物

作後藤一乗
late Edo–early Meiji (1791–1876)
¥1,250,000
銀座長州屋
特別保存
Kozuka - Tokuho - by Goto Eijo - 縄張農具図小柄 銘 栄乗作 光守(花押)小柄栄乗作 光守(花押)Kozuka - Tokuho - by Goto Eijo - 縄張農具図小柄 銘 栄乗作 光守(花押)小柄栄乗作 光守(花押)

小柄

作後藤栄乗
桃山
¥350,000

家彫の伝統

すべて見る →
飯田高遠堂
特別保存
Tsuba - Tokuho - by Goto Ichijo - 刀装具Tsuba - Tokuho - by Goto Ichijo - 刀装具

鍔

作後藤一乗
江戸
¥1,320,000
葵美術
重要
Gotokoromono - Jūyō - by Goto Enjo - 三所物(小柄・笄・目貫):翁三番叟図Gotokoromono - Jūyō - by Goto Enjo - 三所物(小柄・笄・目貫):翁三番叟図

五所物

作後藤延乗
江戸
¥4,000,000
飯田高遠堂
重要
Mitokoromono - Jūyō - by Goto Tobari Tomihisa - 刀装具 鑑定書内容:財)日本美術刀剣保存協会 重要刀装具[N.B.T.H.K]Juyo Tosougu No.70 銘文:戸張富久Mitokoromono - Jūyō - by Goto Tobari Tomihisa - 刀装具 鑑定書内容:財)日本美術刀剣保存協会 重要刀装具[N.B.T.H.K]Juyo Tosougu No.70 銘文:戸張富久

三所物

作戸張富久
江戸
¥5,500,000
和敬堂
保存
Kozuka - Hozon - by Goto Shinjo - 小柄 紋程乗 光美(花押) 親子虎豹図Kozuka - Hozon - by Goto Shinjo - 小柄 紋程乗 光美(花押) 親子虎豹図

小柄

作後藤真乗
Late Edo (1780-1843)
¥580,000
丸英刀剣
特別保存
Futatokoro - Tokuho - by Goto Ichijo - 後藤一乗 流水に藻貝図二所Futatokoro - Tokuho - by Goto Ichijo - 後藤一乗 流水に藻貝図二所

二所物

作後藤一乗
21.1cm·江戸
¥2,200,000
丸英刀剣
特別保存
Menuki - Tokuho - by Ko-Goto School - 金無垢這龍図目貫 古後藤Menuki - Tokuho - by Ko-Goto School - 金無垢這龍図目貫 古後藤

目貫

作古後藤派
4.3cm·江戸
¥750,000
Soryu
保存
Fuchi-Kashira - Hozon - by Goto Teijo - 縁頭 銘「貞乗作 光美」 保存刀装具鑑定書付Fuchi-Kashira - Hozon - by Goto Teijo - 縁頭 銘「貞乗作 光美」 保存刀装具鑑定書付

縁頭

作後藤程乗
Early Edo (1603-1673)
¥2,800
Nihontocraft
重要
Mitokoromono - Jūyō - by Goto Hojo - 後藤方乗 三所物Mitokoromono - Jūyō - by Goto Hojo - 後藤方乗 三所物

三所物

作後藤方乗
江戸
¥27,000

刀剣

  • 刀
  • 脇差
  • 短刀
  • 太刀
  • 薙刀
  • 槍

刀装具

  • 鍔
  • 縁頭
  • 小柄
  • 目貫

甲冑武具

  • 兜
  • 甲冑

鑑定別

  • 特重
  • 重要
  • 特別保存
  • 保存

リソース

  • 刀剣商一覧
  • 刀工一覧
  • 誌上鑑定
  • すべて見る
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説明

Title: Eda Tsubaki Zu Description This Kougai is attributed to Waki Goto (脇後藤). Waki-Goto refers to craftsmen who were not part of the main Goto family, but were from its branch families, students, or other metalworkers who learned and followed the Goto style. The Goto family was a famous and respected group of metal artists that started in the mid-Muromachi period. The first master, Goto Yujo, began working in Kyoto around the 1460s. The family served the shogunate for generations, making sword fittings, and their tradition continued for about 400 years through around 17 generations until the late Edo period. According to the certificate, the theme of this Kougai is Tsubaki (椿, camellia). In a theory, the way flowers fell off was unfavorably received among Samurai families because it was seen just like a head had fallen off. However, on the other hand, Tsubaki has been appreciated as a plant that produces various byproducts. Tsubaki has been used for multiple things, such as oil, cosmetics, and medicine; we would say that this flower has been very familiar to Japanese people’s lives since ancient times. Also, some people believed that the Tsubaki would protect people from epidemics or evil spirits. As mentioned above, the Japanese name of camellia is written as 椿. And this letter is composed of 木 (tree) and 春 (spring). So, this flower was considered a plant that waits for the arrival of spring. We could imagine how people named this flower in an attempt to give it a good meaning. The piece is made of shakudo, a dark metal alloy, and has a nanako pattern (魚々子地) on the surface. This pattern is created by placing tiny, round bumps evenly, like fish eggs. In addition, it features inlay work made with shikō (志鋼, a type of metal used for decoration). *As this item is an antique, please check each photo and ensure its condition. Why is it that the sword mounting was important for Samurai? The sword mountings of the Japanese sword have many kinds of decorations such as handguards (Tsuba), sword hilt (Menuki), pommel (Fuchi Kashira). The Japanese sword worked as a weapon and as an object to show who he was. For example, it shows their personalities and beliefs. You could say that it is like decorations for smartphones today. We recommend you zoom in on the pictures of the sword fittings. When you do so, you can see the skill of Japanese metal engraving techniques. They are mainly made of iron and copper with inlays of gold, silver, and bronze. When it comes to handguard (Tsuba), each one has a different outline and weight. These sword fittings that have lived with Japanese swords of the same age might be worth as much as the Japanese swords. They are inconspicuous parts of the Japanese sword. Nevertheless, if you are knowledgeable or particular about it, you will become a connoisseur of the Samurai. Authentication Paper : NBTHK Hozon Certificate NBTHK, also known as Nihon Bijutsu Touken Hozon Kyokai (the Society for the Preservation of the Japan Art Sword), is one of the oldest Japanese sword appraising organizations in modern-day Japan. They authenticated the Kozuka on March 11th in the third year of Heisei (1991). They appraised it as Hozon Tousougu, the Kozuka worth preserving for Japanese society. The purchaser will receive this original certificate as well. We can also translate what is written into English and make a PDF file for your record if you request. 【About us】 Samurai Museum is located in Tokyo, Japan, exhibiting antique artifacts related to the Samurai history. Samurai Museum Shop is the place for those who are interested in Japanese culture and craftsmanship. We deal with antique Samurai swords/armor, traditional crafts made in Japan and so on. 【Payment method】 We accept payment through Stripe (Credit card), PayPal , Apple Pay or ChromePay, all of which are secure payment methods. Also, you don’t need to make an account on Stripe for the checkout. If you prefer other payment method, please contact us. You may either pa

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刀装具›家彫›後藤›脇後藤›Edo period Antique Kougai for Samurai Sword with NBTHK Hozon Certificate (K-73)
笄保存
脇後藤派

Edo period Antique Kougai for Samurai Sword with NBTHK Hozon Certificate (K-73)

無銘 · Goto · 江戸

売却済
脇後藤派 — 1 of 7
脇後藤派 — 2 of 7
脇後藤派 — 3 of 7
脇後藤派 — 4 of 7
脇後藤派 — 5 of 7
脇後藤派 — 6 of 7
脇後藤派 — 7 of 7
1 / 7
1 / 7
脇後藤派 — 1 of 7脇後藤派 — 2 of 7脇後藤派 — 3 of 7脇後藤派 — 4 of 7脇後藤派 — 5 of 7脇後藤派 — 6 of 7脇後藤派 — 7 of 7
法量・詳細
作者

脇後藤派

時代

江戸

銘

無銘

鑑定書

保存 (NBTHK)

説明

Title: Eda Tsubaki Zu Description This Kougai is attributed to Waki Goto (脇後藤). Waki-Goto refers to craftsmen who were not part of the main Goto family, but were from its branch families, students, or other metalworkers who learned and followed the Goto style. The Goto family was a famous and respected group of metal artists that started in the mid-Muromachi period. The first master, Goto Yujo, began working in Kyoto around the 1460s. The family served the shogunate for generations, making sword fittings, and their tradition continued for about 400 years through around 17 generations until the late Edo period. According to the certificate, the theme of this Kougai is Tsubaki (椿, camellia). In a theory, the way flowers fell off was unfavorably received among Samurai families because it was seen just like a head had fallen off. However, on the other hand, Tsubaki has been appreciated as a plant that produces various byproducts. Tsubaki has been used for multiple things, such as oil, cosmetics, and medicine; we would say that this flower has been very familiar to Japanese people’s lives since ancient times. Also, some people believed that the Tsubaki would protect people from epidemics or evil spirits. As mentioned above, the Japanese name of camellia is written as 椿. And this letter is composed of 木 (tree) and 春 (spring). So, this flower was considered a plant that waits for the arrival of spring. We could imagine how people named this flower in an attempt to give it a good meaning. The piece is made of shakudo, a dark metal alloy, and has a nanako pattern (魚々子地) on the surface. This pattern is created by placing tiny, round bumps evenly, like fish eggs. In addition, it features inlay work made with shikō (志鋼, a type of metal used for decoration). *As this item is an antique, please check each photo and ensure its condition. Why is it that the sword mounting was important for Samurai? The sword mountings of the Japanese sword have many kinds of decorations such as handguards (Tsuba), sword hilt (Menuki), pommel (Fuchi Kashira). The Japanese sword worked as a weapon and as an object to show who he was. For example, it shows their personalities and beliefs. You could say that it is like decorations for smartphones today. We recommend you zoom in on the pictures of the sword fittings. When you do so, you can see the skill of Japanese metal engraving techniques. They are mainly made of iron and copper with inlays of gold, silver, and bronze. When it comes to handguard (Tsuba), each one has a different outline and weight. These sword fittings that have lived with Japanese swords of the same age might be worth as much as the Japanese swords. They are inconspicuous parts of the Japanese sword. Nevertheless, if you are knowledgeable or particular about it, you will become a connoisseur of the Samurai. Authentication Paper : NBTHK Hozon Certificate NBTHK, also known as Nihon Bijutsu Touken Hozon Kyokai (the Society for the Preservation of the Japan Art Sword), is one of the oldest Japanese sword appraising organizations in modern-day Japan. They authenticated the Kozuka on March 11th in the third year of Heisei (1991). They appraised it as Hozon Tousougu, the Kozuka worth preserving for Japanese society. The purchaser will receive this original certificate as well. We can also translate what is written into English and make a PDF file for your record if you request. 【About us】 Samurai Museum is located in Tokyo, Japan, exhibiting antique artifacts related to the Samurai history. Samurai Museum Shop is the place for those who are interested in Japanese culture and craftsmanship. We deal with antique Samurai swords/armor, traditional crafts made in Japan and so on. 【Payment method】 We accept payment through Stripe (Credit card), PayPal , Apple Pay or ChromePay, all of which are secure payment methods. Also, you don’t need to make an account on Stripe for the checkout. If you prefer other payment method, please contact us. You may either pa

流派について

脇後藤

家彫 · Kyoto

現在75点販売中

›

脇後藤 脇後藤とは、刀装具製作において歴代にわたり権威を保った後藤宗家に対し、その傍系・分家にあたる諸家の総称である。後藤家は室町時代以来、足利将軍家・徳川幕府に仕え、その彫物は「家彫」と称されて市井の需要に応じた「町彫」と区別され、刀装金工の最高峰と仰がれた。脇後藤はこの宗家の血脈と技法を分かち、京都および江戸の中央のみならず諸国へとその伝統を広めた一群である。室町末期に活躍したと伝わる光乗をはじめ、程乗の次男にして理兵衛家を興した悦乗、権兵衛家の順乗、勘兵衛家の東乗・光文、半左衛門家の光正、次左衛門家の光久など、多くの名工がこの系譜に名を連ねている。とりわけ悦乗光邦は寛永十九年に京都に生まれ、加賀前田家より百五十石を賜り、勘兵衛家の演乗と隔年で加州金沢に住して門人を育成し、加賀後藤の隆盛に大きく寄与した。 作風は専ら後藤の御家流を基調とし、赤銅魚子地を高彫あるいは鋤出高彫とし、これに金色絵を施すのを本領とする。魚子地は細かく整然として深く澄み、肉置きも優れる。光乗は桐紋・鳳凰・百足などの意匠を好み、その魚子地と高彫の肉取りに後藤上三代の遺風を伝える。悦乗は龍や獅子といった後藤の掟物のみならず、滑らかな赤銅の波文地に尾鰭を跳ね上げ勢いよく海上を飛ぶ鯱を、隅々まで細緻な鏨の活きた金紋であらわすなど、一風変わった趣向の作をも遺し、小柄笄の仕立・肉置は父程乗に全く同じく、金の色あいよく彫技も傑出する。幕末に至っては、光文の七夕図に見るごとく、赤銅魚子地の高彫金色絵を蒔絵・螺鈿の鞘と取り合わせ、加賀工芸の極致と称される優美な刀装をも生み出している。 評価においては、脇後藤の作はいずれも父祖の御家流を忠実に継ぎつつ、各家それぞれに独自の意匠と卓越した彫技を加えた点が高く評価される。順乗の双龍図鐔が「後藤傍系作品中の傑出作」[[c:1]]と称されるごとく、傍系にありながら宗家に劣らぬ技量を示す作が少なくない。在銘品が比較的少ないため、その遺品はいずれも資料的価値が高く、後藤家研究の好資料として珍重される。理兵衛家の加州移住によって伝統は京・江戸の外へも広がり、加賀後藤として一地方の金工を興隆させた。かくして脇後藤は、後藤宗家の家彫の伝統を時代の好尚に応じて展開させながらその品格を保ち続けた一流として、日本刀装金工史上に重要な位置を占めている。 詳しく見る →

29名の刀工指定210口
主要刀工
刀工時代指定
光乗1480-16705
宗知—0
守邨厚隆—0
泰乗—0
光治—0
脇後藤流派を見る →
NBTHK鑑定書
Hozon Tōsōgu保存刀装具
Fitting Worthy of Preservation
›

銘が正しい、または無銘でも年代・流派を指摘でき、美術工芸的価値が認められる、保存に値する真正の刀装具と鑑定されたものです。

NBTHKについて›

日本美術刀剣保存協会(NBTHK)は、1948年に設立され、文化庁の監督を受ける公益財団法人で、東京・刀剣博物館に本部を置きます。専門の審査員が出品作を直接審査し、美術的・歴史的価値に応じた鑑定書を発行します。NBTHKの鑑定書は、日本刀および刀装具の真正性を示す最も広く認知された基準です。

NBTHK公式サイト→
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脇後藤派の売約済み

銀座誠友堂
特別保存
Menuki - Tokuho - by Waki-Goto School - 目貫[脇後藤 這龍図目貫][日本美術刀剣保存協会]特別保存刀装具Menuki - Tokuho - by Waki-Goto School - 目貫[脇後藤 這龍図目貫][日本美術刀剣保存協会]特別保存刀装具
売切れ

目貫

作脇後藤派
江戸
売却済
あさひ刀剣
保存
Kozuka - Hozon - by Waki-Goto School - 小柄 布袋唐子図(無銘・悦乗)Kozuka - Hozon - by Waki-Goto School - 小柄 布袋唐子図(無銘・悦乗)
売切れ

小柄

作脇後藤派
江戸
売却済
あやかし堂
保存
Fuchi-Kashira - Hozon - by Waki-Goto School - 縁頭 桐図 後藤光倫Fuchi-Kashira - Hozon - by Waki-Goto School - 縁頭 桐図 後藤光倫
売切れ

縁頭

作脇後藤派
江戸
売却済
サムライミュージアム
保存
Menuki - Hozon - by Waki-Goto School - 刀装具 目貫 NBTHK保存刀装具鑑定書付 (M-44)Menuki - Hozon - by Waki-Goto School - 刀装具 目貫 NBTHK保存刀装具鑑定書付 (M-44)
売切れ

目貫

作脇後藤派
江戸
売却済

脇後藤派の作

すべて見る →
銀座長州屋
特別保存
Tsuba - Tokuho - by Goto Ichijo - 銀座長州屋Tsuba - Tokuho - by Goto Ichijo - 銀座長州屋

鍔

作後藤一乗
江戸
お問い合わせ
銀座盛光堂
特別保存
Futatokoro - Tokuho - by Goto Ichijo - 後藤法橋一乗(花押)飛鶴図Futatokoro - Tokuho - by Goto Ichijo - 後藤法橋一乗(花押)飛鶴図

二所物

作後藤一乗
late Edo–early Meiji (1791–1876)
¥1,900,000
銀座盛光堂
重要
Kozuka - Jūyō - by Ichijo Ikkin - 船田一琴 花押Kozuka - Jūyō - by Ichijo Ikkin - 船田一琴 花押

小柄

作一琴
江戸
お問い合わせ
Mandarin Mansion
特別保存
Koshirae - Tokuho - by Araki Tomei - 荒木東明 脇差 拵えKoshirae - Tokuho - by Araki Tomei - 荒木東明 脇差 拵え

拵

作東明
江戸
お問い合わせ
Onihonto
保存
Fuchi-Kashira - Hozon - by Waki-Goto Seijo - 雷雲龍図縁頭 後藤清乗作Fuchi-Kashira - Hozon - by Waki-Goto Seijo - 雷雲龍図縁頭 後藤清乗作

縁頭

作清乗
early Edo (1606–1688)
¥1,250
葵美術
重要
Gotokoromono - Jūyō - by Araki Tomei - 刀装具一揃:無銘:鐔、小柄、縁頭、目貫、裏瓦、栗形(第65回重要刀装具):粟図Gotokoromono - Jūyō - by Araki Tomei - 刀装具一揃:無銘:鐔、小柄、縁頭、目貫、裏瓦、栗形(第65回重要刀装具):粟図

五所物

作東明
late Edo (1817–1870)
¥12,500,000
銀座盛光堂
特別保存
Menuki - Tokuho - by Waki-Goto Tojo - 割笄 銘 後藤東乗(花押)Menuki - Tokuho - by Waki-Goto Tojo - 割笄 銘 後藤東乗(花押)

目貫

作東乗
Edo (1670)
¥650,000
丸英刀剣
特別保存
Menuki - Tokuho - by Araki Tomei - 荒木東明 短冊銘 粟穂図目貫Menuki - Tokuho - by Araki Tomei - 荒木東明 短冊銘 粟穂図目貫

目貫

作東明
江戸
¥2,200,000

後藤派の作

すべて見る →
飯田高遠堂
重要
Kozuka - Jūyō - by Goto Sojo - 刀装具 鑑定書内容:財)日本美術刀剣保存協会 重要刀装具[N.B.T.H.K]Juyo Tosougu No.54 NO.B318 作者 : 後藤宗乗Kozuka - Jūyō - by Goto Sojo - 刀装具 鑑定書内容:財)日本美術刀剣保存協会 重要刀装具[N.B.T.H.K]Juyo Tosougu No.54 NO.B318 作者 : 後藤宗乗

小柄

作後藤宗乗
室町
¥3,300,000
山城屋
特重
Koshirae - Tokuju - by Kaga-Goto Etsujo - 【太刀拵】 金梨子地葵紋散金貝蒔絵鞘糸巻太刀拵 / 鐔(銘)後藤悦乗(花押)Koshirae - Tokuju - by Kaga-Goto Etsujo - 【太刀拵】 金梨子地葵紋散金貝蒔絵鞘糸巻太刀拵 / 鐔(銘)後藤悦乗(花押)

拵

作悦乗
江戸
お問い合わせ
葵美術
特別保存
Kozuka - Tokuho - by Goto Tsujo - 小柄:通乗作 光美(日本美術刀剣保存協会 特別保存刀装具)Kozuka - Tokuho - by Goto Tsujo - 小柄:通乗作 光美(日本美術刀剣保存協会 特別保存刀装具)

小柄

作後藤通乗
Mid Edo (1664-1721)
¥500,000
和敬堂
特別保存
Menuki - Tokuho - by Goto Teijo - 目貫 無銘 程乗 十二支図Menuki - Tokuho - by Goto Teijo - 目貫 無銘 程乗 十二支図

目貫

作後藤程乗
Early Edo (1603-1673)
¥380,000
刀心
特別貴重
Futatokoro - Tokubetsu Kichō - by Goto Tsujo - 束稲図二所 後藤光寿(花押) -Goto Mitsutoshi(Kao)- 16-197Futatokoro - Tokubetsu Kichō - by Goto Tsujo - 束稲図二所 後藤光寿(花押) -Goto Mitsutoshi(Kao)- 16-197

二所物

作後藤通乗
Mid Edo (1664-1721)
¥550,000
Onihonto
特別保存
Menuki - Tokuho - by Goto School - 大名乗後藤 獅子図目貫(特別重要刀剣等鑑定書付)Menuki - Tokuho - by Goto School - 大名乗後藤 獅子図目貫(特別重要刀剣等鑑定書付)

目貫

作後藤派
室町
¥1,500
葵美術
特別保存
Mitokoromono - Tokuho - by Goto Ichijo - 二所物(小柄・笄):後藤一乗(日本美術刀剣保存協会 特別保存刀装具)Mitokoromono - Tokuho - by Goto Ichijo - 二所物(小柄・笄):後藤一乗(日本美術刀剣保存協会 特別保存刀装具)

三所物

作後藤一乗
late Edo–early Meiji (1791–1876)
¥1,250,000
銀座長州屋
特別保存
Kozuka - Tokuho - by Goto Eijo - 縄張農具図小柄 銘 栄乗作 光守(花押)小柄栄乗作 光守(花押)Kozuka - Tokuho - by Goto Eijo - 縄張農具図小柄 銘 栄乗作 光守(花押)小柄栄乗作 光守(花押)

小柄

作後藤栄乗
桃山
¥350,000

家彫の伝統

すべて見る →
飯田高遠堂
特別保存
Tsuba - Tokuho - by Goto Ichijo - 刀装具Tsuba - Tokuho - by Goto Ichijo - 刀装具

鍔

作後藤一乗
江戸
¥1,320,000
葵美術
重要
Gotokoromono - Jūyō - by Goto Enjo - 三所物(小柄・笄・目貫):翁三番叟図Gotokoromono - Jūyō - by Goto Enjo - 三所物(小柄・笄・目貫):翁三番叟図

五所物

作後藤延乗
江戸
¥4,000,000
飯田高遠堂
重要
Mitokoromono - Jūyō - by Goto Tobari Tomihisa - 刀装具 鑑定書内容:財)日本美術刀剣保存協会 重要刀装具[N.B.T.H.K]Juyo Tosougu No.70 銘文:戸張富久Mitokoromono - Jūyō - by Goto Tobari Tomihisa - 刀装具 鑑定書内容:財)日本美術刀剣保存協会 重要刀装具[N.B.T.H.K]Juyo Tosougu No.70 銘文:戸張富久

三所物

作戸張富久
江戸
¥5,500,000
和敬堂
保存
Kozuka - Hozon - by Goto Shinjo - 小柄 紋程乗 光美(花押) 親子虎豹図Kozuka - Hozon - by Goto Shinjo - 小柄 紋程乗 光美(花押) 親子虎豹図

小柄

作後藤真乗
Late Edo (1780-1843)
¥580,000
丸英刀剣
特別保存
Futatokoro - Tokuho - by Goto Ichijo - 後藤一乗 流水に藻貝図二所Futatokoro - Tokuho - by Goto Ichijo - 後藤一乗 流水に藻貝図二所

二所物

作後藤一乗
21.1cm·江戸
¥2,200,000
丸英刀剣
特別保存
Menuki - Tokuho - by Ko-Goto School - 金無垢這龍図目貫 古後藤Menuki - Tokuho - by Ko-Goto School - 金無垢這龍図目貫 古後藤

目貫

作古後藤派
4.3cm·江戸
¥750,000
Soryu
保存
Fuchi-Kashira - Hozon - by Goto Teijo - 縁頭 銘「貞乗作 光美」 保存刀装具鑑定書付Fuchi-Kashira - Hozon - by Goto Teijo - 縁頭 銘「貞乗作 光美」 保存刀装具鑑定書付

縁頭

作後藤程乗
Early Edo (1603-1673)
¥2,800
Nihontocraft
重要
Mitokoromono - Jūyō - by Goto Hojo - 後藤方乗 三所物Mitokoromono - Jūyō - by Goto Hojo - 後藤方乗 三所物

三所物

作後藤方乗
江戸
¥27,000

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