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Overview·Designations·Provenance·Blade Forms·Signatures·Lineage·School
OverviewDesignationsProvenanceBlade FormsSignaturesLineageSchool
  1. Schools
  2. Soshu
  3. Sue-Sōshū
  4. Hiromasa

Sue-Soshu Hiromasa

廣正

Jūyō
Vol. 21, No. 100 · Wakizashi

Sue-Soshu Hiromasa

廣正

3 ranked works

ProvinceSagamiEraBunsho (1466–1467)PeriodMuromachiSchoolSoshu>Sue-SoshuTraditionSoshu-denGeneration4thTeacherHiromasaFujishiroJo sakuToko Taikan450(top 31%)TypeSwordsmithCodeHIR272
2Gyobutsu
1Jūyō Tōken

Overview

Hiromasa was a swordsmith of ( Province), a name borne by several generations active continuously from the period through to the end of the period. Dated examples are rare, making it difficult to distinguish the individual generations with clarity; however, surviving dated works include blades inscribed Bun'an 5 (1448), Hotoku 2 (1450), Kosho 2 (1456), and Bunmei 3 (1471), placing the documented activity firmly within the mid to late period. A separate Hiromasa of the lineage in Province, traditionally regarded as a son of Yukihiro, is also known from the mid period around the Shohei era, and one blade attributed to this Hiromasa bears a gold-inlaid attribution reading "Ranoke."

The of Hiromasa's -line works is characteristically an tending toward standing grain, with and . The takes the form of , frequently mixed with that develops into (full-temper); , , , and appear, and the tends toward tightness. The typically enters in , sometimes becoming on the , and returns with a pointed tendency. A notable hallmark of this smith's output is the : virtually every signed blade bears elaborate carvings -- , grass-style , , -sho, hatahoko, and renben, often executed in raised relief () within grooves. These carvings are consistently described as "skillfully executed" and "splendid," and they constitute a defining feature of -made blades of this era. The -lineage Hiromasa, by contrast, displays a -based upon which adheres well with a bright, clear -- features that "strongly manifest the characteristics of the tradition."

Works by both lineages receive consistent praise. Of the Hiromasa, the observes that his blades display "both the period character of workmanship and the traditional manner of the -," and individual pieces are assessed as "one representative masterpiece among works of this era." Of the Hiromasa, the forging with accompanied by and a bright, clear leads to the assessment that the blade is "an especially fine example" among works attributed to this smith. Across both traditions, the name Hiromasa represents a sustained lineage of skilled craftsmanship that preserved regional forging idioms through several generations.

Designations

Kokuhō—
Jūyō Bunkazai—
Jūyō Bijutsuhin—
Gyobutsu2
Tokubetsu Jūyō—
Jūyō Tōken1

Elite Standing

0.00 across 3 designated works

Top 100% among smiths

Provenance

2 documented provenances across certified works by Hiromasa

Provenance Standing

2 works held in elite collections across 2 documented provenances

Top 68% among smiths

Raw score: 1.92 / 10

Blade Forms

Distribution across 3 ranked works

Signatures

Signature types across 3 ranked works

Currently Available

Lineage

TeacherHiromasa
Hiromasa
Students (2)
  1. 1.Hiromasa廣正1 for sale4designated
  2. 2.Hiromasa廣正3designated

Sue-Soshu School

Other artisans of the Sue-Soshu school

  1. 1.Tsunahiro綱廣2 for sale12designated
  2. 2.Fusamune總宗5designated
  3. 3.Hiromasa廣正1 for sale4designated
  4. 4.Tsunaie綱家3designated
  5. 5.Kiyohira清平4designated
  6. 6.Yasukuni康國1designated
  7. 7.Kunitsugu國次1designated
  8. 8.Hirotsugu廣次1 for sale2designated
  9. 9.Hiromasa廣正1designated
  10. 10.Tsunahiro綱廣3 for sale2designated
  11. 11.Yasuharu康春1designated
  12. 12.Hirotsugu廣次1designated