The third generation Hoki no Kami Nobutaka was the legitimate son of the second generation Kanyujindo, and his common name was Kawamura Sannojo. He received the title of Hoki no Kami in Kanbun 5. Among the various generations of Nobutaka, he left the most works. In response to the family traditions of the Owari Tokugawa clan which encouraged martial arts, a robust tsukurikomi was preferred. In that region, he was highly prized alongside Ujifusa and Masatsune, and they are praised as the Owari Sansaku (Three Masters of Owari). Since works by the third generation Nobutaka exist with the soemei "Heishi Toshikane Shoji no nari" (Owned by Toshikane of the Taira clan), one can glimpse an interaction with Yagyu Renyasai Toshikane, who served the second Owari Tokugawa lord Mitsutomo and held a fief of 800 koku. It is imagined that he received guidance on swordsmanship regarding the sugata and tsukurikomi. The titled wakizashi has an extremely wide mihaba and thick kasane, a sturdy tsukurikomi unique to Owari Shinto. The jitetsu of ko-itame mixed with itame is beautifully tightened and clear, with fine ji-nie appearing over the entire surface, and undulating chikei make the hadame stand out, expressing a tough character here as well. The hamon, consisting of continuous large and small gunome in a toran-midare style forming large mountain shapes, is accompanied by active ashi. It is gorgeously decorated with piercing gunome in places and tobiyaki. The boshi on the omote is ko-maru kaeri with faint hakikake, and on the ura, a sphere is tempered at the tip with a midare-kaeri. The yakiba, primarily ko-nie mixed with nioi, is remarkably bright; nie flows along the habuchi creating delicate hotsure, and in the middle of the toshin, kinsen flows across the ko-ashi. The nakago has a good feel in the hand, with the mei carved in powerful strokes.

The third generation Hoki no Kami Nobutaka was the legitimate son of the second generation Kanyujindo, and his common name was Kawamura Sannojo. He received the title of Hoki no Kami in Kanbun 5. Among the various generations of Nobutaka, he left the most works. In response to the family traditions of the Owari Tokugawa clan which encouraged martial arts, a robust tsukurikomi was preferred. In that region, he was highly prized alongside Ujifusa and Masatsune, and they are praised as the Owari Sansaku (Three Masters of Owari). Since works by the third generation Nobutaka exist with the soemei "Heishi Toshikane Shoji no nari" (Owned by Toshikane of the Taira clan), one can glimpse an interaction with Yagyu Renyasai Toshikane, who served the second Owari Tokugawa lord Mitsutomo and held a fief of 800 koku. It is imagined that he received guidance on swordsmanship regarding the sugata and tsukurikomi. The titled wakizashi has an extremely wide mihaba and thick kasane, a sturdy tsukurikomi unique to Owari Shinto. The jitetsu of ko-itame mixed with itame is beautifully tightened and clear, with fine ji-nie appearing over the entire surface, and undulating chikei make the hadame stand out, expressing a tough character here as well. The hamon, consisting of continuous large and small gunome in a toran-midare style forming large mountain shapes, is accompanied by active ashi. It is gorgeously decorated with piercing gunome in places and tobiyaki. The boshi on the omote is ko-maru kaeri with faint hakikake, and on the ura, a sphere is tempered at the tip with a midare-kaeri. The yakiba, primarily ko-nie mixed with nioi, is remarkably bright; nie flows along the habuchi creating delicate hotsure, and in the middle of the toshin, kinsen flows across the ko-ashi. The nakago has a good feel in the hand, with the mei carved in powerful strokes.