Tokuho
(銘)肥後守法城寺橘吉次 変塗拵入脇指
¥850,000
Specifications
Nagasa
49 cm
Sori
0.9 cm
Motohaba
2.9 cm
NihontoWatchBETA(Mei) Higo no Kami Hojoji Tachibana Yoshitsugu. It is a wakizashi in kawari-nuri koshirae. It comes with a Tokubetsu Hozon Token certificate. (Nagasa) 1 shaku 6 sun 2 bu plus (Sori) 3 bu (Motohaba) 2.9cm (Sakihaba) 2.2cm Higo no Kami Hojoji Tachibana Yoshitsugu was an Edo swordsmith and a pupil of Hojoji Kunimasa; he received the title of Higo no Kami around the Kanbun era. He moved to Kagoshima around the first year of Genroku. His work inherits the style of the Hojoji school, with high-quality pieces that rival contemporary Edo smiths like Kotetsu and Kaneshige. He later returned to Edo. (Jigane) The steel is well-forged with a tight itame-hada. The hada has a moist luster. (Hamon) Nie-deki; starting with a suguba yaki-dashi, it transitions into choji with many ashi throughout. There is sunagashi, and the nioiguchi is bright. (Boshi) Midare-komi, with slight hakikake, returning in komaru. This work exhibits the typical shape and edge of Edo Shinto, displaying the characteristic style of the Hojoji school. In particular, the choji of the hamon is reminiscent of the juzu-ba of Kotetsu from the same period. It is said that works by Yoshitsugu that include the Hojoji name are late-career works made after his return to Edo from Satsuma. Furthermore, the koshirae features a mokume pattern on the surface finished with black, red, and a touch of gold lacquer, making it a unique and unusual kawari-nuri koshirae. Swordsmith: Yoshitsugu (Ho-jou-ji) Period: The first half of Edo period Paper: Tokubetsu Hozon (NBTHK) (The grain of Ji) Wood grain pattern, Itame. Good condition (The type of Hamon) irregular, lines from the hamon extending to the edge (Boshi) Brushstroke pattern, and small turnback at the end. (Length) 49cm (Curveture) 0.9cm
NihontoWatchBETA¥850,000
49 cm
0.9 cm
2.9 cm
(Mei) Higo no Kami Hojoji Tachibana Yoshitsugu. It is a wakizashi in kawari-nuri koshirae. It comes with a Tokubetsu Hozon Token certificate. (Nagasa) 1 shaku 6 sun 2 bu plus (Sori) 3 bu (Motohaba) 2.9cm (Sakihaba) 2.2cm Higo no Kami Hojoji Tachibana Yoshitsugu was an Edo swordsmith and a pupil of Hojoji Kunimasa; he received the title of Higo no Kami around the Kanbun era. He moved to Kagoshima around the first year of Genroku. His work inherits the style of the Hojoji school, with high-quality pieces that rival contemporary Edo smiths like Kotetsu and Kaneshige. He later returned to Edo. (Jigane) The steel is well-forged with a tight itame-hada. The hada has a moist luster. (Hamon) Nie-deki; starting with a suguba yaki-dashi, it transitions into choji with many ashi throughout. There is sunagashi, and the nioiguchi is bright. (Boshi) Midare-komi, with slight hakikake, returning in komaru. This work exhibits the typical shape and edge of Edo Shinto, displaying the characteristic style of the Hojoji school. In particular, the choji of the hamon is reminiscent of the juzu-ba of Kotetsu from the same period. It is said that works by Yoshitsugu that include the Hojoji name are late-career works made after his return to Edo from Satsuma. Furthermore, the koshirae features a mokume pattern on the surface finished with black, red, and a touch of gold lacquer, making it a unique and unusual kawari-nuri koshirae. Swordsmith: Yoshitsugu (Ho-jou-ji) Period: The first half of Edo period Paper: Tokubetsu Hozon (NBTHK) (The grain of Ji) Wood grain pattern, Itame. Good condition (The type of Hamon) irregular, lines from the hamon extending to the edge (Boshi) Brushstroke pattern, and small turnback at the end. (Length) 49cm (Curveture) 0.9cm
NihontoWatchBETA¥850,000
49 cm
0.9 cm
2.9 cm
