Kagenaga (景長) of Inshu (Inaba Province) is traditionally said to have been a disciple of Yoshimasa of Yamashiro Province, with some accounts identifying him as Yoshimasa's younger brother. He is commonly known by the appellation "Inaba Kokaji" -- the small smith of Inaba. Beginning with the first generation, smiths signing with the name continued from around the end of the period well into the period. However, works that bear dates are extremely few, being limited to only several blades inscribed with an Oei-era date, making it exceedingly difficult to determine the period of a given work solely from the manner of the signature. Extant blades actually signed "Inshu-ju Kagenaga" are rare, further underscoring the documentary value of each surviving signed example.
The traditional style associated with this lineage is distinguished by skill in the Yamashiro tradition's . The forging typically presents a ko-itame-hada that is densely worked, at times with a slight tendency toward nagare, producing a jigane that is extremely well refined and softened in appearance. Fine ji-nie forms thickly, and the shinogi-ji may become masame. The temper line is almost exclusively a narrow suguha -- frequently an ito-suguha -- in which the nioiguchi is tight and ko-nie adheres cleanly. The boshi is characteristically straight, turning back in a rounded manner. Points of interest may be found in areas where the jigane tends to be somewhat soft, a quality that distinguishes Kagenaga's work within the broader Awataguchi idiom.
Among the earliest surviving works attributed to Kagenaga, blades from around the very end of the Kamakura period display an especially archaic manner in both sugata and the style of jitetsu and hamon1, presenting slender proportions with pronounced koshizori and ko-kissaki that recall the classical tachi form. These early pieces are valuable examples that demonstrate the direct continuation of the Kyoto-school suguha aesthetic2 into the provincial setting of Inaba, and they occupy an important position among works of the Awataguchi lineage.
Historical importance
Where Kagenaga stands among comparable artisans: across all of nihontō, and within tradition, era, and period. The tiers (Foremost · Leading · Major · Notable) weigh official designations from the NBTHK and Japan's Agency for Cultural Affairs, together with historical honors of lasting repute such as the Sansaku and Meibutsu-chō.